Oliver Mel Allen

2papers

2 Papers

SIMay 7, 2025
From Flowers to Fascism? The Cottagecore to Tradwife Pipeline on Tumblr

Oliver Mel Allen, Yi Zu, Milo Z. Trujillo et al.

In this work we collected and analyzed social media posts to investigate aesthetic-based radicalization where users searching for Cottagecore content may find Tradwife content co-opted by white supremacists, white nationalists, or other far-right extremist groups. Through quantitative analysis of over 200,000 Tumblr posts and qualitative coding of about 2,500 Tumblr posts, we did not find evidence of a explicit radicalization. We found that problematic Tradwife posts found in the literature may be confined to Tradwife-only spaces, while content in the Cottagecore tag generally did not warrant extra moderation. However, we did find evidence of a mainstreaming effect in the overlap between the Tradwife and Cottagecore communities. In our qualitative analysis there was more interaction between queer and Tradwife identities than expected based on the literature, and some Tradwives even explicitly included queer people and disavowed racism in the Tradwife community on Tumblr. This could be genuine, but more likely it was an example of extremists re-branding their content and following platform norms to spread ideologies that would otherwise be rejected by Tumblr users. Additionally, through temporal analysis we observed a change in the central tags used by Tradwives in the Cottagecore tag pre- and post- 2021. Initially these posts focused on aesthetics and hobbies like baking and gardening, but post-2021 the central tags focused more on religion, traditional gender roles, and homesteading, all markers of reactionary ideals.

29.7SIMay 23
Same View, Different Visions -- Visual Nature Content on Social Media

Oliver Mel Allen, Johannes Langemeyer, Ramin Soleymani-Fard

Digital nature values formed through online interactions with nature might incentivize new types of environmental stewardship, but these values may also be appropriated by those who seek to undermine sustainable transformation, such as right-wing populist movements and fossil fuel industries. Specific aesthetics and visual cultures may be appropriated, borrowing their credibility or influence, and layers of platform affordances, internet cultures, and norms add additional complexities to visual communication of nature on social media. Research on this phenomenon is especially important as generative AI tools for photos and video are made readily available to social media users and far-right political ecology is rapidly evolving. In this ongoing work we ask the following research question: What is the current state of visual nature aesthetics on social media? Hereby, we follow the hypothesis that nature aesthetics are increasingly appropriated to uphold the status quo and potentially push ideologies countering transformative change. The proposed study includes three parts which strategically combine natural language processing, image clustering, and networked discourse analysis to illuminate the intersection of online aesthetic appropriation, nature values, and political ecology.