Zhongyun Hu

Zhongyun Hu, Ntumba Elie Nsampi, Xue Wang et al.

Image harmonization aims at adjusting the appearance of the foreground to make it more compatible with the background. Without exploring background illumination and its effects on the foreground elements, existing works are incapable of generating a realistic foreground shading. In this paper, we decompose the image harmonization task into two sub-problems: 1) illumination estimation of the background image and 2) re-rendering of foreground objects under background illumination. Before solving these two sub-problems, we first learn a shading-aware illumination descriptor via a well-designed neural rendering framework, of which the key is a shading bases module that generates multiple shading bases from the foreground image. Then we design a background illumination estimation module to extract the illumination descriptor from the background. Finally, the Shading-aware Illumination Descriptor is used in conjunction with the neural rendering framework (SIDNet) to produce the harmonized foreground image containing a novel harmonized shading. Moreover, we construct a photo-realistic synthetic image harmonization dataset that contains numerous shading variations with image-based lighting. Extensive experiments on both synthetic and real data demonstrate the superiority of the proposed method, especially in dealing with foreground shadings.

Majed El Helou, Ruofan Zhou, Sabine Süsstrunk et al.

We review the AIM 2020 challenge on virtual image relighting and illumination estimation. This paper presents the novel VIDIT dataset used in the challenge and the different proposed solutions and final evaluation results over the 3 challenge tracks. The first track considered one-to-one relighting; the objective was to relight an input photo of a scene with a different color temperature and illuminant orientation (i.e., light source position). The goal of the second track was to estimate illumination settings, namely the color temperature and orientation, from a given image. Lastly, the third track dealt with any-to-any relighting, thus a generalization of the first track. The target color temperature and orientation, rather than being pre-determined, are instead given by a guide image. Participants were allowed to make use of their track 1 and 2 solutions for track 3. The tracks had 94, 52, and 56 registered participants, respectively, leading to 20 confirmed submissions in the final competition stage.