Yue Jiang

Stephen Ni-Hahn, Weihan Xu, Jerry Yin et al.

Schenkerian Analysis (SchA) is a uniquely expressive method of music analysis, combining elements of melody, harmony, counterpoint, and form to describe the hierarchical structure supporting a work of music. However, despite its powerful analytical utility and potential to improve music understanding and generation, SchA has rarely been utilized by the computer music community. This is in large part due to the paucity of available high-quality data in a computer-readable format. With a larger corpus of Schenkerian data, it may be possible to infuse machine learning models with a deeper understanding of musical structure, thus leading to more "human" results. To encourage further research in Schenkerian analysis and its potential benefits for music informatics and generation, this paper presents three main contributions: 1) a new and growing dataset of SchAs, the largest in human- and computer-readable formats to date (>140 excerpts), 2) a novel software for visualization and collection of SchA data, and 3) a novel, flexible representation of SchA as a heterogeneous-edge graph data structure.

Yunyao Zhu, Stephen Hahn, Simon Mak et al.

Algorithmic harmonization - the automated harmonization of a musical piece given its melodic line - is a challenging problem that has garnered much interest from both music theorists and computer scientists. One genre of particular interest is the four-part Baroque chorales of J.S. Bach. Methods for algorithmic chorale harmonization typically adopt a black-box, "data-driven" approach: they do not explicitly integrate principles from music theory but rely on a complex learning model trained with a large amount of chorale data. We propose instead a new harmonization model, called BacHMMachine, which employs a "theory-driven" framework guided by music composition principles, along with a "data-driven" model for learning compositional features within this framework. As its name suggests, BacHMMachine uses a novel Hidden Markov Model based on key and chord transitions, providing a probabilistic framework for learning key modulations and chordal progressions from a given melodic line. This allows for the generation of creative, yet musically coherent chorale harmonizations; integrating compositional principles allows for a much simpler model that results in vast decreases in computational burden and greater interpretability compared to state-of-the-art algorithmic harmonization methods, at no penalty to quality of harmonization or musicality. We demonstrate this improvement via comprehensive experiments and Turing tests comparing BacHMMachine to existing methods.