Efficient Temporal Extrapolation of Multimodal Large Language Models with Temporal Grounding BridgeYuxuan Wang, Yueqian Wang, Pengfei Wu et al. · pku
Despite progress in multimodal large language models (MLLMs), the challenge of interpreting long-form videos in response to linguistic queries persists, largely due to the inefficiency in temporal grounding and limited pre-trained context window size. In this work, we introduce Temporal Grounding Bridge (TGB), a novel framework that bootstraps MLLMs with advanced temporal grounding capabilities and broadens their contextual scope. Our framework significantly enhances the temporal capabilities of current MLLMs through three key innovations: an efficient multi-span temporal grounding algorithm applied to low-dimension temporal features projected from flow; a multimodal length extrapolation training paradigm that utilizes low-dimension temporal features to extend the training context window size; and a bootstrapping framework that bridges our model with pluggable MLLMs without requiring annotation. We validate TGB across seven video benchmarks and demonstrate substantial performance improvements compared with prior MLLMs. Notably, our model, initially trained on sequences of four frames, effectively handles sequences up to 16 longer without sacrificing performance, highlighting its scalability and effectiveness in real-world applications. Our code is publicly available at https://github.com/bigai-nlco/VideoTGB
7.0SDSep 7, 2025
DreamAudio: Customized Text-to-Audio Generation with Diffusion ModelsYi Yuan, Xubo Liu, Haohe Liu et al.
With the development of large-scale diffusion-based and language-modeling-based generative models, impressive progress has been achieved in text-to-audio generation. Despite producing high-quality outputs, existing text-to-audio models mainly aim to generate semantically aligned sound and fall short on precisely controlling fine-grained acoustic characteristics of specific sounds. As a result, users that need specific sound content may find it challenging to generate the desired audio clips. In this paper, we present DreamAudio for customized text-to-audio generation (CTTA). Specifically, we introduce a new framework that is designed to enable the model to identify auditory information from user-provided reference concepts for audio generation. Given a few reference audio samples containing personalized audio events, our system can generate new audio samples that include these specific events. In addition, two types of datasets are developed for training and testing the customized systems. The experiments show that the proposed model, DreamAudio, generates audio samples that are highly consistent with the customized audio features and aligned well with the input text prompts. Furthermore, DreamAudio offers comparable performance in general text-to-audio tasks. We also provide a human-involved dataset containing audio events from real-world CTTA cases as the benchmark for customized generation tasks.
8.6SDMar 26, 2021
Modeling the Compatibility of Stem Tracks to Generate Music MashupsJiawen Huang, Ju-Chiang Wang, Jordan B. L. Smith et al.
A music mashup combines audio elements from two or more songs to create a new work. To reduce the time and effort required to make them, researchers have developed algorithms that predict the compatibility of audio elements. Prior work has focused on mixing unaltered excerpts, but advances in source separation enable the creation of mashups from isolated stems (e.g., vocals, drums, bass, etc.). In this work, we take advantage of separated stems not just for creating mashups, but for training a model that predicts the mutual compatibility of groups of excerpts, using self-supervised and semi-supervised methods. Specifically, we first produce a random mashup creation pipeline that combines stem tracks obtained via source separation, with key and tempo automatically adjusted to match, since these are prerequisites for high-quality mashups. To train a model to predict compatibility, we use stem tracks obtained from the same song as positive examples, and random combinations of stems with key and/or tempo unadjusted as negative examples. To improve the model and use more data, we also train on "average" examples: random combinations with matching key and tempo, where we treat them as unlabeled data as their true compatibility is unknown. To determine whether the combined signal or the set of stem signals is more indicative of the quality of the result, we experiment on two model architectures and train them using semi-supervised learning technique. Finally, we conduct objective and subjective evaluations of the system, comparing them to a standard rule-based system.