Weitao You

Dengming Zhang, Weitao You, Jingxiong Li et al.

Emotion understanding is critical for making Large Language Models (LLMs) more general, reliable, and aligned with humans. Art conveys emotion through the joint design of visual and auditory elements, yet most prior work is human-centered or single-modality, overlooking the emotion intentionally expressed by the artwork. Meanwhile, current Audio-Visual Language Models (AVLMs) typically require large-scale audio pretraining to endow Visual Language Models (VLMs) with hearing, which limits scalability. We present Vision Anchored Audio-Visual Emotion LLM (VAEmotionLLM), a two-stage framework that teaches a VLM to hear by seeing with limited audio pretraining and to understand emotion across modalities. In Stage 1, Vision-Guided Audio Alignment (VG-Align) distills the frozen visual pathway into a new audio pathway by aligning next-token distributions of the shared LLM on synchronized audio-video clips, enabling hearing without a large audio dataset. In Stage 2, a lightweight Cross-Modal Emotion Adapter (EmoAdapter), composed of the Emotion Enhancer and the Emotion Supervisor, injects emotion-sensitive residuals and applies emotion supervision to enhance cross-modal emotion understanding. We also construct ArtEmoBenchmark, an art-centric emotion benchmark that evaluates content and emotion understanding under audio-only, visual-only, and audio-visual inputs. VAEmotionLLM achieves state-of-the-art results on ArtEmoBenchmark, outperforming audio-only, visual-only, and audio-visual baselines. Ablations show that the proposed components are complementary.

Heda Zuo, Weitao You, Junxian Wu et al.

Composing music for video is essential yet challenging, leading to a growing interest in automating music generation for video applications. Existing approaches often struggle to achieve robust music-video correspondence and generative diversity, primarily due to inadequate feature alignment methods and insufficient datasets. In this study, we present General Video-to-Music Generation model (GVMGen), designed for generating high-related music to the video input. Our model employs hierarchical attentions to extract and align video features with music in both spatial and temporal dimensions, ensuring the preservation of pertinent features while minimizing redundancy. Remarkably, our method is versatile, capable of generating multi-style music from different video inputs, even in zero-shot scenarios. We also propose an evaluation model along with two novel objective metrics for assessing video-music alignment. Additionally, we have compiled a large-scale dataset comprising diverse types of video-music pairs. Experimental results demonstrate that GVMGen surpasses previous models in terms of music-video correspondence, generative diversity, and application universality.

Zhuyu Teng, Pei Chen, Yichen Cai et al.

Despite advances in multimodal AI, current vision-based assistants often remain inefficient in collaborative tasks. We identify two key gulfs: a communication gulf, where users must translate rich parallel intentions into verbal commands due to the channel mismatch , and an understanding gulf, where AI struggles to interpret subtle embodied cues. To address these, we propose Eye2Eye, a framework that leverages first-person perspective as a channel for human-AI cognitive alignment. It integrates three components: (1) joint attention coordination for fluid focus alignment, (2) revisable memory to maintain evolving common ground, and (3) reflective feedback allowing users to clarify and refine AI's understanding. We implement this framework in an AR prototype and evaluate it through a user study and a post-hoc pipeline evaluation. Results show that Eye2Eye significantly reduces task completion time and interaction load while increasing trust, demonstrating its components work in concert to improve collaboration.