Xiaohang Yang

Jiahao Yang, Xiaohang Yang, Qing Wang et al.

Modeling dynamic facial expressions using 3D Gaussian representations remains challenging due to their unstructured nature. Conventional Gaussian avatar pipelines require extensive multiview and sequential expression data, limiting scalability and accessibility. In this work, we introduce Self-Adaptive Gaussian Expression (SAGE), a framework for self-learning expression-induced Gaussian deformations that enables high-fidelity, animatable avatars from minimal input data. Our method jointly optimizes 2D Gaussian surfels and a Signed Distance Field (SDF) to enforce compact, surface-aligned Gaussian distributions, while a self-supervised expression learning phase replaces long training sequences with geometric and appearance consistency constraints. This design allows flexible deployment across multiple reconstruction regimes: in the multiview setting, only a single frame (timestep) is required instead of thousands; in the monocular setting, only head rotations are needed without expression sequences; and in the one-shot setting, no pretraining or priors are necessary. Experiments demonstrate that our approach achieves reconstruction and animation quality comparable to state-of-the-art methods, while reducing data requirements by several orders of magnitude. Our results highlight the potential of self-supervised Gaussian deformation learning as a step toward accessible, data-efficient avatar creation.

Qifan Fu, Xiaohang Yang, Muhammad Asad et al.

Diffusion models have shown their remarkable ability to synthesize images, including the generation of humans in specific poses. However, current models face challenges in adequately expressing conditional control for detailed hand pose generation, leading to significant distortion in the hand regions. To tackle this problem, we first curate the How2Sign dataset to provide richer and more accurate hand pose annotations. In addition, we introduce adaptive, multi-modal fusion to integrate characters' physical features expressed in different modalities such as skeleton, depth, and surface normal. Furthermore, we propose a novel Region-Aware Cycle Loss (RACL) that enables the diffusion model training to focus on improving the hand region, resulting in improved quality of generated hand gestures. More specifically, the proposed RACL computes a weighted keypoint distance between the full-body pose keypoints from the generated image and the ground truth, to generate higher-quality hand poses while balancing overall pose accuracy. Moreover, we use two hand region metrics, named hand-PSNR and hand-Distance for hand pose generation evaluations. Our experimental evaluations demonstrate the effectiveness of our proposed approach in improving the quality of digital human pose generation using diffusion models, especially the quality of the hand region. The source code is available at https://github.com/fuqifan/Region-Aware-Cycle-Loss.

Xiaohang Yang, Qing Wang, Jiahao Yang et al.

Motion retargeting seeks to faithfully replicate the spatio-temporal motion characteristics of a source character onto a target character with a different body shape. Apart from motion semantics preservation, ensuring geometric plausibility and maintaining temporal consistency are also crucial for effective motion retargeting. However, many existing methods prioritize either geometric plausibility or temporal consistency. Neglecting geometric plausibility results in interpenetration while neglecting temporal consistency leads to motion jitter. In this paper, we propose a novel sequence-to-sequence model for seamless Spatial-Temporal aware motion Retargeting (STaR), with penetration and consistency constraints. STaR consists of two modules: (1) a spatial module that incorporates dense shape representation and a novel limb penetration constraint to ensure geometric plausibility while preserving motion semantics, and (2) a temporal module that utilizes a temporal transformer and a novel temporal consistency constraint to predict the entire motion sequence at once while enforcing multi-level trajectory smoothness. The seamless combination of the two modules helps us achieve a good balance between the semantic, geometric, and temporal targets. Extensive experiments on the Mixamo and ScanRet datasets demonstrate that our method produces plausible and coherent motions while significantly reducing interpenetration rates compared with other approaches. Code page: https://github.com/XiaohangYang829/STaR.

Bowen Dang, Lin Wu, Xiaohang Yang et al.

Generating 3D human motions from textual descriptions is an important research problem with broad applications in video games, virtual reality, and augmented reality. Recent methods align the textual description with human motion at the sequence level, neglecting the internal semantic structure of modalities. However, both motion descriptions and motion sequences can be naturally decomposed into smaller and semantically coherent segments, which can serve as atomic alignment units to achieve finer-grained correspondence. Motivated by this, we propose SegMo, a novel Segment-aligned text-conditioned human Motion generation framework to achieve fine-grained text-motion alignment. Our framework consists of three modules: (1) Text Segment Extraction, which decomposes complex textual descriptions into temporally ordered phrases, each representing a simple atomic action; (2) Motion Segment Extraction, which partitions complete motion sequences into corresponding motion segments; and (3) Fine-grained Text-Motion Alignment, which aligns text and motion segments with contrastive learning. Extensive experiments demonstrate that SegMo improves the strong baseline on two widely used datasets, achieving an improved TOP 1 score of 0.553 on the HumanML3D test set. Moreover, thanks to the learned shared embedding space for text and motion segments, SegMo can also be applied to retrieval-style tasks such as motion grounding and motion-to-text retrieval.

Qing Wang, Xiaohang Yang, Yilan Dong et al.

Music-to-dance generation aims to synthesize human dance motion conditioned on musical input. Despite recent progress, significant challenges remain due to the semantic gap between music and dance motion, as music offers only abstract cues, such as melody, groove, and emotion, without explicitly specifying the physical movements. Moreover, a single piece of music can produce multiple plausible dance interpretations. This one-to-many mapping demands additional guidance, as music alone provides limited information for generating diverse dance movements. The challenge is further amplified by the scarcity of paired music and dance data, which restricts the modelâĂŹs ability to learn diverse dance patterns. In this paper, we introduce DanceChat, a Large Language Model (LLM)-guided music-to-dance generation approach. We use an LLM as a choreographer that provides textual motion instructions, offering explicit, high-level guidance for dance generation. This approach goes beyond implicit learning from music alone, enabling the model to generate dance that is both more diverse and better aligned with musical styles. Our approach consists of three components: (1) an LLM-based pseudo instruction generation module that produces textual dance guidance based on music style and structure, (2) a multi-modal feature extraction and fusion module that integrates music, rhythm, and textual guidance into a shared representation, and (3) a diffusion-based motion synthesis module together with a multi-modal alignment loss, which ensures that the generated dance is aligned with both musical and textual cues. Extensive experiments on AIST++ and human evaluations show that DanceChat outperforms state-of-the-art methods both qualitatively and quantitatively.

Xiaohang Yang, Lingtong Kong, Jie Yang

Learning reliable motion representation between consecutive frames, such as optical flow, has proven to have great promotion to video understanding. However, the TV-L1 method, an effective optical flow solver, is time-consuming and expensive in storage for caching the extracted optical flow. To fill the gap, we propose UF-TSN, a novel end-to-end action recognition approach enhanced with an embedded lightweight unsupervised optical flow estimator. UF-TSN estimates motion cues from adjacent frames in a coarse-to-fine manner and focuses on small displacement for each level by extracting pyramid of feature and warping one to the other according to the estimated flow of the last level. Due to the lack of labeled motion for action datasets, we constrain the flow prediction with multi-scale photometric consistency and edge-aware smoothness. Compared with state-of-the-art unsupervised motion representation learning methods, our model achieves better accuracy while maintaining efficiency, which is competitive with some supervised or more complicated approaches.

Lingtong Kong, Xiaohang Yang, Jie Yang

Optical flow estimation is an essential step for many real-world computer vision tasks. Existing deep networks have achieved satisfactory results by mostly employing a pyramidal coarse-to-fine paradigm, where a key process is to adopt warped target feature based on previous flow prediction to correlate with source feature for building 3D matching cost volume. However, the warping operation can lead to troublesome ghosting problem that results in ambiguity. Moreover, occluded areas are treated equally with non occluded regions in most existing works, which may cause performance degradation. To deal with these challenges, we propose a lightweight yet efficient optical flow network, named OAS-Net (occlusion aware sampling network) for accurate optical flow. First, a new sampling based correlation layer is employed without noisy warping operation. Second, a novel occlusion aware module is presented to make raw cost volume conscious of occluded regions. Third, a shared flow and occlusion awareness decoder is adopted for structure compactness. Experiments on Sintel and KITTI datasets demonstrate the effectiveness of proposed approaches.