Nan Nan

h-index6
2papers
97citations

2 Papers

7.9SDApr 28
SymphonyGen: 3D Hierarchical Orchestral Generation with Controllable Harmony Skeleton

Xuzheng He, Nan Nan, Zhilin Wang et al.

Generating symphonic music requires simultaneously managing high-level structural form and dense, multi-track orchestration. Existing symbolic models often struggle with a "complexity-control imbalance", in which scaling bottlenecks limit long-term granular steerability. We present SymphonyGen, a 3D hierarchical framework for contemporary cinematic orchestration. SymphonyGen employs a cascading decoder architecture that decomposes the Bar, Track, and Event axes, improving computational efficiency and scalability over conventional 1D or 2D models. We introduce "short-score" conditioning via a beat-quantized multi-voice harmony skeleton, enabling outline control while preserving textural diversity. The model is further refined using Group Relative Policy Optimization (GRPO) with a cross-modal audio-perceptual reward, aligning symbolic output with modern acoustic expectations. Additionally, we implement a dissonance-averse sampling algorithm to suppress unintended tonal clashes during inference. Objective evaluations show that both reinforcement learning and dissonance-averse sampling effectively enhance harmonic cleanliness while maintaining melodic expression. Subjective evaluations demonstrate that SymphonyGen outperforms baselines in musicality and preference for orchestral music generation. Demo page: https://symphonygen.github.io/

1.9SDMar 1, 2020
Harmonics Based Representation in Clarinet Tone Quality Evaluation

Yixin Wang, Xiaohong Guan, Youtian Du et al.

Music tone quality evaluation is generally performed by experts. It could be subjective and short of consistency and fairness as well as time-consuming. In this paper we present a new method for identifying the clarinet reed quality by evaluating tone quality based on the harmonic structure and energy distribution. We first decouple the quality of reed and clarinet pipe based on the acoustic harmonics, and discover that the reed quality is strongly relevant to the even parts of the harmonics. Then we construct a features set consisting of the even harmonic envelope and the energy distribution of harmonics in spectrum. The annotated clarinet audio data are recorded from 3 levels of performers and the tone quality is classified by machine learning. The results show that our new method for identifying low and medium high tones significantly outperforms previous methods.