Zhixin Ling

Zhixin Ling, Zhen Xing, Xiangdong Zhou et al.

In panorama understanding, the widely used equirectangular projection (ERP) entails boundary discontinuity and spatial distortion. It severely deteriorates the conventional CNNs and vision Transformers on panoramas. In this paper, we propose a simple yet effective architecture named PanoSwin to learn panorama representations with ERP. To deal with the challenges brought by equirectangular projection, we explore a pano-style shift windowing scheme and novel pitch attention to address the boundary discontinuity and the spatial distortion, respectively. Besides, based on spherical distance and Cartesian coordinates, we adapt absolute positional embeddings and relative positional biases for panoramas to enhance panoramic geometry information. Realizing that planar image understanding might share some common knowledge with panorama understanding, we devise a novel two-stage learning framework to facilitate knowledge transfer from the planar images to panoramas. We conduct experiments against the state-of-the-art on various panoramic tasks, i.e., panoramic object detection, panoramic classification, and panoramic layout estimation. The experimental results demonstrate the effectiveness of PanoSwin in panorama understanding.

Boyang Ding, Chenglong Chu, Dunju Zang et al.

Autoregressive large language models (LLMs) scale well by expressing diverse tasks as sequences of discrete natural-language tokens and training with next-token prediction, which unifies comprehension and generation under self-supervision. Extending this paradigm to multimodal data requires a shared, discrete representation across modalities. However, most vision-language models (VLMs) still rely on a hybrid interface: discrete text tokens paired with continuous Vision Transformer (ViT) features. Because supervision is largely text-driven, these models are often biased toward understanding and cannot fully leverage large-scale self-supervised learning on non-text data. Recent work has explored discrete visual tokenization to enable fully autoregressive multimodal modeling, showing promising progress toward unified understanding and generation. Yet existing discrete vision tokens frequently lose information due to limited code capacity, resulting in noticeably weaker understanding than continuous-feature VLMs. We present Kelix, a fully discrete autoregressive unified model that closes the understanding gap between discrete and continuous visual representations.

Wenyan Cong, Jianfu Zhang, Li Niu et al.

Image composition is an important operation in image processing, but the inconsistency between foreground and background significantly degrades the quality of composite image. Image harmonization, aiming to make the foreground compatible with the background, is a promising yet challenging task. However, the lack of high-quality publicly available dataset for image harmonization greatly hinders the development of image harmonization techniques. In this work, we contribute an image harmonization dataset iHarmony4 by generating synthesized composite images based on COCO (resp., Adobe5k, Flickr, day2night) dataset, leading to our HCOCO (resp., HAdobe5k, HFlickr, Hday2night) sub-dataset. Moreover, we propose a new deep image harmonization method DoveNet using a novel domain verification discriminator, with the insight that the foreground needs to be translated to the same domain as background. Extensive experiments on our constructed dataset demonstrate the effectiveness of our proposed method. Our dataset and code are available at https://github.com/bcmi/Image_Harmonization_Datasets.

Wenyan Cong, Jianfu Zhang, Li Niu et al.

Image composition is an important operation in image processing, but the inconsistency between foreground and background significantly degrades the quality of composite image. Image harmonization, which aims to make the foreground compatible with the background, is a promising yet challenging task. However, the lack of high-quality public dataset for image harmonization, which significantly hinders the development of image harmonization techniques. Therefore, we contribute an image harmonization dataset iHarmony4 by generating synthesized composite images based on existing COCO (resp., Adobe5k, day2night) dataset, leading to our HCOCO (resp., HAdobe5k, Hday2night) sub-dataset. To enrich the diversity of our dataset, we also generate synthesized composite images based on our collected Flick images, leading to our HFlickr sub-dataset. The image harmonization dataset iHarmony4 is released at https://github.com/bcmi/Image_Harmonization_Datasets.