Joanna Hong

Minsu Kim, Joanna Hong, Yong Man Ro

In this paper, we propose a novel lip-to-speech generative adversarial network, Visual Context Attentional GAN (VCA-GAN), which can jointly model local and global lip movements during speech synthesis. Specifically, the proposed VCA-GAN synthesizes the speech from local lip visual features by finding a mapping function of viseme-to-phoneme, while global visual context is embedded into the intermediate layers of the generator to clarify the ambiguity in the mapping induced by homophene. To achieve this, a visual context attention module is proposed where it encodes global representations from the local visual features, and provides the desired global visual context corresponding to the given coarse speech representation to the generator through audio-visual attention. In addition to the explicit modelling of local and global visual representations, synchronization learning is introduced as a form of contrastive learning that guides the generator to synthesize a speech in sync with the given input lip movements. Extensive experiments demonstrate that the proposed VCA-GAN outperforms existing state-of-the-art and is able to effectively synthesize the speech from multi-speaker that has been barely handled in the previous works.

Se Jin Park, Joanna Hong, Minsu Kim et al.

Speech-driven 3D facial animation has gained significant attention for its ability to create realistic and expressive facial animations in 3D space based on speech. Learning-based methods have shown promising progress in achieving accurate facial motion synchronized with speech. However, one-to-many nature of speech-to-3D facial synthesis has not been fully explored: while the lip accurately synchronizes with the speech content, other facial attributes beyond speech-related motions are variable with respect to the speech. To account for the potential variance in the facial attributes within a single speech, we propose DF-3DFace, a diffusion-driven speech-to-3D face mesh synthesis. DF-3DFace captures the complex one-to-many relationships between speech and 3D face based on diffusion. It concurrently achieves aligned lip motion by exploiting audio-mesh synchronization and masked conditioning. Furthermore, the proposed method jointly models identity and pose in addition to facial motions so that it can generate 3D face animation without requiring a reference identity mesh and produce natural head poses. We contribute a new large-scale 3D facial mesh dataset, 3D-HDTF to enable the synthesis of variations in identities, poses, and facial motions of 3D face mesh. Extensive experiments demonstrate that our method successfully generates highly variable facial shapes and motions from speech and simultaneously achieves more realistic facial animation than the state-of-the-art methods.

Joanna Hong, Jung Uk Kim, Sangmin Lee et al.

Recent advances in facial expression synthesis have shown promising results using diverse expression representations including facial action units. Facial action units for an elaborate facial expression synthesis need to be intuitively represented for human comprehension, not a numeric categorization of facial action units. To address this issue, we utilize human-friendly approach: use of natural language where language helps human grasp conceptual contexts. In this paper, therefore, we propose a new facial expression synthesis model from language-based facial expression description. Our method can synthesize the facial image with detailed expressions. In addition, effectively embedding language features on facial features, our method can control individual word to handle each part of facial movement. Extensive qualitative and quantitative evaluations were conducted to verify the effectiveness of the natural language.