Olga Seminck

Karim Lasri, Olga Seminck, Alessandro Lenci et al.

Both humans and neural language models are able to perform subject-verb number agreement (SVA). In principle, semantics shouldn't interfere with this task, which only requires syntactic knowledge. In this work we test whether meaning interferes with this type of agreement in English in syntactic structures of various complexities. To do so, we generate both semantically well-formed and nonsensical items. We compare the performance of BERT-base to that of humans, obtained with a psycholinguistic online crowdsourcing experiment. We find that BERT and humans are both sensitive to our semantic manipulation: They fail more often when presented with nonsensical items, especially when their syntactic structure features an attractor (a noun phrase between the subject and the verb that has not the same number as the subject). We also find that the effect of meaningfulness on SVA errors is stronger for BERT than for humans, showing higher lexical sensitivity of the former on this task.

Antoine Bourgois, Olga Seminck, Thierry Poibeau

We present our submission to the LLM track of the 2026 Computational Models of Reference, Anaphora and Coreference (CRAC 2026) shared task. With an average CoNLL F1 score of 74.32 on the official test set, our system ranked first in the LLM track, and third overall. Our system is based on the Gemma-3-27b model, fine-tuned using a two-stage strategy with a multilingual base adapter followed by dataset-specific adapters. We represent mention spans by their headword using an XML-inspired format with local reindexing and annotate documents iteratively. These design choices proved effective across languages, document lengths, and annotation guidelines.

Jean Barré, Olga Seminck, Antoine Bourgois et al.

This research explores the evolution of the detective archetype in French detective fiction through computational analysis. Using quantitative methods and character-level embeddings, we show that a supervised model is able to capture the unity of the detective archetype across 150 years of literature, from M. Lecoq (1866) to Commissaire Adamsberg (2017). Building on this finding, the study demonstrates how the detective figure evolves from a secondary narrative role to become the central character and the "reasoning machine" of the classical detective story. In the aftermath of the Second World War, with the importation of the hardboiled tradition into France, the archetype becomes more complex, navigating the genre's turn toward social violence and moral ambiguity.