Anca-Simona Horvath

Anca-Simona Horvath, Alina Elena Voinea, Radu Arieşan

This study documents a three-week workshop with architecture students, where we designed and 3D printed various minimal surfaces using wood-based filaments, and used them as molds in which to grow mycelium. We detail the design process and the growth of the mycelium in different shapes, together with participants' experiences of working with a living material. After exhibiting the results of the work in a public-facing exhibition, we conducted interviews with members of the general public about their perceptions on interacting with a material such as mycelium in design. Our findings show that 3D-printed minimal surfaces with wood-based filaments can function as structural cores for mycelium-based composites and mycelium binds to the filament. Participants in the workshop exhibited stronger feelings for living materials compared to non-living ones, displaying both biophilia and, to a lesser extent, biophobia when interacting with the mycelium. Members of the general public discuss pragmatic aspects including mold, fragility, or production costs, and speculate on the future of bio-technology and its impact on everyday life. While all are positive about the impact on bio-technologies on the future, they have diverging opinions on how much ethical considerations should influence research directions.

Anca-Simona Horvath, Cristian Tosa, Simai et al.

Urban to rural migration is a less-researched phenomenon compared to its counterpart: rural to urban migration. In parts of Europe, an increasing number of people living in big urban centers within the country, or moving from other countries decide to relocate to rural areas. In this paper, we examine this phenomenon by analysing content posted on TikTok that documents this transition. We collected a corpus of 901 videos posted until late 2025, documenting urban to rural migration in Romania, under three hashtags, which have collectively been played a total of 24 million times at the time when we gathered the dataset. We analyse this corpus both quantitatively and qualitatively and discuss our findings through the lens of digital rurality - a theory based on Harvey's and Soja's spatial triad, applied to rural spaces, and based on the role of digital technologies as (re-)mediators of everyday lived experience. Specifically, we analyze the corpus as: (a) digital rural localities, (b) formal representations of the digital rural, and (c) everyday lives of the digital rural. We find that (a) Social media platforms enable new forms of paid labor that sometimes involve the commodification of the self in rural areas, although many of the creators we analyze do not explicitly acknowledge this with their audiences. (b) The digital rural gains new forms of representation, and rural areas in remote Romania are highly data-rich across TikTok. (c) The everyday lives represented through the digital rural are sometimes idealized or romanticised. However, they serve as promoters for tourism and are used as sites to document and discuss a variety of topics including giving ample health advice, typically by non-specialists and sometimes criticizing Western medicine, expressing and promoting religious and political views but also acting as forms of general self-expression.