Jane Wu

Michelle Chen, David Russell, Amritha Pallavoor et al.

Large-scale delineation of individual trees from remote sensing imagery is crucial to the advancement of ecological research, particularly as climate change and other environmental factors rapidly transform forest landscapes across the world. Current RGB tree segmentation methods rely on training specialized machine learning models with labeled tree datasets. While these learning-based approaches can outperform manual data collection when accurate, the existing models still depend on training data that's hard to scale. In this paper, we investigate the efficacy of using a state-of-the-art image segmentation model, Segment Anything Model 2 (SAM2), in a zero-shot manner for individual tree detection and segmentation. We evaluate a pretrained SAM2 model on two tasks in this domain: (1) zero-shot segmentation and (2) zero-shot transfer by using predictions from an existing tree detection model as prompts. Our results suggest that SAM2 not only has impressive generalization capabilities, but also can form a natural synergy with specialized methods trained on in-domain labeled data. We find that applying large pretrained models to problems in remote sensing is a promising avenue for future progress. We make our code available at: https://github.com/open-forest-observatory/tree-detection-framework.

Michael Bao, Jane Wu, Xinwei Yao et al.

While much progress has been made in capturing high-quality facial performances using motion capture markers and shape-from-shading, high-end systems typically also rely on rotoscope curves hand-drawn on the image. These curves are subjective and difficult to draw consistently; moreover, ad-hoc procedural methods are required for generating matching rotoscope curves on synthetic renders embedded in the optimization used to determine three-dimensional facial pose and expression. We propose an alternative approach whereby these curves and other keypoints are detected automatically on both the image and the synthetic renders using trained neural networks, eliminating artist subjectivity and the ad-hoc procedures meant to mimic it. More generally, we propose using machine learning networks to implicitly define deep energies which when minimized using classical optimization techniques lead to three-dimensional facial pose and expression estimation.