Yuanbo Hou

Qinliang Lin, Cheng Luo, Zenghao Niu et al.

Adversarial examples generated by a surrogate model typically exhibit limited transferability to unknown target systems. To address this problem, many transferability enhancement approaches (e.g., input transformation and model augmentation) have been proposed. However, they show poor performances in attacking systems having different model genera from the surrogate model. In this paper, we propose a novel and generic attacking strategy, called Deformation-Constrained Warping Attack (DeCoWA), that can be effectively applied to cross model genus attack. Specifically, DeCoWA firstly augments input examples via an elastic deformation, namely Deformation-Constrained Warping (DeCoW), to obtain rich local details of the augmented input. To avoid severe distortion of global semantics led by random deformation, DeCoW further constrains the strength and direction of the warping transformation by a novel adaptive control strategy. Extensive experiments demonstrate that the transferable examples crafted by our DeCoWA on CNN surrogates can significantly hinder the performance of Transformers (and vice versa) on various tasks, including image classification, video action recognition, and audio recognition. Code is made available at https://github.com/LinQinLiang/DeCoWA.

Qiaoqiao Ren, Yuanbo Hou, Dick Botteldooren et al.

Spoken language interaction is at the heart of interpersonal communication, and people flexibly adapt their speech to different individuals and environments. It is surprising that robots, and by extension other digital devices, are not equipped to adapt their speech and instead rely on fixed speech parameters, which often hinder comprehension by the user. We conducted a speech comprehension study involving 39 participants who were exposed to different environmental and contextual conditions. During the experiment, the robot articulated words using different vocal parameters, and the participants were tasked with both recognising the spoken words and rating their subjective impression of the robot's speech. The experiment's primary outcome shows that spaces with good acoustic quality positively correlate with intelligibility and user experience. However, increasing the distance between the user and the robot exacerbated the user experience, while distracting background sounds significantly reduced speech recognition accuracy and user satisfaction. We next built an adaptive voice for the robot. For this, the robot needs to know how difficult it is for a user to understand spoken language in a particular setting. We present a prediction model that rates how annoying the ambient acoustic environment is and, consequentially, how hard it is to understand someone in this setting. Then, we develop a convolutional neural network model to adapt the robot's speech parameters to different users and spaces, while taking into account the influence of ambient acoustics on intelligibility. Finally, we present an evaluation with 27 users, demonstrating superior intelligibility and user experience with adaptive voice parameters compared to fixed voice.

Yuanbo Hou, Zhesong Yu, Xia Liang et al.

Many previous audio-visual voice-related works focus on speech, ignoring the singing voice in the growing number of musical video streams on the Internet. For processing diverse musical video data, voice activity detection is a necessary step. This paper attempts to detect the speech and singing voices of target performers in musical video streams using audiovisual information. To integrate information of audio and visual modalities, a multi-branch network is proposed to learn audio and image representations, and the representations are fused by attention based on semantic similarity to shape the acoustic representations through the probability of anchor vocalization. Experiments show the proposed audio-visual multi-branch network far outperforms the audio-only model in challenging acoustic environments, indicating the cross-modal information fusion based on semantic correlation is sensible and successful.

Yuanbo Hou, Yi Deng, Bilei Zhu et al.

Detecting anchor's voice in live musical streams is an important preprocessing for music and speech signal processing. Existing approaches to voice activity detection (VAD) primarily rely on audio, however, audio-based VAD is difficult to effectively focus on the target voice in noisy environments. With the help of visual information, this paper proposes a rule-embedded network to fuse the audio-visual (A-V) inputs to help the model better detect target voice. The core role of the rule in the model is to coordinate the relation between the bi-modal information and use visual representations as the mask to filter out the information of non-target sound. Experiments show that: 1) with the help of cross-modal fusion by the proposed rule, the detection result of A-V branch outperforms that of audio branch; 2) the performance of bi-modal model far outperforms that of audio-only models, indicating that the incorporation of both audio and visual signals is highly beneficial for VAD. To attract more attention to the cross-modal music and audio signal processing, a new live musical video corpus with frame-level label is introduced.

Yuanbo Hou, Frank K. Soong, Jian Luan et al.

Detecting singing-voice in polyphonic instrumental music is critical to music information retrieval. To train a robust vocal detector, a large dataset marked with vocal or non-vocal label at frame-level is essential. However, frame-level labeling is time-consuming and labor expensive, resulting there is little well-labeled dataset available for singing-voice detection (S-VD). Hence, we propose a data augmentation method for S-VD by transfer learning. In this study, clean speech clips with voice activity endpoints and separate instrumental music clips are artificially added together to simulate polyphonic vocals to train a vocal/non-vocal detector. Due to the different articulation and phonation between speaking and singing, the vocal detector trained with the artificial dataset does not match well with the polyphonic music which is singing vocals together with the instrumental accompaniments. To reduce this mismatch, transfer learning is used to transfer the knowledge learned from the artificial speech-plus-music training set to a small but matched polyphonic dataset, i.e., singing vocals with accompaniments. By transferring the related knowledge to make up for the lack of well-labeled training data in S-VD, the proposed data augmentation method by transfer learning can improve S-VD performance with an F-score improvement from 89.5% to 93.2%.

Yuanbo Hou, Qiuqiang Kong, Shengchen Li et al.

Sound event detection (SED) methods typically rely on either strongly labelled data or weakly labelled data. As an alternative, sequentially labelled data (SLD) was proposed. In SLD, the events and the order of events in audio clips are known, without knowing the occurrence time of events. This paper proposes a connectionist temporal classification (CTC) based SED system that uses SLD instead of strongly labelled data, with a novel unsupervised clustering stage. Experiments on 41 classes of sound events show that the proposed two-stage method trained on SLD achieves performance comparable to the previous state-of-the-art SED system trained on strongly labelled data, and is far better than another state-of-the-art SED system trained on weakly labelled data, which indicates the effectiveness of the proposed two-stage method trained on SLD without any onset/offset time of sound events.

Yuanbo Hou, Qiuqiang Kong, Jun Wang et al.

Audio tagging aims to detect the types of sound events occurring in an audio recording. To tag the polyphonic audio recordings, we propose to use Connectionist Temporal Classification (CTC) loss function on the top of Convolutional Recurrent Neural Network (CRNN) with learnable Gated Linear Units (GLU-CTC), based on a new type of audio label data: Sequentially Labelled Data (SLD). In GLU-CTC, CTC objective function maps the frame-level probability of labels to clip-level probability of labels. To compare the mapping ability of GLU-CTC for sound events, we train a CRNN with GLU based on Global Max Pooling (GLU-GMP) and a CRNN with GLU based on Global Average Pooling (GLU-GAP). And we also compare the proposed GLU-CTC system with the baseline system, which is a CRNN trained using CTC loss function without GLU. The experiments show that the GLU-CTC achieves an Area Under Curve (AUC) score of 0.882 in audio tagging, outperforming the GLU-GMP of 0.803, GLU-GAP of 0.766 and baseline system of 0.837. That means based on the same CRNN model with GLU, the performance of CTC mapping is better than the GMP and GAP mapping. Given both based on the CTC mapping, the CRNN with GLU outperforms the CRNN without GLU.

Yuanbo Hou, Qiuqiang Kong, Shengchen Li

Audio tagging aims to predict one or several labels in an audio clip. Many previous works use weakly labelled data (WLD) for audio tagging, where only presence or absence of sound events is known, but the order of sound events is unknown. To use the order information of sound events, we propose sequential labelled data (SLD), where both the presence or absence and the order information of sound events are known. To utilize SLD in audio tagging, we propose a Convolutional Recurrent Neural Network followed by a Connectionist Temporal Classification (CRNN-CTC) objective function to map from an audio clip spectrogram to SLD. Experiments show that CRNN-CTC obtains an Area Under Curve (AUC) score of 0.986 in audio tagging, outperforming the baseline CRNN of 0.908 and 0.815 with Max Pooling and Average Pooling, respectively. In addition, we show CRNN-CTC has the ability to predict the order of sound events in an audio clip.