Tingxuan Wu

Xingjian Diao, Chunhui Zhang, Tingxuan Wu et al.

Music performances are representative scenarios for audio-visual modeling. Unlike common scenarios with sparse audio, music performances continuously involve dense audio signals throughout. While existing multimodal learning methods on the audio-video QA demonstrate impressive capabilities in general scenarios, they are incapable of dealing with fundamental problems within the music performances: they underexplore the interaction between the multimodal signals in performance and fail to consider the distinctive characteristics of instruments and music. Therefore, existing methods tend to answer questions regarding musical performances inaccurately. To bridge the above research gaps, (i) given the intricate multimodal interconnectivity inherent to music data, our primary backbone is designed to incorporate multimodal interactions within the context of music; (ii) to enable the model to learn music characteristics, we annotate and release rhythmic and music sources in the current music datasets; (iii) for time-aware audio-visual modeling, we align the model's music predictions with the temporal dimension. Our experiments show state-of-the-art effects on the Music AVQA datasets. Our code is available at https://github.com/xid32/Amuse.

Wenhao You, Xingjian Diao, Chunhui Zhang et al.

While recent Multimodal Large Language Models exhibit impressive capabilities for general multimodal tasks, specialized domains like music necessitate tailored approaches. Music Audio-Visual Question Answering (Music AVQA) particularly underscores this, presenting unique challenges with its continuous, densely layered audio-visual content, intricate temporal dynamics, and the critical need for domain-specific knowledge. Through a systematic analysis of Music AVQA datasets and methods, this position paper identifies that specialized input processing, architectures incorporating dedicated spatial-temporal designs, and music-specific modeling strategies are critical for success in this domain. Our study provides valuable insights for researchers by highlighting effective design patterns empirically linked to strong performance, proposing concrete future directions for incorporating musical priors, and aiming to establish a robust foundation for advancing multimodal musical understanding. This work is intended to inspire broader attention and further research, supported by a continuously updated anonymous GitHub repository of relevant papers: https://github.com/xid32/Survey4MusicAVQA.

Tingxuan Wu, Zhaorui Ma, Yanjun Cui et al.

Although social bots can be engineered for constructive applications, their potential for misuse in manipulative schemes and malware distribution cannot be overlooked. This dichotomy underscores the critical need to detect social bots on social media platforms. Advances in artificial intelligence have improved the abilities of social bots, allowing them to generate content that is almost indistinguishable from human-created content. These advancements require the development of more advanced detection techniques to accurately identify these automated entities. Given the heterogeneous information landscape on social media, spanning images, texts, and user statistical features, we propose MSM-BD, a Multimodal Social Media Bot Detection approach using heterogeneous information. MSM-BD incorporates specialized encoders for heterogeneous information and introduces a cross-modal fusion technology, Cross-Modal Residual Cross-Attention (CMRCA), to enhance detection accuracy. We validate the effectiveness of our model through extensive experiments using the TwiBot-22 dataset.