Shima Mohammadi

Michela Testolina, Mohsen Jenadeleh, Shima Mohammadi et al.

Advances in image compression, storage, and display technologies have made high-quality images and videos widely accessible. At this level of quality, distinguishing between compressed and original content becomes difficult, highlighting the need for assessment methodologies that are sensitive to even the smallest visual quality differences. Conventional subjective visual quality assessments often use absolute category rating scales, ranging from ``excellent'' to ``bad''. While suitable for evaluating more pronounced distortions, these scales are inadequate for detecting subtle visual differences. The JPEG standardization project AIC is currently developing a subjective image quality assessment methodology for high-fidelity images. This paper presents the proposed assessment methods, a dataset of high-quality compressed images, and their corresponding crowdsourced visual quality ratings. It also outlines a data analysis approach that reconstructs quality scale values in just noticeable difference (JND) units. The assessment method uses boosting techniques on visual stimuli to help observers detect compression artifacts more clearly. This is followed by a rescaling process that adjusts the boosted quality values back to the original perceptual scale. This reconstruction yields a fine-grained, high-precision quality scale in JND units, providing more informative results for practical applications. The dataset and code to reproduce the results will be available at https://github.com/jpeg-aic/dataset-BTC-PTC-24.

Mohsen Jenadeleh, Jon Sneyers, Panqi Jia et al.

Learning-based image compression methods have recently emerged as promising alternatives to traditional codecs, offering improved rate-distortion performance and perceptual quality. JPEG AI represents the latest standardized framework in this domain, leveraging deep neural networks for high-fidelity image reconstruction. In this study, we present a comprehensive subjective visual quality assessment of JPEG AI-compressed images using the JPEG AIC-3 methodology, which quantifies perceptual differences in terms of Just Noticeable Difference (JND) units. We generated a dataset of 50 compressed images with fine-grained distortion levels from five diverse sources. A large-scale crowdsourced experiment collected 96,200 triplet responses from 459 participants. We reconstructed JND-based quality scales using a unified model based on boosted and plain triplet comparisons. Additionally, we evaluated the alignment of multiple objective image quality metrics with human perception in the high-fidelity range. The CVVDP metric achieved the overall highest performance; however, most metrics including CVVDP were overly optimistic in predicting the quality of JPEG AI-compressed images. These findings emphasize the necessity for rigorous subjective evaluations in the development and benchmarking of modern image codecs, particularly in the high-fidelity range. Another technical contribution is the introduction of the well-known Meng-Rosenthal-Rubin statistical test to the field of Quality of Experience research. This test can reliably assess the significance of difference in performance of quality metrics in terms of correlation between metrics and ground truth. The complete dataset, including all subjective scores, is publicly available at https://github.com/jpeg-aic/dataset-JPEG-AI-SDR25.

Mohsen Jenadeleh, Jon Sneyers, Davi Lazzarotto et al.

High dynamic range (HDR) and wide color gamut (WCG) technologies significantly improve color reproduction compared to standard dynamic range (SDR) and standard color gamuts, resulting in more accurate, richer, and more immersive images. However, HDR increases data demands, posing challenges for bandwidth efficiency and compression techniques. Advances in compression and display technologies require more precise image quality assessment, particularly in the high-fidelity range where perceptual differences are subtle. To address this gap, we introduce AIC-HDR2025, the first such HDR dataset, comprising 100 test images generated from five HDR sources, each compressed using four codecs at five compression levels. It covers the high-fidelity range, from visible distortions to compression levels below the visually lossless threshold. A subjective study was conducted using the JPEG AIC-3 test methodology, combining plain and boosted triplet comparisons. In total, 34,560 ratings were collected from 151 participants across four fully controlled labs. The results confirm that AIC-3 enables precise HDR quality estimation, with 95\% confidence intervals averaging a width of 0.27 at 1 JND. In addition, several recently proposed objective metrics were evaluated based on their correlation with subjective ratings. The dataset is publicly available.