Federico Milani

Piero Fraternali, Federico Milani, Rocio Nahime Torres et al.

The application of Deep Neural Networks (DNNs) to a broad variety of tasks demands methods for coping with the complex and opaque nature of these architectures. When a gold standard is available, performance assessment treats the DNN as a black box and computes standard metrics based on the comparison of the predictions with the ground truth. A deeper understanding of performances requires going beyond such evaluation metrics to diagnose the model behavior and the prediction errors. This goal can be pursued in two complementary ways. On one side, model interpretation techniques "open the box" and assess the relationship between the input, the inner layers and the output, so as to identify the architecture modules most likely to cause the performance loss. On the other hand, black-box error diagnosis techniques study the correlation between the model response and some properties of the input not used for training, so as to identify the features of the inputs that make the model fail. Both approaches give hints on how to improve the architecture and/or the training process. This paper focuses on the application of DNNs to Computer Vision (CV) tasks and presents a survey of the tools that support the black-box performance diagnosis paradigm. It illustrates the features and gaps of the current proposals, discusses the relevant research directions and provides a brief overview of the diagnosis tools in sectors other than CV.

Federico Milani, Piero Fraternali

Iconography in art is the discipline that studies the visual content of artworks to determine their motifs and themes andto characterize the way these are represented. It is a subject of active research for a variety of purposes, including the interpretation of meaning, the investigation of the origin and diffusion in time and space of representations, and the study of influences across artists and art works. With the proliferation of digital archives of art images, the possibility arises of applying Computer Vision techniques to the analysis of art images at an unprecedented scale, which may support iconography research and education. In this paper we introduce a novel paintings data set for iconography classification and present the quantitativeand qualitative results of applying a Convolutional Neural Network (CNN) classifier to the recognition of the iconography of artworks. The proposed classifier achieves good performances (71.17% Precision, 70.89% Recall, 70.25% F1-Score and 72.73% Average Precision) in the task of identifying saints in Christian religious paintings, a task made difficult by the presence of classes with very similar visual features. Qualitative analysis of the results shows that the CNN focuses on the traditional iconic motifs that characterize the representation of each saint and exploits such hints to attain correct identification. The ultimate goal of our work is to enable the automatic extraction, decomposition, and comparison of iconography elements to support iconographic studies and automatic art work annotation.