Gonzalo Travieso

Gonzalo Travieso, Joao Merenda, Odemir M. Bruno

Network models have been widely used to study diverse systems and analyze their dynamic behaviors. Given the structural variability of networks, an intriguing question arises: Can we infer the type of system represented by a network based on its structure? This classification problem involves extracting relevant features from the network. Existing literature has proposed various methods that combine structural measurements and dynamical processes for feature extraction. In this study, we introduce a novel approach to characterize networks using statistics from random walks, which can be particularly informative about network properties. We present the employed statistical metrics and compare their performance on multiple datasets with other state-of-the-art feature extraction methods. Our results demonstrate that the proposed method is effective in many cases, often outperforming existing approaches, although some limitations are observed across certain datasets.

Vilson Vieira, Renato Fabbri, Gonzalo Travieso et al.

The development of new statistical and computational methods is increasingly making it possible to bridge the gap between hard sciences and humanities. In this study, we propose an approach based on a quantitative evaluation of attributes of objects in fields of humanities, from which concepts such as dialectics and opposition are formally defined mathematically. As case studies, we analyzed the temporal evolution of classical music and philosophy by obtaining data for 8 features characterizing the corresponding fields for 7 well-known composers and philosophers, which were treated with multivariate statistics and pattern recognition methods. A bootstrap method was applied to avoid statistical bias caused by the small sample data set, with which hundreds of artificial composers and philosophers were generated, influenced by the 7 names originally chosen. Upon defining indices for opposition, skewness and counter-dialectics, we confirmed the intuitive analysis of historians in that classical music evolved according to a master-apprentice tradition, while in philosophy changes were driven by opposition. Though these case studies were meant only to show the possibility of treating phenomena in humanities quantitatively, including a quantitative measure of concepts such as dialectics and opposition the results are encouraging for further application of the approach presented here to many other areas, since it is entirely generic.