Abhinaba Roy

Abhinaba Roy, Junyi Liang, Dorien Herremans

nnAudio is an open-source audio feature extraction toolbox for deep learning, but its use in current environments is hindered by TorchScript incompatibilities, inverse-transform edge cases, and dependency drift. We present a targeted modernization for modern PyTorch and scientific Python. We resolve TorchScript compilation failures in STFT and iSTFT by removing dynamic state mutation and module construction from scripted code paths and tightening argument handling in inverse-related helpers. We clarify inverse-STFT behavior by restricting reliable inversion to the uniform-bin setting (freq_scale=`no') and raising explicit runtime errors for unsupported frequency scales, preventing silently degraded reconstructions. We restore CFP compatibility with modern SciPy and ensure VQT reduces to CQT when gamma = 0. Regression tests cover the new STFT/iSTFT behaviors, and the updated codebase passes the full repository test suite in a modern Python environment. These improvements provide a more robust foundation for differentiable audio analysis in research and deployment.

Keshav Bhandari, Sungkyun Chang, Abhinaba Roy et al.

Developing text-driven symbolic music generation models remains challenging due to the scarcity of aligned text-music datasets and the unreliability of automated captioning pipelines. While most efforts have focused on MIDI, sheet music representations are largely underexplored in text-driven generation. We present Text2Score, a two-stage framework comprising a planning stage and an execution stage for generating sheet music from natural language prompts. By deriving supervision signals directly from symbolic XML data, we propose an alternative training paradigm that bypasses noisy or scarce text-music pairs. In the planning stage, an LLM orchestrator translates a natural language prompt into a structured measure-wise plan defining musical attributes such as instruments, key, time signatures, harmony, etc. This plan is then consumed by a generative model in the execution stage to produce interleaved ABC notation conditioned on the plan's structural constraints. To assess output quality, we introduce an evaluation framework covering playability, readability, instrument utilization, structural complexity, and prompt adherence, validated by expert musicians. Text2Score consistently outperforms both a pure LLM-based agentic framework and three end-to-end baselines across objective and subjective dimensions. We open-source the dataset, code, evaluation set and LLM prompts used in this work; a demo is available on our project page (https://keshavbhandari.github.io/portfolio/text2score).

Abhinaba Roy, Junyi Liang, Dorien Herremans

Current music similarity models typically compute a single, monolithic score, entangling distinct musical dimensions like melody, rhythm, and timbre. This limits user control and interpretability, making it impossible to execute nuanced queries. We introduce MERIT, a framework for learning disentangled, factor-specific music representations tailored to these three core dimensions. To overcome the lack of isolated musical variations in real-world audio, we use a novel training strategy that uses conditional audio generation and source-separated stems to strongly encourage single-factor variation in training data. Our evaluations demonstrate strong factor-wise disentanglement. Each head responds strongly to its intended perceptual dimension while remaining near chance on the others, a representational property that holds across both the synthetic training domain and independent real-world audio.

Keshav Bhandari, Abhinaba Roy, Kyra Wang et al.

This paper introduces text2midi, an end-to-end model to generate MIDI files from textual descriptions. Leveraging the growing popularity of multimodal generative approaches, text2midi capitalizes on the extensive availability of textual data and the success of large language models (LLMs). Our end-to-end system harnesses the power of LLMs to generate symbolic music in the form of MIDI files. Specifically, we utilize a pretrained LLM encoder to process captions, which then condition an autoregressive transformer decoder to produce MIDI sequences that accurately reflect the provided descriptions. This intuitive and user-friendly method significantly streamlines the music creation process by allowing users to generate music pieces using text prompts. We conduct comprehensive empirical evaluations, incorporating both automated and human studies, that show our model generates MIDI files of high quality that are indeed controllable by text captions that may include music theory terms such as chords, keys, and tempo. We release the code and music samples on our demo page (https://github.com/AMAAI-Lab/Text2midi) for users to interact with text2midi.

Anuradha Chopra, Abhinaba Roy, Dorien Herremans

This paper introduces an extendable modular system that compiles a range of music feature extraction models to aid music information retrieval research. The features include musical elements like key, downbeats, and genre, as well as audio characteristics like instrument recognition, vocals/instrumental classification, and vocals gender detection. The integrated models are state-of-the-art or latest open-source. The features can be extracted as latent or post-processed labels, enabling integration into music applications such as generative music, recommendation, and playlist generation. The modular design allows easy integration of newly developed systems, making it a good benchmarking and comparison tool. This versatile toolkit supports the research community in developing innovative solutions by providing concrete musical features.

Soujanya Poria, Navonil Majumder, Devamanyu Hazarika et al.

We address the problem of recognizing emotion cause in conversations, define two novel sub-tasks of this problem, and provide a corresponding dialogue-level dataset, along with strong Transformer-based baselines. The dataset is available at https://github.com/declare-lab/RECCON. Introduction: Recognizing the cause behind emotions in text is a fundamental yet under-explored area of research in NLP. Advances in this area hold the potential to improve interpretability and performance in affect-based models. Identifying emotion causes at the utterance level in conversations is particularly challenging due to the intermingling dynamics among the interlocutors. Method: We introduce the task of Recognizing Emotion Cause in CONversations with an accompanying dataset named RECCON, containing over 1,000 dialogues and 10,000 utterance cause-effect pairs. Furthermore, we define different cause types based on the source of the causes, and establish strong Transformer-based baselines to address two different sub-tasks on this dataset: causal span extraction and causal emotion entailment. Result: Our Transformer-based baselines, which leverage contextual pre-trained embeddings, such as RoBERTa, outperform the state-of-the-art emotion cause extraction approaches Conclusion: We introduce a new task highly relevant for (explainable) emotion-aware artificial intelligence: recognizing emotion cause in conversations, provide a new highly challenging publicly available dialogue-level dataset for this task, and give strong baseline results on this dataset.

Archishman Ghosh, Abhinaba Roy, Dorien Herremans

While significant progress has been made in Video Question Answering and cross-modal understanding, causal reasoning about how visual dynamics drive musical structure in music videos remains under-explored. We introduce KARMA-MV, a large-scale multiple-choice QA dataset derived from 2,682 YouTube music videos, designed to test models' ability to integrate temporal audio-visual cues and reason about visual-to-musical influence across reasoning, prediction, and counterfactual questions. Unlike traditional datasets requiring manual annotation, KARMA-MV leverages LLM reasoning for scalable generation and validation, yielding 37,737 MCQs. We propose a causal knowledge graph (CKG) approach that augments vision-language models (VLMs) with structured retrieval of cross-modal dependencies. Experiments on state-of-the-art VLMs and LLMs show consistent gains from CKG grounding -- especially for smaller models -- establishing the value of explicit causal structure for music-video reasoning. KARMA-MV provides a new benchmark for advancing causal audio-visual understanding beyond correlation.

Abhinaba Roy, Renhang Liu, Tongyu Lu et al.

We introduce JamendoMaxCaps, a large-scale music-caption dataset featuring over 362,000 freely licensed instrumental tracks from the renowned Jamendo platform. The dataset includes captions generated by a state-of-the-art captioning model, enhanced with imputed metadata. We also introduce a retrieval system that leverages both musical features and metadata to identify similar songs, which are then used to fill in missing metadata using a local large language model (LLLM). This approach allows us to provide a more comprehensive and informative dataset for researchers working on music-language understanding tasks. We validate this approach quantitatively with five different measurements. By making the JamendoMaxCaps dataset publicly available, we provide a high-quality resource to advance research in music-language understanding tasks such as music retrieval, multimodal representation learning, and generative music models.

Abhinaba Roy, Geeta Puri, Dorien Herremans

We present Text2midi-InferAlign, a novel technique for improving symbolic music generation at inference time. Our method leverages text-to-audio alignment and music structural alignment rewards during inference to encourage the generated music to be consistent with the input caption. Specifically, we introduce two objectives scores: a text-audio consistency score that measures rhythmic alignment between the generated music and the original text caption, and a harmonic consistency score that penalizes generated music containing notes inconsistent with the key. By optimizing these alignment-based objectives during the generation process, our model produces symbolic music that is more closely tied to the input captions, thereby improving the overall quality and coherence of the generated compositions. Our approach can extend any existing autoregressive model without requiring further training or fine-tuning. We evaluate our work on top of Text2midi - an existing text-to-midi generation model, demonstrating significant improvements in both objective and subjective evaluation metrics.

Tongyu Lu, Charlotta-Marlena Geist, Jan Melechovsky et al.

We propose MelodySim, a melody-aware music similarity model and dataset for plagiarism detection. First, we introduce a novel method to construct a dataset focused on melodic similarity. By augmenting Slakh2100, an existing MIDI dataset, we generate variations of each piece while preserving the melody through modifications such as note splitting, arpeggiation, minor track dropout, and re-instrumentation. A user study confirms that positive pairs indeed contain similar melodies, while other musical tracks are significantly changed. Second, we develop a segment-wise melodic-similarity detection model that uses a MERT encoder and applies a triplet neural network to capture melodic similarity. The resulting decision matrix highlights where plagiarism might occur. The experiments show that our model is able to outperform baseline models in detecting similar melodic fragments on the MelodySim test set.

Jan Melechovsky, Ambuj Mehrish, Abhinaba Roy et al.

Music recordings often suffer from audio quality issues such as excessive reverberation, distortion, clipping, tonal imbalances, and a narrowed stereo image, especially when created in non-professional settings without specialized equipment or expertise. These problems are typically corrected using separate specialized tools and manual adjustments. In this paper, we introduce SonicMaster, the first unified generative model for music restoration and mastering that addresses a broad spectrum of audio artifacts with text-based control. SonicMaster is conditioned on natural language instructions to apply targeted enhancements, or can operate in an automatic mode for general restoration. To train this model, we construct the SonicMaster dataset, a large dataset of paired degraded and high-quality tracks by simulating common degradation types with nineteen degradation functions belonging to five enhancements groups: equalization, dynamics, reverb, amplitude, and stereo. Our approach leverages a flow-matching generative training paradigm to learn an audio transformation that maps degraded inputs to their cleaned, mastered versions guided by text prompts. Objective audio quality metrics demonstrate that SonicMaster significantly improves sound quality across all artifact categories. Furthermore, subjective listening tests confirm that listeners prefer SonicMaster's enhanced outputs over the original degraded audio, highlighting the effectiveness of our unified approach.

Renhang Liu, Abhinaba Roy, Dorien Herremans

In this work, we present a novel method for music emotion recognition that leverages Large Language Model (LLM) embeddings for label alignment across multiple datasets and zero-shot prediction on novel categories. First, we compute LLM embeddings for emotion labels and apply non-parametric clustering to group similar labels, across multiple datasets containing disjoint labels. We use these cluster centers to map music features (MERT) to the LLM embedding space. To further enhance the model, we introduce an alignment regularization that enables dissociation of MERT embeddings from different clusters. This further enhances the model's ability to better adaptation to unseen datasets. We demonstrate the effectiveness of our approach by performing zero-shot inference on a new dataset, showcasing its ability to generalize to unseen labels without additional training.

Anuradha Chopra, Abhinaba Roy, Dorien Herremans

Detailed captions that accurately reflect the characteristics of a music piece can enrich music databases and drive forward research in music AI. This paper introduces a multi-task music captioning model, SonicVerse, that integrates caption generation with auxiliary music feature detection tasks such as key detection, vocals detection, and more, so as to directly capture both low-level acoustic details as well as high-level musical attributes. The key contribution is a projection-based architecture that transforms audio input into language tokens, while simultaneously detecting music features through dedicated auxiliary heads. The outputs of these heads are also projected into language tokens, to enhance the captioning input. This framework not only produces rich, descriptive captions for short music fragments but also directly enables the generation of detailed time-informed descriptions for longer music pieces, by chaining the outputs using a large-language model. To train the model, we extended the MusicBench dataset by annotating it with music features using MIRFLEX, a modular music feature extractor, resulting in paired audio, captions and music feature data. Experimental results show that incorporating features in this way improves the quality and detail of the generated captions.

Dorien Herremans, Abhinaba Roy

Recent advances in generative AI for music have achieved remarkable fidelity and stylistic diversity, yet these systems often fail to align with nuanced human preferences due to the specific loss functions they use. This paper advocates for the systematic application of preference alignment techniques to music generation, addressing the fundamental gap between computational optimization and human musical appreciation. Drawing on recent breakthroughs including MusicRL's large-scale preference learning, multi-preference alignment frameworks like diffusion-based preference optimization in DiffRhythm+, and inference-time optimization techniques like Text2midi-InferAlign, we discuss how these techniques can address music's unique challenges: temporal coherence, harmonic consistency, and subjective quality assessment. We identify key research challenges including scalability to long-form compositions, reliability amongst others in preference modelling. Looking forward, we envision preference-aligned music generation enabling transformative applications in interactive composition tools and personalized music services. This work calls for sustained interdisciplinary research combining advances in machine learning, music-theory to create music AI systems that truly serve human creative and experiential needs.

Jan Melechovsky, Abhinaba Roy, Dorien Herremans

Generative models guided by text prompts are increasingly becoming more popular. However, no text-to-MIDI models currently exist due to the lack of a captioned MIDI dataset. This work aims to enable research that combines LLMs with symbolic music by presenting, the first openly available large-scale MIDI dataset with text captions. MIDI (Musical Instrument Digital Interface) files are widely used for encoding musical information and can capture the nuances of musical composition. They are widely used by music producers, composers, musicologists, and performers alike. Inspired by recent advancements in captioning techniques, we present a curated dataset of over 168k MIDI files with textual descriptions. Each MIDI caption describes the musical content, including tempo, chord progression, time signature, instruments, genre, and mood, thus facilitating multi-modal exploration and analysis. The dataset encompasses various genres, styles, and complexities, offering a rich data source for training and evaluating models for tasks such as music information retrieval, music understanding, and cross-modal translation. We provide detailed statistics about the dataset and have assessed the quality of the captions in an extensive listening study. We anticipate that this resource will stimulate further research at the intersection of music and natural language processing, fostering advancements in both fields.

Abhinaba Roy, Deepanway Ghosal, Erik Cambria et al.

Zero shot learning -- the problem of training and testing on a completely disjoint set of classes -- relies greatly on its ability to transfer knowledge from train classes to test classes. Traditionally semantic embeddings consisting of human defined attributes (HA) or distributed word embeddings (DWE) are used to facilitate this transfer by improving the association between visual and semantic embeddings. In this paper, we take advantage of explicit relations between nodes defined in ConceptNet, a commonsense knowledge graph, to generate commonsense embeddings of the class labels by using a graph convolution network-based autoencoder. Our experiments performed on three standard benchmark datasets surpass the strong baselines when we fuse our commonsense embeddings with existing semantic embeddings i.e. HA and DWE.

Abhinaba Roy, Biplab Banerjee, Amir Hussain et al.

In this paper, we address the problem of action recognition from still images and videos. Traditional local features such as SIFT, STIP etc. invariably pose two potential problems: 1) they are not evenly distributed in different entities of a given category and 2) many of such features are not exclusive of the visual concept the entities represent. In order to generate a dictionary taking the aforementioned issues into account, we propose a novel discriminative method for identifying robust and category specific local features which maximize the class separability to a greater extent. Specifically, we pose the selection of potent local descriptors as filtering based feature selection problem which ranks the local features per category based on a novel measure of distinctiveness. The underlying visual entities are subsequently represented based on the learned dictionary and this stage is followed by action classification using the random forest model followed by label propagation refinement. The framework is validated on the action recognition datasets based on still images (Stanford-40) as well as videos (UCF-50) and exhibits superior performances than the representative methods from the literature.

Deepanway Ghosal, Devamanyu Hazarika, Abhinaba Roy et al.

Cross-domain sentiment analysis has received significant attention in recent years, prompted by the need to combat the domain gap between different applications that make use of sentiment analysis. In this paper, we take a novel perspective on this task by exploring the role of external commonsense knowledge. We introduce a new framework, KinGDOM, which utilizes the ConceptNet knowledge graph to enrich the semantics of a document by providing both domain-specific and domain-general background concepts. These concepts are learned by training a graph convolutional autoencoder that leverages inter-domain concepts in a domain-invariant manner. Conditioning a popular domain-adversarial baseline method with these learned concepts helps improve its performance over state-of-the-art approaches, demonstrating the efficacy of our proposed framework.