Haoyu Gu

Yueru Sun, Yimeng Zhang, Haoyu Gu et al.

Multimodal Emotion Recognition (MER) is critical for interpreting real-world interactions. While Multimodal Large Language Models (MLLM) have shown promise in MER, their internal decision-making mechanisms under modality conflict and missingness remain largely underexplored. In this paper, to systematically investigate these behaviors, we introduce EmoMM, a comprehensive benchmark featuring modality-aligned, conflict, and missing subsets. Through extensive evaluation, we uncover a Video Contribution Collapse (VCC) phenomenon, where MLLM marginalize video evidence due to high token redundancy and modality preferences. To address this, we propose Conflict-aware Head-level Attention Steering (CHASE), a lightweight mechanism that detects modality conflicts and performs inference-time attention steering, effectively mitigating decision bias without retraining the backbone. Experimental results demonstrate that CHASE consistently improves performance across various settings, significantly enhancing the reliability of MLLM in complex affective scenarios.

Boyu Cao, Lekai Qian, Dehan Li et al.

Generating long sequences with structural coherence remains a fundamental challenge for autoregressive models across sequential generation tasks. In symbolic music generation, this challenge is particularly pronounced, as existing methods are constrained by the inherent severe error accumulation problem of autoregressive models, leading to poor performance in music quality and structural integrity. In this paper, we propose the Anchored Cyclic Generation (ACG) paradigm, which relies on anchor features from already identified music to guide subsequent generation during the autoregressive process, effectively mitigating error accumulation in autoregressive methods. Based on the ACG paradigm, we further propose the Hierarchical Anchored Cyclic Generation (Hi-ACG) framework, which employs a systematic global-to-local generation strategy and is highly compatible with our specifically designed piano token, an efficient musical representation. The experimental results demonstrate that compared to traditional autoregressive models, the ACG paradigm achieves reduces cosine distance by an average of 34.7% between predicted feature vectors and ground-truth semantic vectors. In long-sequence symbolic music generation tasks, the Hi-ACG framework significantly outperforms existing mainstream methods in both subjective and objective evaluations. Furthermore, the framework exhibits excellent task generalization capabilities, achieving superior performance in related tasks such as music completion.

Yimeng Zhang, Yueru Sun, Haoyu Gu

Driven by the escalating global burden of mental health conditions, music-based interventions have attracted significant attention as a non-invasive, cost-effective modality for emotion regulation and psychological stress relief. However, current digital music services rely on static preferences and fail to adapt to users' instantaneous psychological states. Furthermore, directly mapping electroencephalography (EEG) to music generation remains challenging due to severe paired-data scarcity and a lack of interpretability. To address these limitations, we propose MindMelody, a fully functional, closed-loop real-time system for EEG-driven personalized music intervention. MindMelody introduces an emotion-mediated semantic bridge. Specifically, a hybrid Transformer-GNN first decodes real-time EEG signals into global Valence-Arousal states and local temporal affect trajectories. These states are then fed into a Retrieval-Augmented Generation (RAG)-equipped Large Language Model (LLM) to formulate structured intervention plans. Subsequently, a novel Hierarchical EEG Controller injects global affect prefixes and local temporal guidance into a pretrained music backbone, enabling fine-grained controllable audio synthesis. Crucially, the system incorporates a continuous feedback loop that updates generation parameters on the fly based on the user's evolving EEG dynamics. Extensive experiments show that MindMelody improves control adherence and emotional alignment, and receives higher perceived helpfulness in a short-term listening setting, suggesting its promise as an adaptive affect-aware music generation framework.

Lekai Qian, Haoyu Gu, Jingwei Zhao et al.

Tokenizing music to fit the general framework of language models is a compelling challenge, especially considering the diverse symbolic structures in which music can be represented (e.g., sequences, grids, and graphs). To date, most approaches tokenize symbolic music as sequences of musical events, such as onsets, pitches, time shifts, or compound note events. This strategy is intuitive and has proven effective in Transformer-based models, but it treats the regularity of musical time implicitly: individual tokens may span different durations, resulting in non-uniform time progression. In this paper, we instead consider whether an alternative tokenization is possible, where a uniform-length musical step (e.g., a beat) serves as the basic unit. Specifically, we encode all events within a single time step at the same pitch as one token, and group tokens explicitly by time step, which resembles a sparse encoding of a piano-roll representation. We evaluate the proposed tokenization on music continuation and accompaniment generation tasks, comparing it with mainstream event-based methods. Results show improved musical quality and structural coherence, while additional analyses confirm higher efficiency and more effective capture of long-range patterns with the proposed tokenization.