Sergio Alvarez-Telena

Sergio Alvarez-Telena, Marta Diez-Fernandez

In light of the recent convergence between Agentic AI and our field of Algorithmization, this paper seeks to restore conceptual clarity and provide a structured analytical framework for an increasingly fragmented discourse. First, (a) it examines the contemporary landscape and proposes precise definitions for the key notions involved, ranging from intelligence to Agentic AI. Second, (b) it reviews our prior body of work to contextualize the evolution of methodologies and technological advances developed over the past decade, highlighting their interdependencies and cumulative trajectory. Third, (c) by distinguishing Machine and Learning efforts within the field of Machine Learning (d) it introduces the first Machine in Machine Learning (M1) as the underlying platform enabling today's LLM-based Agentic AI, conceptualized as an extension of B2C information-retrieval user experiences now being repurposed for B2B transformation. Building on this distinction, (e) the white paper develops the notion of the second Machine in Machine Learning (M2) as the architectural prerequisite for holistic, production-grade B2B transformation, characterizing it as Strategies-based Agentic AI and grounding its definition in the structural barriers-to-entry that such systems must overcome to be operationally viable. Further, (f) it offers conceptual and technical insight into what appears to be the first fully realized implementation of an M2. Finally, drawing on the demonstrated accuracy of the two previous decades of professional and academic experience in developing the foundational architectures of Algorithmization, (g) it outlines a forward-looking research and transformation agenda for the coming two decades.

Sergio Alvarez-Telena, Marta Diez-Fernandez

This paper introduces Orthogonal Art, a proposed artistic discipline that emerges in dialectical response to artificial intelligence rather than in service of it. Unlike AI-augmented creative practices, Orthogonal Art is structurally defined by occupying the generative and conceptual spaces that current AI systems cannot access. As a founding instantiation of this framework, the paper presents a novel artistic practice in which technical schematics serve as the primary medium. A significant secondary contribution is the pedagogical dimension of the work: by grounding artistic practice in schematic logic and algorithmic structure, the framework provides an accessible entry point into the advanced field of Augmented Machines systems, enabling cross-disciplinary literacy within Humanities at the intersection of art, engineering, and philosophy.