Luigi Celona

Xiaohong Liu, Xiongkuo Min, Wei Sun et al. · eth-zurich

This paper reports on the NTIRE 2023 Quality Assessment of Video Enhancement Challenge, which will be held in conjunction with the New Trends in Image Restoration and Enhancement Workshop (NTIRE) at CVPR 2023. This challenge is to address a major challenge in the field of video processing, namely, video quality assessment (VQA) for enhanced videos. The challenge uses the VQA Dataset for Perceptual Video Enhancement (VDPVE), which has a total of 1211 enhanced videos, including 600 videos with color, brightness, and contrast enhancements, 310 videos with deblurring, and 301 deshaked videos. The challenge has a total of 167 registered participants. 61 participating teams submitted their prediction results during the development phase, with a total of 3168 submissions. A total of 176 submissions were submitted by 37 participating teams during the final testing phase. Finally, 19 participating teams submitted their models and fact sheets, and detailed the methods they used. Some methods have achieved better results than baseline methods, and the winning methods have demonstrated superior prediction performance.

Luigi Celona, Simone Bianco, Marco Donzella et al.

State-of-The-Art (SoTA) image captioning models are often trained on the MicroSoft Common Objects in Context (MS-COCO) dataset, which contains human-annotated captions with an average length of approximately ten tokens. Although effective for general scene understanding, these short captions often fail to capture complex scenes and convey detailed information. Moreover, captioning models tend to exhibit bias towards the ``average'' caption, which captures only the more general aspects, thus overlooking finer details. In this paper, we present a novel approach to generate richer and more informative image captions by combining the captions generated from different SoTA captioning models. Our proposed method requires no additional model training: given an image, it leverages pre-trained models from the literature to generate the initial captions, and then ranks them using a newly introduced image-text-based metric, which we name BLIPScore. Subsequently, the top two captions are fused using a Large Language Model (LLM) to produce the final, more detailed description. Experimental results on the MS-COCO and Flickr30k test sets demonstrate the effectiveness of our approach in terms of caption-image alignment and hallucination reduction according to the ALOHa, CAPTURE, and Polos metrics. A subjective study lends additional support to these results, suggesting that the captions produced by our model are generally perceived as more consistent with human judgment. By combining the strengths of diverse SoTA models, our method enhances the quality and appeal of image captions, bridging the gap between automated systems and the rich and informative nature of human-generated descriptions. This advance enables the generation of more suitable captions for the training of both vision-language and captioning models.

Luigi Celona, Simone Bianco, Raimondo Schettini

The widespread sharing of face images on social media platforms and in large-scale datasets raises pressing privacy concerns, as biometric identifiers can be exploited without consent. Face anonymization seeks to generate realistic facial images that irreversibly conceal the subject's identity while preserving their usefulness for downstream tasks. However, most existing generative approaches focus on identity removal and image realism, often neglecting facial expressions as well as photometric consistency -- specifically attributes such as illumination and skin tone -- that are critical for applications like relighting, color constancy, and medical or affective analysis. In this work, we propose a feature-preserving anonymization framework that extends DeepPrivacy by incorporating dense facial landmarks to better retain expressions, and by introducing lightweight post-processing modules that ensure consistency in lighting direction and skin color. We further establish evaluation metrics specifically designed to quantify expression fidelity, lighting consistency, and color preservation, complementing standard measures of image realism, pose accuracy, and re-identification resistance. Experiments on the CelebA-HQ dataset demonstrate that our method produces anonymized faces with improved realism and significantly higher fidelity in expression, illumination, and skin tone compared to state-of-the-art baselines. These results underscore the importance of feature-aware anonymization as a step toward more useful, fair, and trustworthy privacy-preserving facial data.

Luigi Celona, Marco Leonardi, Paolo Napoletano et al.

The aesthetic quality of an image is defined as the measure or appreciation of the beauty of an image. Aesthetics is inherently a subjective property but there are certain factors that influence it such as, the semantic content of the image, the attributes describing the artistic aspect, the photographic setup used for the shot, etc. In this paper we propose a method for the automatic prediction of the aesthetics of an image that is based on the analysis of the semantic content, the artistic style and the composition of the image. The proposed network includes: a pre-trained network for semantic features extraction (the Backbone); a Multi Layer Perceptron (MLP) network that relies on the Backbone features for the prediction of image attributes (the AttributeNet); a self-adaptive Hypernetwork that exploits the attributes prior encoded into the embedding generated by the AttributeNet to predict the parameters of the target network dedicated to aesthetic estimation (the AestheticNet). Given an image, the proposed multi-network is able to predict: style and composition attributes, and aesthetic score distribution. Results on three benchmark datasets demonstrate the effectiveness of the proposed method, while the ablation study gives a better understanding of the proposed network.

Simone Bianco, Luigi Celona, Paolo Napoletano

Previous literature suggests that perceptual similarity is an emergent property shared across deep visual representations. Experiments conducted on a dataset of human-judged image distortions have proven that deep features outperform classic perceptual metrics. In this work we take a further step in the direction of a broader understanding of such property by analyzing the capability of deep visual representations to intrinsically characterize different types of image distortions. To this end, we firstly generate a number of synthetically distorted images and then we analyze the features extracted by different layers of different Deep Neural Networks. We observe that a dimension-reduced representation of the features extracted from a given layer permits to efficiently separate types of distortions in the feature space. Moreover, each network layer exhibits a different ability to separate between different types of distortions, and this ability varies according to the network architecture. Finally, we evaluate the exploitation of features taken from the layer that better separates image distortions for: i) reduced-reference image quality assessment, and ii) distortion types and severity levels characterization on both single and multiple distortion databases. Results achieved on both tasks suggest that deep visual representations can be unsupervisedly employed to efficiently characterize various image distortions.

Simone Bianco, Remi Cadene, Luigi Celona et al.

This work presents an in-depth analysis of the majority of the deep neural networks (DNNs) proposed in the state of the art for image recognition. For each DNN multiple performance indices are observed, such as recognition accuracy, model complexity, computational complexity, memory usage, and inference time. The behavior of such performance indices and some combinations of them are analyzed and discussed. To measure the indices we experiment the use of DNNs on two different computer architectures, a workstation equipped with a NVIDIA Titan X Pascal and an embedded system based on a NVIDIA Jetson TX1 board. This experimentation allows a direct comparison between DNNs running on machines with very different computational capacity. This study is useful for researchers to have a complete view of what solutions have been explored so far and in which research directions are worth exploring in the future; and for practitioners to select the DNN architecture(s) that better fit the resource constraints of practical deployments and applications. To complete this work, all the DNNs, as well as the software used for the analysis, are available online.

Simone Bianco, Luigi Celona, Raimondo Schettini

Recent research has widely explored the problem of aesthetics assessment of images with generic content. However, few approaches have been specifically designed to predict the aesthetic quality of images containing human faces, which make up a massive portion of photos in the web. This paper introduces a method for aesthetic quality assessment of images with faces. We exploit three different Convolutional Neural Networks to encode information regarding perceptual quality, global image aesthetics, and facial attributes; then, a model is trained to combine these features to explicitly predict the aesthetics of images containing faces. Experimental results show that our approach outperforms existing methods for both binary, i.e. low/high, and continuous aesthetic score prediction on four different databases in the state-of-the-art.