Heyang Xue

Yu Wang, Xinsheng Wang, Pengcheng Zhu et al.

This paper introduces Opencpop, a publicly available high-quality Mandarin singing corpus designed for singing voice synthesis (SVS). The corpus consists of 100 popular Mandarin songs performed by a female professional singer. Audio files are recorded with studio quality at a sampling rate of 44,100 Hz and the corresponding lyrics and musical scores are provided. All singing recordings have been phonetically annotated with phoneme boundaries and syllable (note) boundaries. To demonstrate the reliability of the released data and to provide a baseline for future research, we built baseline deep neural network-based SVS models and evaluated them with both objective metrics and subjective mean opinion score (MOS) measure. Experimental results show that the best SVS model trained on our database achieves 3.70 MOS, indicating the reliability of the provided corpus. Opencpop is released to the open-source community WeNet, and the corpus, as well as synthesized demos, can be found on the project homepage.

Yongmao Zhang, Jian Cong, Heyang Xue et al.

In this paper, we propose VISinger, a complete end-to-end high-quality singing voice synthesis (SVS) system that directly generates audio waveform from lyrics and musical score. Our approach is inspired by VITS, which adopts VAE-based posterior encoder augmented with normalizing flow-based prior encoder and adversarial decoder to realize complete end-to-end speech generation. VISinger follows the main architecture of VITS, but makes substantial improvements to the prior encoder based on the characteristics of singing. First, instead of using phoneme-level mean and variance of acoustic features, we introduce a length regulator and a frame prior network to get the frame-level mean and variance on acoustic features, modeling the rich acoustic variation in singing. Second, we further introduce an F0 predictor to guide the frame prior network, leading to stabler singing performance. Finally, to improve the singing rhythm, we modify the duration predictor to specifically predict the phoneme to note duration ratio, helped with singing note normalization. Experiments on a professional Mandarin singing corpus show that VISinger significantly outperforms FastSpeech+Neural-Vocoder two-stage approach and the oracle VITS; ablation study demonstrates the effectiveness of different contributions.

Heyang Xue, Shan Yang, Yi Lei et al.

Singing voice synthesis has been paid rising attention with the rapid development of speech synthesis area. In general, a studio-level singing corpus is usually necessary to produce a natural singing voice from lyrics and music-related transcription. However, such a corpus is difficult to collect since it's hard for many of us to sing like a professional singer. In this paper, we propose an approach -- Learn2Sing that only needs a singing teacher to generate the target speakers' singing voice without their singing voice data. In our approach, a teacher's singing corpus and speech from multiple target speakers are trained in a frame-level auto-regressive acoustic model where singing and speaking share the common speaker embedding and style tag embedding. Meanwhile, since there is no music-related transcription for the target speaker, we use log-scale fundamental frequency (LF0) as an auxiliary feature as the inputs of the acoustic model for building a unified input representation. In order to enable the target speaker to sing without singing reference audio in the inference stage, a duration model and an LF0 prediction model are also trained. Particularly, we employ domain adversarial training (DAT) in the acoustic model, which aims to enhance the singing performance of target speakers by disentangling style from acoustic features of singing and speaking data. Our experiments indicate that the proposed approach is capable of synthesizing singing voice for target speaker given only their speech samples.