Gustavo Marfia

Valentine Bernasconi, Gustavo Marfia

Recent breakthroughs in generative AI have opened the door to new research perspectives in the domain of art and cultural heritage, where a large number of artifacts have been digitized. There is a need for innovation to ease the access and highlight the content of digital collections. Such innovations develop into creative explorations of the digital image in relation to its malleability and contemporary interpretation, in confrontation to the original historical object. Based on the concept of the autonomous image, we propose a new framework towards the production of self-explaining cultural artifacts using open-source large-language, face detection, text-to-speech and audio-to-animation models. The goal is to start from a digitized artwork and to automatically assemble a short video of the latter where the main character animates to explain its content. The whole process questions cultural biases encapsulated in large-language models, the potential of digital images and deepfakes of artworks for educational purposes, along with concerns of the field of art history regarding such creative diversions.

Pasquale Cascarano, Lorenzo Stacchio, Andrea Sebastiani et al.

In recent years, Diffusion Models have become the new state-of-the-art in deep generative modeling, ending the long-time dominance of Generative Adversarial Networks. Inspired by the Regularization by Denoising principle, we introduce an approach that integrates a Latent Diffusion Model, trained for the denoising task, into a variational framework using Half-Quadratic Splitting, exploiting its regularization properties. This approach, under appropriate conditions that can be easily met in various imaging applications, allows for reduced computational cost while achieving high-quality results. The proposed strategy, called Regularization by Latent Denoising (RELD), is then tested on a dataset of natural images, for image denoising, deblurring, and super-resolution tasks. The numerical experiments show that RELD is competitive with other state-of-the-art methods, particularly achieving remarkable results when evaluated using perceptual quality metrics.

Lorenzo Stacchio, Alessia Angeli, Giuseppe Lisanti et al.

Although one of the most popular practices in photography since the end of the 19th century, an increase in scholarly interest in family photo albums dates back to the early 1980s. Such collections of photos may reveal sociological and historical insights regarding specific cultures and times. They are, however, in most cases scattered among private homes and only available on paper or photographic film, thus making their analysis by academics such as historians, social-cultural anthropologists and cultural theorists very cumbersome. In this paper, we analyze the IMAGO dataset including photos belonging to family albums assembled at the University of Bologna's Rimini campus since 2004. Following a deep learning-based approach, the IMAGO dataset has offered the opportunity of experimenting with photos taken between year 1845 and year 2009, with the goals of assessing the dates and the socio-historical contexts of the images, without use of any other sources of information. Exceeding our initial expectations, such analysis has revealed its merit not only in terms of the performance of the approach adopted in this work, but also in terms of the foreseeable implications and use for the benefit of socio-historical research. To the best of our knowledge, this is the first work that moves along this path in literature.