Qing He

h-index17
2papers
749citations

2 Papers

18.2CVNov 26, 2025Code
Multi-Crit: Benchmarking Multimodal Judges on Pluralistic Criteria-Following

Tianyi Xiong, Yi Ge, Ming Li et al.

Large multimodal models (LMMs) are increasingly adopted as judges in multimodal evaluation systems due to their strong instruction following and consistency with human preferences. However, their ability to follow diverse, fine-grained evaluation criteria remains underexplored. We develop Multi-Crit, a benchmark for evaluating multimodal judges on their capacity to follow pluralistic criteria and produce reliable criterion-level judgments. Covering both open-ended generation and verifiable reasoning tasks, Multi-Crit is built through a rigorous data curation pipeline that gathers challenging response pairs with multi-criterion human annotations. It further introduces three novel metrics for systematically assessing pluralistic adherence, criterion-switching flexibility, and the ability to recognize criterion-level preference conflicts. Comprehensive analysis of 25 LMMs reveals that 1) proprietary models still struggle to maintain consistent adherence to pluralistic criteria--especially in open-ended evaluation; 2) open-source models lag further behind in flexibly following diverse criteria; and 3) critic fine-tuning with holistic judgment signals enhances visual grounding but fails to generalize to pluralistic criterion-level judgment. Additional analyses on reasoning fine-tuning, test-time scaling, and boundary consistency between open-source and proprietary models further probe the limits of current multimodal judges. As a pioneering study, Multi-Crit lays the foundation for building reliable and steerable multimodal AI evaluation.

4.0SDJun 29, 2025Code
TOMI: Transforming and Organizing Music Ideas for Multi-Track Compositions with Full-Song Structure

Qi He, Gus Xia, Ziyu Wang

Hierarchical planning is a powerful approach to model long sequences structurally. Aside from considering hierarchies in the temporal structure of music, this paper explores an even more important aspect: concept hierarchy, which involves generating music ideas, transforming them, and ultimately organizing them--across musical time and space--into a complete composition. To this end, we introduce TOMI (Transforming and Organizing Music Ideas) as a novel approach in deep music generation and develop a TOMI-based model via instruction-tuned foundation LLM. Formally, we represent a multi-track composition process via a sparse, four-dimensional space characterized by clips (short audio or MIDI segments), sections (temporal positions), tracks (instrument layers), and transformations (elaboration methods). Our model is capable of generating multi-track electronic music with full-song structure, and we further integrate the TOMI-based model with the REAPER digital audio workstation, enabling interactive human-AI co-creation. Experimental results demonstrate that our approach produces higher-quality electronic music with stronger structural coherence compared to baselines.