John Ashley Burgoyne

Bas Cornelissen, Willem Zuidema, John Ashley Burgoyne et al.

How to describe the shape of a melodic phrase? Scholars have often relied on typologies with a small set of contour types. We question their adequacy: we find no evidence that phrase contours cluster into discrete types, neither in German or Chinese folksongs, nor in Gregorian chant. The test for clustering we propose applies the dist-dip test of multimodality after a UMAP dimensionality reduction. The test correctly identifies clustering in a synthetic dataset, but not in actual phrase contours. These results raise problems for discrete typologies. In particular, type frequencies may be unreliable, as we see with Huron's typology. We also show how a recent finding of four contour shapes may be an artefact of the analysis. Our findings suggest that melodic contour is best seen as a continuous phenomenon.

Janne Spijkervet, John Ashley Burgoyne

While deep learning has enabled great advances in many areas of music, labeled music datasets remain especially hard, expensive, and time-consuming to create. In this work, we introduce SimCLR to the music domain and contribute a large chain of audio data augmentations to form a simple framework for self-supervised, contrastive learning of musical representations: CLMR. This approach works on raw time-domain music data and requires no labels to learn useful representations. We evaluate CLMR in the downstream task of music classification on the MagnaTagATune and Million Song datasets and present an ablation study to test which of our music-related innovations over SimCLR are most effective. A linear classifier trained on the proposed representations achieves a higher average precision than supervised models on the MagnaTagATune dataset, and performs comparably on the Million Song dataset. Moreover, we show that CLMR's representations are transferable using out-of-domain datasets, indicating that our method has strong generalisability in music classification. Lastly, we show that the proposed method allows data-efficient learning on smaller labeled datasets: we achieve an average precision of 33.1% despite using only 259 labeled songs in the MagnaTagATune dataset (1% of the full dataset) during linear evaluation. To foster reproducibility and future research on self-supervised learning in music, we publicly release the pre-trained models and the source code of all experiments of this paper.