Gregor Meehan

Gregor Meehan, Johan Pauwels

Item cold-start is a pervasive challenge for collaborative filtering (CF) recommender systems. Existing methods often train cold-start models by mapping auxiliary item content, such as images or text descriptions, into the embedding space of a CF model. However, such approaches can be limited by the fundamental information gap between CF signals and content features. In this work, we propose to avoid this limitation with purely content-based modeling of cold items, i.e. without alignment with CF user or item embeddings. We instead frame cold-start prediction in terms of item-item similarity, training a content encoder to project into a latent space where similarity correlates with user preferences. We define our training objective as a sparse generalization of sampled softmax loss with the $α$-entmax family of activation functions, which allows for sharper estimation of item relevance by zeroing gradients for uninformative negatives. We then describe how this Sampled Entmax for Cold-start (SEMCo) training regime can be extended via knowledge distillation, and show that it outperforms existing cold-start methods and standard sampled softmax in ranking accuracy. We also discuss the advantages of purely content-based modeling, particularly in terms of equity of item outcomes.

Yan-Martin Tamm, Gregor Meehan, Vojtěch Nekl et al.

The item cold-start problem poses a fundamental challenge for music recommendation: newly added tracks lack the interaction history that collaborative filtering (CF) requires. Existing approaches often address this problem by learning mappings from content features such as audio, text, and metadata to the CF latent space. However, previous works either omit artist information or treat it as just another input modality, missing the fundamental hierarchy of artists and items. Since most new tracks come from artists with previous history available, we frame cold-start track recommendation as 'semi-cold' by leveraging the rich collaborative signal that exists at the artist level. We show that artist-aware methods can more than double Recall and NDCG compared to content-only baselines, and propose ACARec, an attention-based architecture that generates CF embeddings for new tracks by attending over the artist's existing catalog. We show that our approach has notable advantages in predicting user preferences for new tracks, especially for new artist discovery and more accurate estimation of cold item popularity.