Szu-Yu Chou

h-index11
2papers
718citations

2 Papers

16.2SDDec 4, 2018Code
Learning to match transient sound events using attentional similarity for few-shot sound recognition

Szu-Yu Chou, Kai-Hsiang Cheng, Jyh-Shing Roger Jang et al.

In this paper, we introduce a novel attentional similarity module for the problem of few-shot sound recognition. Given a few examples of an unseen sound event, a classifier must be quickly adapted to recognize the new sound event without much fine-tuning. The proposed attentional similarity module can be plugged into any metric-based learning method for few-shot learning, allowing the resulting model to especially match related short sound events. Extensive experiments on two datasets shows that the proposed module consistently improves the performance of five different metric-based learning methods for few-shot sound recognition. The relative improvement ranges from +4.1% to +7.7% for 5-shot 5-way accuracy for the ESC-50 dataset, and from +2.1% to +6.5% for noiseESC-50. Qualitative results demonstrate that our method contributes in particular to the recognition of transient sound events.

33.9SDMar 31, 2017Code
MidiNet: A Convolutional Generative Adversarial Network for Symbolic-domain Music Generation

Li-Chia Yang, Szu-Yu Chou, Yi-Hsuan Yang

Most existing neural network models for music generation use recurrent neural networks. However, the recent WaveNet model proposed by DeepMind shows that convolutional neural networks (CNNs) can also generate realistic musical waveforms in the audio domain. Following this light, we investigate using CNNs for generating melody (a series of MIDI notes) one bar after another in the symbolic domain. In addition to the generator, we use a discriminator to learn the distributions of melodies, making it a generative adversarial network (GAN). Moreover, we propose a novel conditional mechanism to exploit available prior knowledge, so that the model can generate melodies either from scratch, by following a chord sequence, or by conditioning on the melody of previous bars (e.g. a priming melody), among other possibilities. The resulting model, named MidiNet, can be expanded to generate music with multiple MIDI channels (i.e. tracks). We conduct a user study to compare the melody of eight-bar long generated by MidiNet and by Google's MelodyRNN models, each time using the same priming melody. Result shows that MidiNet performs comparably with MelodyRNN models in being realistic and pleasant to listen to, yet MidiNet's melodies are reported to be much more interesting.