Michael S. Brown

Marcos V. Conde, Javier Vazquez-Corral, Michael S. Brown et al.

3D lookup tables (3D LUTs) are a key component for image enhancement. Modern image signal processors (ISPs) have dedicated support for these as part of the camera rendering pipeline. Cameras typically provide multiple options for picture styles, where each style is usually obtained by applying a unique handcrafted 3D LUT. Current approaches for learning and applying 3D LUTs are notably fast, yet not so memory-efficient, as storing multiple 3D LUTs is required. For this reason and other implementation limitations, their use on mobile devices is less popular. In this work, we propose a Neural Implicit LUT (NILUT), an implicitly defined continuous 3D color transformation parameterized by a neural network. We show that NILUTs are capable of accurately emulating real 3D LUTs. Moreover, a NILUT can be extended to incorporate multiple styles into a single network with the ability to blend styles implicitly. Our novel approach is memory-efficient, controllable and can complement previous methods, including learned ISPs. Code, models and dataset available at: https://github.com/mv-lab/nilut

Abhijith Punnappurath, Abdullah Abuolaim, Abdelrahman Abdelhamed et al.

Many flagship smartphone cameras now use a dedicated neural image signal processor (ISP) to render noisy raw sensor images to the final processed output. Training nightmode ISP networks relies on large-scale datasets of image pairs with: (1) a noisy raw image captured with a short exposure and a high ISO gain; and (2) a ground truth low-noise raw image captured with a long exposure and low ISO that has been rendered through the ISP. Capturing such image pairs is tedious and time-consuming, requiring careful setup to ensure alignment between the image pairs. In addition, ground truth images are often prone to motion blur due to the long exposure. To address this problem, we propose a method that synthesizes nighttime images from daytime images. Daytime images are easy to capture, exhibit low-noise (even on smartphone cameras) and rarely suffer from motion blur. We outline a processing framework to convert daytime raw images to have the appearance of realistic nighttime raw images with different levels of noise. Our procedure allows us to easily produce aligned noisy and clean nighttime image pairs. We show the effectiveness of our synthesis framework by training neural ISPs for nightmode rendering. Furthermore, we demonstrate that using our synthetic nighttime images together with small amounts of real data (e.g., 5% to 10%) yields performance almost on par with training exclusively on real nighttime images. Our dataset and code are available at https://github.com/SamsungLabs/day-to-night.

Shayan Kousha, Ali Maleky, Michael S. Brown et al.

Noise modeling and reduction are fundamental tasks in low-level computer vision. They are particularly important for smartphone cameras relying on small sensors that exhibit visually noticeable noise. There has recently been renewed interest in using data-driven approaches to improve camera noise models via neural networks. These data-driven approaches target noise present in the raw-sensor image before it has been processed by the camera's image signal processor (ISP). Modeling noise in the RAW-rgb domain is useful for improving and testing the in-camera denoising algorithm; however, there are situations where the camera's ISP does not apply denoising or additional denoising is desired when the RAW-rgb domain image is no longer available. In such cases, the sensor noise propagates through the ISP to the final rendered image encoded in standard RGB (sRGB). The nonlinear steps on the ISP culminate in a significantly more complex noise distribution in the sRGB domain and existing raw-domain noise models are unable to capture the sRGB noise distribution. We propose a new sRGB-domain noise model based on normalizing flows that is capable of learning the complex noise distribution found in sRGB images under various ISO levels. Our normalizing flows-based approach outperforms other models by a large margin in noise modeling and synthesis tasks. We also show that image denoisers trained on noisy images synthesized with our noise model outperforms those trained with noise from baselines models.

Ali Maleky, Shayan Kousha, Michael S. Brown et al.

Image noise modeling is a long-standing problem with many applications in computer vision. Early attempts that propose simple models, such as signal-independent additive white Gaussian noise or the heteroscedastic Gaussian noise model (a.k.a., camera noise level function) are not sufficient to learn the complex behavior of the camera sensor noise. Recently, more complex learning-based models have been proposed that yield better results in noise synthesis and downstream tasks, such as denoising. However, their dependence on supervised data (i.e., paired clean images) is a limiting factor given the challenges in producing ground-truth images. This paper proposes a framework for training a noise model and a denoiser simultaneously while relying only on pairs of noisy images rather than noisy/clean paired image data. We apply this framework to the training of the Noise Flow architecture. The noise synthesis and density estimation results show that our framework outperforms previous signal-processing-based noise models and is on par with its supervised counterpart. The trained denoiser is also shown to significantly improve upon both supervised and weakly supervised baseline denoising approaches. The results indicate that the joint training of a denoiser and a noise model yields significant improvements in the denoiser.

Seonghyeon Nam, Abhijith Punnappurath, Marcus A. Brubaker et al.

Most camera images are rendered and saved in the standard RGB (sRGB) format by the camera's hardware. Due to the in-camera photo-finishing routines, nonlinear sRGB images are undesirable for computer vision tasks that assume a direct relationship between pixel values and scene radiance. For such applications, linear raw-RGB sensor images are preferred. Saving images in their raw-RGB format is still uncommon due to the large storage requirement and lack of support by many imaging applications. Several "raw reconstruction" methods have been proposed that utilize specialized metadata sampled from the raw-RGB image at capture time and embedded in the sRGB image. This metadata is used to parameterize a mapping function to de-render the sRGB image back to its original raw-RGB format when needed. Existing raw reconstruction methods rely on simple sampling strategies and global mapping to perform the de-rendering. This paper shows how to improve the de-rendering results by jointly learning sampling and reconstruction. Our experiments show that our learned sampling can adapt to the image content to produce better raw reconstructions than existing methods. We also describe an online fine-tuning strategy for the reconstruction network to improve results further.

Hoang M. Le, Brian Price, Scott Cohen et al.

Cameras and image-editing software often process images in the wide-gamut ProPhoto color space, encompassing 90% of all visible colors. However, when images are encoded for sharing, this color-rich representation is transformed and clipped to fit within the small-gamut standard RGB (sRGB) color space, representing only 30% of visible colors. Recovering the lost color information is challenging due to the clipping procedure. Inspired by neural implicit representations for 2D images, we propose a method that optimizes a lightweight multi-layer-perceptron (MLP) model during the gamut reduction step to predict the clipped values. GamutMLP takes approximately 2 seconds to optimize and requires only 23 KB of storage. The small memory footprint allows our GamutMLP model to be saved as metadata in the sRGB image -- the model can be extracted when needed to restore wide-gamut color values. We demonstrate the effectiveness of our approach for color recovery and compare it with alternative strategies, including pre-trained DNN-based gamut expansion networks and other implicit neural representation methods. As part of this effort, we introduce a new color gamut dataset of 2200 wide-gamut/small-gamut images for training and testing. Our code and dataset can be found on the project website: https://gamut-mlp.github.io.

Shuwei Li, Jikai Wang, Michael S. Brown et al.

The assumption of a uniform light color distribution is no longer applicable in scenes that have multiple light colors. Most color constancy methods are designed to deal with a single light color, and thus are erroneous when applied to multiple light colors. The spatial variability in multiple light colors causes the color constancy problem to be more challenging and requires the extraction of local surface/light information. Motivated by this, we introduce a multi-task learning method to discount multiple light colors in a single input image. To have better cues of the local surface/light colors under multiple light color conditions, we design a novel multi-task learning framework. Our framework includes auxiliary tasks of achromatic-pixel detection and surface-color similarity prediction, providing better cues for local light and surface colors, respectively. Moreover, to ensure that our model maintains the constancy of surface colors regardless of the variations of light colors, a novel local surface color feature preservation scheme is developed. We demonstrate that our model achieves 47.1% improvement (from 4.69 mean angular error to 2.48) compared to a state-of-the-art multi-illuminant color constancy method on a multi-illuminant dataset (LSMI).

Luxi Zhao, Michael S. Brown

Generative AI (GenAI) image editors, such as Nano Banana, produce visually compelling results for retouching tasks, enabling non-experts to edit images through text prompts alone. However, the generative nature of these models often introduces spatial misalignment, texture distortion, and content hallucination, all of which are detrimental to downstream workflows that require pixel-level fidelity. We identify a problem setting we call "structure-preserving GenAI fusion" for black-box GenAI image retouching: retain the perceptual enhancements of a GenAI output while enforcing structural faithfulness to the original input image. To address this problem, we propose a post-processing framework that fuses an input image with its GenAI-enhanced counterpart by first establishing coarse spatial and photometric correspondences, then performing a fusion stage that transfers desired enhancements while suppressing hallucinated content. In the absence of direct prior work in this setting, we evaluate our framework against representative methods from photorealistic style transfer and image fusion. Our experiments demonstrate that our method better preserves aesthetic quality while maintaining pixel-level structural consistency and the input resolution.

SaiKiran Tedla, Kelly Zhu, Trevor Canham et al.

We seek to answer the question: what can a motion-blurred image reveal about a scene's past, present, and future? Although motion blur obscures image details and degrades visual quality, it also encodes information about scene and camera motion during an exposure. Previous techniques leverage this information to estimate a sharp image from an input blurry one, or to predict a sequence of video frames showing what might have occurred at the moment of image capture. However, they rely on handcrafted priors or network architectures to resolve ambiguities in this inverse problem, and do not incorporate image and video priors on large-scale datasets. As such, existing methods struggle to reproduce complex scene dynamics and do not attempt to recover what occurred before or after an image was taken. Here, we introduce a new technique that repurposes a pre-trained video diffusion model trained on internet-scale datasets to recover videos revealing complex scene dynamics during the moment of capture and what might have occurred immediately into the past or future. Our approach is robust and versatile; it outperforms previous methods for this task, generalizes to challenging in-the-wild images, and supports downstream tasks such as recovering camera trajectories, object motion, and dynamic 3D scene structure. Code and data are available at https://blur2vid.github.io

David Serrano-Lozano, Luis Herranz, Michael S. Brown et al.

A popular method for enhancing images involves learning the style of a professional photo editor using pairs of training images comprised of the original input with the editor-enhanced version. When manipulating images, many editing tools offer a feature that allows the user to manipulate a limited selection of familiar colors. Editing by color name allows easy adjustment of elements like the "blue" of the sky or the "green" of trees. Inspired by this approach to color manipulation, we propose NamedCurves, a learning-based image enhancement technique that separates the image into a small set of named colors. Our method learns to globally adjust the image for each specific named color via tone curves and then combines the images using an attention-based fusion mechanism to mimic spatial editing. We demonstrate the effectiveness of our method against several competing methods on the well-known Adobe 5K dataset and the PPR10K dataset, showing notable improvements.

Abhijith Punnappurath, Luxi Zhao, Hoang Le et al.

RAW images are unprocessed camera sensor output with sensor-specific RGB values based on the sensor's color filter spectral sensitivities. RAW images also incur strong color casts due to the sensor's response to the spectral properties of scene illumination. The sensor- and illumination-specific nature of RAW images makes it challenging to capture RAW datasets for deep learning methods, as scenes need to be captured for each sensor and under a wide range of illumination. Methods for illumination augmentation for a given sensor and the ability to map RAW images between sensors are important for reducing the burden of data capture. To explore this problem, we introduce the first-of-its-kind dataset comprising carefully captured scenes under a wide range of illumination. Specifically, we use a customized lightbox with tunable illumination spectra to capture several scenes with different cameras. Our illumination and sensor mapping dataset has 390 illuminations, four cameras, and 18 scenes. Using this dataset, we introduce a lightweight neural network approach for illumination and sensor mapping that outperforms competing methods. We demonstrate the utility of our approach on the downstream task of training a neural ISP. Link to project page: https://github.com/SamsungLabs/illum-sensor-mapping.

Vahid Zehtab, David B. Lindell, Marcus A. Brubaker et al.

3D color lookup tables (LUTs) enable precise color manipulation by mapping input RGB values to specific output RGB values. 3D LUTs are instrumental in various applications, including video editing, in-camera processing, photographic filters, computer graphics, and color processing for displays. While an individual LUT does not incur a high memory overhead, software and devices may need to store dozens to hundreds of LUTs that can take over 100 MB. This work aims to develop a neural network architecture that can encode hundreds of LUTs in a single compact representation. To this end, we propose a model with a memory footprint of less than 0.25 MB that can reconstruct 512 LUTs with only minor color distortion ($\barΔE_M$ $\leq$ 2.0) over the entire color gamut. We also show that our network can weight colors to provide further quality gains on natural image colors ($\barΔ{E}_M$ $\leq$ 1.0). Finally, we show that minor modifications to the network architecture enable a bijective encoding that produces LUTs that are invertible, allowing for reverse color processing. Our code is available at https://github.com/vahidzee/ennelut.

Mahmoud Afifi, Marcus A. Brubaker, Michael S. Brown

Auto white balance (AWB) is applied by camera hardware at capture time to remove the color cast caused by the scene illumination. The vast majority of white-balance algorithms assume a single light source illuminates the scene; however, real scenes often have mixed lighting conditions. This paper presents an effective AWB method to deal with such mixed-illuminant scenes. A unique departure from conventional AWB, our method does not require illuminant estimation, as is the case in traditional camera AWB modules. Instead, our method proposes to render the captured scene with a small set of predefined white-balance settings. Given this set of rendered images, our method learns to estimate weighting maps that are used to blend the rendered images to generate the final corrected image. Through extensive experiments, we show this proposed method produces promising results compared to other alternatives for single- and mixed-illuminant scene color correction. Our source code and trained models are available at https://github.com/mahmoudnafifi/mixedillWB.

Abdullah Abuolaim, Mahmoud Afifi, Michael S. Brown

Many camera sensors use a dual-pixel (DP) design that operates as a rudimentary light field providing two sub-aperture views of a scene in a single capture. The DP sensor was developed to improve how cameras perform autofocus. Since the DP sensor's introduction, researchers have found additional uses for the DP data, such as depth estimation, reflection removal, and defocus deblurring. We are interested in the latter task of defocus deblurring. In particular, we propose a single-image deblurring network that incorporates the two sub-aperture views into a multi-task framework. Specifically, we show that jointly learning to predict the two DP views from a single blurry input image improves the network's ability to learn to deblur the image. Our experiments show this multi-task strategy achieves +1dB PSNR improvement over state-of-the-art defocus deblurring methods. In addition, our multi-task framework allows accurate DP-view synthesis (e.g., ~39dB PSNR) from the single input image. These high-quality DP views can be used for other DP-based applications, such as reflection removal. As part of this effort, we have captured a new dataset of 7,059 high-quality images to support our training for the DP-view synthesis task. Our dataset, code, and trained models are publicly available at https://github.com/Abdullah-Abuolaim/multi-task-defocus-deblurring-dual-pixel-nimat.

Mahmoud Afifi, Abdullah Abuolaim, Mostafa Hussien et al.

Image style transfer aims to manipulate the appearance of a source image, or "content" image, to share similar texture and colors of a target "style" image. Ideally, the style transfer manipulation should also preserve the semantic content of the source image. A commonly used approach to assist in transferring styles is based on Gram matrix optimization. One problem of Gram matrix-based optimization is that it does not consider the correlation between colors and their styles. Specifically, certain textures or structures should be associated with specific colors. This is particularly challenging when the target style image exhibits multiple style types. In this work, we propose a color-aware multi-style transfer method that generates aesthetically pleasing results while preserving the style-color correlation between style and generated images. We achieve this desired outcome by introducing a simple but efficient modification to classic Gram matrix-based style transfer optimization. A nice feature of our method is that it enables the users to manually select the color associations between the target style and content image for more transfer flexibility. We validated our method with several qualitative comparisons, including a user study conducted with 30 participants. In comparison with prior work, our method is simple, easy to implement, and achieves visually appealing results when targeting images that have multiple styles. Source code is available at https://github.com/mahmoudnafifi/color-aware-style-transfer.

Mahmoud Afifi, Michael S. Brown

White balance (WB) is one of the first photo-finishing steps used to render a captured image to its final output. WB is applied to remove the color cast caused by the scene's illumination. Interactive photo-editing software allows users to manually select different regions in a photo as examples of the illumination for WB correction (e.g., clicking on achromatic objects). Such interactive editing is possible only with images saved in a RAW image format. This is because RAW images have no photo-rendering operations applied and photo-editing software is able to apply WB and other photo-finishing procedures to render the final image. Interactively editing WB in camera-rendered images is significantly more challenging. This is because the camera hardware has already applied WB to the image and subsequent nonlinear photo-processing routines. These nonlinear rendering operations make it difficult to change the WB post-capture. The goal of this paper is to allow interactive WB manipulation of camera-rendered images. The proposed method is an extension of our recent work \cite{afifi2019color} that proposed a post-capture method for WB correction based on nonlinear color-mapping functions. Here, we introduce a new framework that links the nonlinear color-mapping functions directly to user-selected colors to enable {\it interactive} WB manipulation. This new framework is also more efficient in terms of memory and run-time (99\% reduction in memory and 3$\times$ speed-up). Lastly, we describe how our framework can leverage a simple illumination estimation method (i.e., gray-world) to perform auto-WB correction that is on a par with the WB correction results in \cite{afifi2019color}. The source code is publicly available at https://github.com/mahmoudnafifi/Interactive_WB_correction.

Mahmoud Afifi, Abdelrahman Abdelhamed, Abdullah Abuolaim et al.

Cameras currently allow access to two image states: (i) a minimally processed linear raw-RGB image state (i.e., raw sensor data) or (ii) a highly-processed nonlinear image state (e.g., sRGB). There are many computer vision tasks that work best with a linear image state, such as image deblurring and image dehazing. Unfortunately, the vast majority of images are saved in the nonlinear image state. Because of this, a number of methods have been proposed to "unprocess" nonlinear images back to a raw-RGB state. However, existing unprocessing methods have a drawback because raw-RGB images are sensor-specific. As a result, it is necessary to know which camera produced the sRGB output and use a method or network tailored for that sensor to properly unprocess it. This paper addresses this limitation by exploiting another camera image state that is not available as an output, but it is available inside the camera pipeline. In particular, cameras apply a colorimetric conversion step to convert the raw-RGB image to a device-independent space based on the CIE XYZ color space before they apply the nonlinear photo-finishing. Leveraging this canonical image state, we propose a deep learning framework, CIE XYZ Net, that can unprocess a nonlinear image back to the canonical CIE XYZ image. This image can then be processed by any low-level computer vision operator and re-rendered back to the nonlinear image. We demonstrate the usefulness of the CIE XYZ Net on several low-level vision tasks and show significant gains that can be obtained by this processing framework. Code and dataset are publicly available at https://github.com/mahmoudnafifi/CIE_XYZ_NET.

Abdullah Abuolaim, Michael S. Brown

Defocus blur arises in images that are captured with a shallow depth of field due to the use of a wide aperture. Correcting defocus blur is challenging because the blur is spatially varying and difficult to estimate. We propose an effective defocus deblurring method that exploits data available on dual-pixel (DP) sensors found on most modern cameras. DP sensors are used to assist a camera's auto-focus by capturing two sub-aperture views of the scene in a single image shot. The two sub-aperture images are used to calculate the appropriate lens position to focus on a particular scene region and are discarded afterwards. We introduce a deep neural network (DNN) architecture that uses these discarded sub-aperture images to reduce defocus blur. A key contribution of our effort is a carefully captured dataset of 500 scenes (2000 images) where each scene has: (i) an image with defocus blur captured at a large aperture; (ii) the two associated DP sub-aperture views; and (iii) the corresponding all-in-focus image captured with a small aperture. Our proposed DNN produces results that are significantly better than conventional single image methods in terms of both quantitative and perceptual metrics -- all from data that is already available on the camera but ignored. The dataset, code, and trained models are available at https://github.com/Abdullah-Abuolaim/defocus-deblurring-dual-pixel.

SaiKiran Tedla, Beixuan Yang, Michael S. Brown

Autoexposure (AE) is a critical step applied by camera systems to ensure properly exposed images. While current AE algorithms are effective in well-lit environments with constant illumination, these algorithms still struggle in environments with bright light sources or scenes with abrupt changes in lighting. A significant hurdle in developing new AE algorithms for challenging environments, especially those with time-varying lighting, is the lack of suitable image datasets. To address this issue, we have captured a new 4D exposure dataset that provides a large solution space (i.e., shutter speed range from (1/500 to 15 seconds) over a temporal sequence with moving objects, bright lights, and varying lighting. In addition, we have designed a software platform to allow AE algorithms to be used in a plug-and-play manner with the dataset. Our dataset and associate platform enable repeatable evaluation of different AE algorithms and provide a much-needed starting point to develop better AE methods. We examine several existing AE strategies using our dataset and show that most users prefer a simple saliency method for challenging lighting conditions.

Mahmoud Afifi, Zhongling Wang, Ran Zhang et al.

This paper presents a modular neural image signal processing (ISP) framework that processes raw inputs and renders high-quality display-referred images. Unlike prior neural ISP designs, our method introduces a high degree of modularity, providing full control over multiple intermediate stages of the rendering process.~This modular design not only achieves high rendering accuracy but also improves scalability, debuggability, generalization to unseen cameras, and flexibility to match different user-preference styles. To demonstrate the advantages of this design, we built a user-interactive photo-editing tool that leverages our neural ISP to support diverse editing operations and picture styles. The tool is carefully engineered to take advantage of the high-quality rendering of our neural ISP and to enable unlimited post-editable re-rendering. Our method is a fully learning-based framework with variants of different capacities, all of moderate size (ranging from ~0.5 M to ~3.9 M parameters for the entire pipeline), and consistently delivers competitive qualitative and quantitative results across multiple test sets. Watch the supplemental video at: https://youtu.be/ByhQjQSjxVM

Umar Masud, Abhijith Punnappurath, Luxi Zhao et al.

The ability of generative AI (GenAI) methods to photorealistically alter camera images has raised awareness about the authenticity of images shared online. Interestingly, images captured directly by our cameras are considered authentic and faithful. However, with the increasing integration of deep-learning modules into cameras' capture-time hardware -- namely, the image signal processor (ISP) -- there is now a potential for hallucinated content in images directly output by our cameras. Hallucinated capture-time image content is typically benign, such as enhanced edges or texture, but in certain operations, such as AI-based digital zoom or low-light image enhancement, hallucinations can potentially alter the semantics and interpretation of the image content. As a result, users may not realize that the content in their camera images is not authentic. This paper addresses this issue by enabling users to recover the 'unhallucinated' version of the camera image to avoid misinterpretation of the image content. Our approach works by optimizing an image-specific multi-layer perceptron (MLP) decoder together with a modality-specific encoder so that, given the camera image, we can recover the image before hallucinated content was added. The encoder and MLP are self-contained and can be applied post-capture to the image without requiring access to the camera ISP. Moreover, the encoder and MLP decoder require only 180 KB of storage and can be readily saved as metadata within standard image formats such as JPEG and HEIC.

Dongyoung Kim, Mahmoud Afifi, Dongyun Kim et al.

Computational color constancy, or white balancing, is a key module in a camera's image signal processor (ISP) that corrects color casts from scene lighting. Because this operation occurs in the camera-specific raw color space, white balance algorithms must adapt to different cameras. This paper introduces a learning-based method for cross-camera color constancy that generalizes to new cameras without retraining. Our method leverages pre-calibrated color correction matrices (CCMs) available on ISPs that map the camera's raw color space to a standard space (e.g., CIE XYZ). Our method uses these CCMs to transform predefined illumination colors (i.e., along the Planckian locus) into the test camera's raw space. The mapped illuminants are encoded into a compact camera fingerprint embedding (CFE) that enables the network to adapt to unseen cameras. To prevent overfitting due to limited cameras and CCMs during training, we introduce a data augmentation technique that interpolates between cameras and their CCMs. Experimental results across multiple datasets and backbones show that our method achieves state-of-the-art cross-camera color constancy while remaining lightweight and relying only on data readily available in camera ISPs.

Mahmoud Afifi, Luxi Zhao, Abhijith Punnappurath et al.

Cameras rely on auto white balance (AWB) to correct undesirable color casts caused by scene illumination and the camera's spectral sensitivity. This is typically achieved using an illuminant estimator that determines the global color cast solely from the color information in the camera's raw sensor image. Mobile devices provide valuable additional metadata-such as capture timestamp and geolocation-that offers strong contextual clues to help narrow down the possible illumination solutions. This paper proposes a lightweight illuminant estimation method that incorporates such contextual metadata, along with additional capture information and image colors, into a compact model (~5K parameters), achieving promising results, matching or surpassing larger models. To validate our method, we introduce a dataset of 3,224 smartphone images with contextual metadata collected at various times of day and under diverse lighting conditions. The dataset includes ground-truth illuminant colors, determined using a color chart, and user-preferred illuminants validated through a user study, providing a comprehensive benchmark for AWB evaluation.

Dongyoung Kim, Junyong Lee, Abhijith Punnappurath et al.

Cameras capture scene-referred linear raw images, which are processed by onboard image signal processors (ISPs) into display-referred 8-bit sRGB outputs. Although raw data is more faithful for low-level vision tasks, collecting large-scale raw datasets remains a major bottleneck, as existing datasets are limited and tied to specific camera hardware. Generative models offer a promising way to address this scarcity -- however, existing diffusion frameworks are designed to synthesize photo-finished sRGB images rather than physically consistent linear representations. This paper presents RawGen, to our knowledge the first diffusion-based framework enabling text-to-raw generation for arbitrary target cameras, alongside sRGB-to-raw inversion. RawGen leverages the generative priors of large-scale sRGB diffusion models to synthesize physically meaningful linear outputs, such as CIE XYZ or camera-specific raw representations, via specialized processing in latent and pixel spaces. To handle unknown and diverse ISP pipelines and photo-finishing effects in diffusion-model training data, we build a many-to-one inverse-ISP dataset where multiple sRGB renditions of the same scene generated using diverse ISP parameters are anchored to a common scene-referred target. Fine-tuning a conditional denoiser and specialized decoder on this dataset allows RawGen to obtain camera-centric linear reconstructions that effectively invert the rendering pipeline. We demonstrate RawGen's superior performance over traditional inverse-ISP methods that assume a fixed ISP. Furthermore, we show that augmenting training pipelines with RawGen's scalable, text-driven synthetic data can benefit downstream low-level vision tasks.

Ali Mosleh, Faraz Ali, Fengjia Zhang et al.

Digital zoom on smartphones relies on learning-based super-resolution (SR) models that operate on RAW sensor images, but obtaining sensor-specific training data is challenging due to the lack of ground-truth images. Synthetic data generation via ``unprocessing'' pipelines offers a potential solution by simulating the degradations that transform high-resolution (HR) images into their low-resolution (LR) counterparts. However, these pipelines can introduce domain gaps due to incomplete or unrealistic degradation modeling. In this paper, we demonstrate that principled and carefully designed degradation modeling can enhance SR performance in real-world conditions. Instead of relying on generic priors for camera blur and noise, we model device-specific degradations through calibration and unprocess publicly available rendered images into the RAW domain of different smartphones. Using these image pairs, we train a single-image RAW-to-RGB SR model and evaluate it on real data from a held-out device. Our experiments show that accurate degradation modeling leads to noticeable improvements, with our SR model outperforming baselines trained on large pools of arbitrarily chosen degradations.

Abhijith Punnappurath, Luxi Zhao, Ke Zhao et al.

Users frequently edit camera images post-capture to achieve their preferred photofinishing style. While editing in the RAW domain provides greater accuracy and flexibility, most edits are performed on the camera's display-referred output (e.g., 8-bit sRGB JPEG) since RAW images are rarely stored. Existing RAW reconstruction methods can recover RAW data from sRGB images, but these approaches are typically optimized for pixel-wise RAW reconstruction fidelity and tend to degrade under diverse rendering styles and editing operations. We introduce a plug-and-play, edit-aware loss function that can be integrated into any existing RAW reconstruction framework to make the recovered RAWs more robust to different rendering styles and edits. Our loss formulation incorporates a modular, differentiable image signal processor (ISP) that simulates realistic photofinishing pipelines with tunable parameters. During training, parameters for each ISP module are randomly sampled from carefully designed distributions that model practical variations in real camera processing. The loss is then computed in sRGB space between ground-truth and reconstructed RAWs rendered through this differentiable ISP. Incorporating our loss improves sRGB reconstruction quality by up to 1.5-2 dB PSNR across various editing conditions. Moreover, when applied to metadata-assisted RAW reconstruction methods, our approach enables fine-tuning for target edits, yielding further gains. Since photographic editing is the primary motivation for RAW reconstruction in consumer imaging, our simple yet effective loss function provides a general mechanism for enhancing edit fidelity and rendering flexibility across existing methods.

Maria Pilligua, David Serrano-Lozano, Pai Peng et al.

Imaging in low-light environments is challenging due to reduced scene radiance, which leads to elevated sensor noise and reduced color saturation. Most learning-based low-light enhancement methods rely on paired training data captured under a single low-light condition and a well-lit reference. The lack of radiance diversity limits our understanding of how enhancement techniques perform across varying illumination intensities. We introduce the Multi-Illumination Low-Light (MILL) dataset, containing images captured at diverse light intensities under controlled conditions with fixed camera settings and precise illuminance measurements. MILL enables comprehensive evaluation of enhancement algorithms across variable lighting conditions. We benchmark several state-of-the-art methods and reveal significant performance variations across intensity levels. Leveraging the unique multi-illumination structure of our dataset, we propose improvements that enhance robustness across diverse illumination scenarios. Our modifications achieve up to 10 dB PSNR improvement for DSLR and 2 dB for the smartphone on Full HD images.

SaiKiran Tedla, Joshua E. Little, Hakki Can Karaimer et al.

Traditional in-camera colorimetric mapping relies on correlated color temperature (CCT)-based interpolation between pre-calibrated transforms optimized for Planckian illuminants such as CIE A and D65. However, modern lighting technologies such as LEDs can deviate substantially from the Planckian locus, exposing the limitations of relying on conventional one-dimensional CCT for illumination characterization. This paper demonstrates that transitioning from 1D CCT (on the Planckian locus) to a 2D chromaticity space (off the Planckian locus) improves colorimetric accuracy across various mapping approaches. In addition, we replace conventional CCT interpolation with a lightweight multi-layer perceptron (MLP) that leverages 2D chromaticity features for robust colorimetric mapping under non-Planckian illuminants. A lightbox-based calibration procedure incorporating representative LED sources is used to train our MLP. Validated across diverse LED lighting, our method reduces angular reproduction error by 22% on average in LED-lit scenes, maintains backward compatibility with traditional illuminants, accommodates multi-illuminant scenes, and supports real-time in-camera deployment with negligible additional computational cost.

Hodaka Kawachi, Tomoya Nakamura, Hiroaki Santo et al.

This paper introduces a method for using LED-based environmental lighting to produce visually imperceptible watermarks for consumer cameras. Our approach optimizes an LED light source's spectral profile to be minimally visible to the human eye while remaining highly detectable by typical consumer cameras. The method jointly considers the human visual system's sensitivity to visible spectra, modern consumer camera sensors' spectral sensitivity, and narrowband LEDs' ability to generate broadband spectra perceived as "white light" (specifically, D65 illumination). To ensure imperceptibility, we employ spectral modulation rather than intensity modulation. Unlike conventional visible light communication, our approach enables watermark extraction at standard low frame rates (30-60 fps). While the information transfer rate is modest-embedding 128 bits within a 10-second video clip-this capacity is sufficient for essential metadata supporting privacy protection and content verification.

Mahmoud Afifi, Ran Zhang, Michael S. Brown

Digital cameras digitize scene light into linear raw representations, which the image signal processor (ISP) converts into display-ready outputs. While raw data preserves full sensor information--valuable for editing and vision tasks--formats such as Digital Negative (DNG) require large storage, making them impractical in constrained scenarios. In contrast, JPEG is a widely supported format, offering high compression efficiency and broad compatibility, but it is not well-suited for raw storage. This paper presents RawJPEG Adapter, a lightweight, learnable, and invertible preprocessing pipeline that adapts raw images for standard JPEG compression. Our method applies spatial and optional frequency-domain transforms, with compact parameters stored in the JPEG comment field, enabling accurate raw reconstruction. Experiments across multiple datasets show that our method achieves higher fidelity than direct JPEG storage, supports other codecs, and provides a favorable trade-off between compression ratio and reconstruction accuracy.

Lilika Makabe, Hiroaki Santo, Fumio Okura et al.

This paper introduces a practical and accurate calibration method for camera spectral sensitivity using a diffraction grating. Accurate calibration of camera spectral sensitivity is crucial for various computer vision tasks, including color correction, illumination estimation, and material analysis. Unlike existing approaches that require specialized narrow-band filters or reference targets with known spectral reflectances, our method only requires an uncalibrated diffraction grating sheet, readily available off-the-shelf. By capturing images of the direct illumination and its diffracted pattern through the grating sheet, our method estimates both the camera spectral sensitivity and the diffraction grating parameters in a closed-form manner. Experiments on synthetic and real-world data demonstrate that our method outperforms conventional reference target-based methods, underscoring its effectiveness and practicality.

Luxi Zhao, Mahmoud Afifi, Michael S. Brown

The image signal processor (ISP) pipeline in modern cameras consists of several modules that transform raw sensor data into visually pleasing images in a display color space. Among these, the auto white balance (AWB) module is essential for compensating for scene illumination. However, commercial AWB systems often strive to compute aesthetic white-balance preferences rather than accurate neutral color correction. While learning-based methods have improved AWB accuracy, they typically struggle to generalize across different camera sensors -- an issue for smartphones with multiple cameras. Recent work has explored cross-camera AWB, but most methods remain focused on achieving neutral white balance. In contrast, this paper is the first to address aesthetic consistency by learning a post-illuminant-estimation mapping that transforms neutral illuminant corrections into aesthetically preferred corrections in a camera-agnostic space. Once trained, our mapping can be applied after any neutral AWB module to enable consistent and stylized color rendering across unseen cameras. Our proposed model is lightweight -- containing only $\sim$500 parameters -- and runs in just 0.024 milliseconds on a typical flagship mobile CPU. Evaluated on a dataset of 771 smartphone images from three different cameras, our method achieves state-of-the-art performance while remaining fully compatible with existing cross-camera AWB techniques, introducing minimal computational and memory overhead.

SaiKiran Tedla, Junyong Lee, Beixuan Yang et al.

Multispectral (MS) images capture detailed scene information across a wide range of spectral bands, making them invaluable for applications requiring rich spectral data. Integrating MS imaging into multi camera devices, such as smartphones, has the potential to enhance both spectral applications and RGB image quality. A critical step in processing MS data is demosaicing, which reconstructs color information from the mosaic MS images captured by the camera. This paper proposes a method for MS image demosaicing specifically designed for dual-camera setups where both RGB and MS cameras capture the same scene. Our approach leverages co-captured RGB images, which typically have higher spatial fidelity, to guide the demosaicing of lower-fidelity MS images. We introduce the Dual-camera RGB-MS Dataset - a large collection of paired RGB and MS mosaiced images with ground-truth demosaiced outputs - that enables training and evaluation of our method. Experimental results demonstrate that our method achieves state-of-the-art accuracy compared to existing techniques.

David Serrano-Lozano, Aditya Arora, Luis Herranz et al.

White balance (WB) correction in scenes with multiple illuminants remains a persistent challenge in computer vision. Recent methods explored fusion-based approaches, where a neural network linearly blends multiple sRGB versions of an input image, each processed with predefined WB presets. However, we demonstrate that these methods are suboptimal for common multi-illuminant scenarios. Additionally, existing fusion-based methods rely on sRGB WB datasets lacking dedicated multi-illuminant images, limiting both training and evaluation. To address these challenges, we introduce two key contributions. First, we propose an efficient transformer-based model that effectively captures spatial dependencies across sRGB WB presets, substantially improving upon linear fusion techniques. Second, we introduce a large-scale multi-illuminant dataset comprising over 16,000 sRGB images rendered with five different WB settings, along with WB-corrected images. Our method achieves up to 100\% improvement over existing techniques on our new multi-illuminant image fusion dataset.

Abdullah Abuolaim, Mahmoud Afifi, Michael S. Brown

Portrait mode is widely available on smartphone cameras to provide an enhanced photographic experience. One of the primary effects applied to images captured in portrait mode is a synthetic shallow depth of field (DoF). The synthetic DoF (or bokeh effect) selectively blurs regions in the image to emulate the effect of using a large lens with a wide aperture. In addition, many applications now incorporate a new image motion attribute (NIMAT) to emulate background motion, where the motion is correlated with estimated depth at each pixel. In this work, we follow the trend of rendering the NIMAT effect by introducing a modification on the blur synthesis procedure in portrait mode. In particular, our modification enables a high-quality synthesis of multi-view bokeh from a single image by applying rotated blurring kernels. Given the synthesized multiple views, we can generate aesthetically realistic image motion similar to the NIMAT effect. We validate our approach qualitatively compared to the original NIMAT effect and other similar image motions, like Facebook 3D image. Our image motion demonstrates a smooth image view transition with fewer artifacts around the object boundary.

Seonghyeon Nam, Marcus A. Brubaker, Michael S. Brown

We propose a framework for aligning and fusing multiple images into a single view using neural image representations (NIRs), also known as implicit or coordinate-based neural representations. Our framework targets burst images that exhibit camera ego motion and potential changes in the scene. We describe different strategies for alignment depending on the nature of the scene motion -- namely, perspective planar (i.e., homography), optical flow with minimal scene change, and optical flow with notable occlusion and disocclusion. With the neural image representation, our framework effectively combines multiple inputs into a single canonical view without the need for selecting one of the images as a reference frame. We demonstrate how to use this multi-frame fusion framework for various layer separation tasks. The code and results are available at https://shnnam.github.io/research/nir.

Mauricio Delbracio, Damien Kelly, Michael S. Brown et al.

The first mobile camera phone was sold only 20 years ago, when taking pictures with one's phone was an oddity, and sharing pictures online was unheard of. Today, the smartphone is more camera than phone. How did this happen? This transformation was enabled by advances in computational photography -the science and engineering of making great images from small form factor, mobile cameras. Modern algorithmic and computing advances, including machine learning, have changed the rules of photography, bringing to it new modes of capture, post-processing, storage, and sharing. In this paper, we give a brief history of mobile computational photography and describe some of the key technological components, including burst photography, noise reduction, and super-resolution. At each step, we may draw naive parallels to the human visual system.

Abdullah Abuolaim, Mauricio Delbracio, Damien Kelly et al.

Recent work has shown impressive results on data-driven defocus deblurring using the two-image views available on modern dual-pixel (DP) sensors. One significant challenge in this line of research is access to DP data. Despite many cameras having DP sensors, only a limited number provide access to the low-level DP sensor images. In addition, capturing training data for defocus deblurring involves a time-consuming and tedious setup requiring the camera's aperture to be adjusted. Some cameras with DP sensors (e.g., smartphones) do not have adjustable apertures, further limiting the ability to produce the necessary training data. We address the data capture bottleneck by proposing a procedure to generate realistic DP data synthetically. Our synthesis approach mimics the optical image formation found on DP sensors and can be applied to virtual scenes rendered with standard computer software. Leveraging these realistic synthetic DP images, we introduce a recurrent convolutional network (RCN) architecture that improves deblurring results and is suitable for use with single-frame and multi-frame data (e.g., video) captured by DP sensors. Finally, we show that our synthetic DP data is useful for training DNN models targeting video deblurring applications where access to DP data remains challenging.

Mahmoud Afifi, Marcus A. Brubaker, Michael S. Brown

While generative adversarial networks (GANs) can successfully produce high-quality images, they can be challenging to control. Simplifying GAN-based image generation is critical for their adoption in graphic design and artistic work. This goal has led to significant interest in methods that can intuitively control the appearance of images generated by GANs. In this paper, we present HistoGAN, a color histogram-based method for controlling GAN-generated images' colors. We focus on color histograms as they provide an intuitive way to describe image color while remaining decoupled from domain-specific semantics. Specifically, we introduce an effective modification of the recent StyleGAN architecture to control the colors of GAN-generated images specified by a target color histogram feature. We then describe how to expand HistoGAN to recolor real images. For image recoloring, we jointly train an encoder network along with HistoGAN. The recoloring model, ReHistoGAN, is an unsupervised approach trained to encourage the network to keep the original image's content while changing the colors based on the given target histogram. We show that this histogram-based approach offers a better way to control GAN-generated and real images' colors while producing more compelling results compared to existing alternative strategies.

Majed El Helou, Ruofan Zhou, Sabine Süsstrunk et al.

We review the AIM 2020 challenge on virtual image relighting and illumination estimation. This paper presents the novel VIDIT dataset used in the challenge and the different proposed solutions and final evaluation results over the 3 challenge tracks. The first track considered one-to-one relighting; the objective was to relight an input photo of a scene with a different color temperature and illuminant orientation (i.e., light source position). The goal of the second track was to estimate illumination settings, namely the color temperature and orientation, from a given image. Lastly, the third track dealt with any-to-any relighting, thus a generalization of the first track. The target color temperature and orientation, rather than being pre-determined, are instead given by a guide image. Participants were allowed to make use of their track 1 and 2 solutions for track 3. The tracks had 94, 52, and 56 registered participants, respectively, leading to 20 confirmed submissions in the final competition stage.

Abdelrahman Abdelhamed, Mahmoud Afifi, Radu Timofte et al.

This paper reviews the NTIRE 2020 challenge on real image denoising with focus on the newly introduced dataset, the proposed methods and their results. The challenge is a new version of the previous NTIRE 2019 challenge on real image denoising that was based on the SIDD benchmark. This challenge is based on a newly collected validation and testing image datasets, and hence, named SIDD+. This challenge has two tracks for quantitatively evaluating image denoising performance in (1) the Bayer-pattern rawRGB and (2) the standard RGB (sRGB) color spaces. Each track ~250 registered participants. A total of 22 teams, proposing 24 methods, competed in the final phase of the challenge. The proposed methods by the participating teams represent the current state-of-the-art performance in image denoising targeting real noisy images. The newly collected SIDD+ datasets are publicly available at: https://bit.ly/siddplus_data.

Abhijith Punnappurath, Michael S. Brown

Imaging sensors digitize incoming scene light at a dynamic range of 10--12 bits (i.e., 1024--4096 tonal values). The sensor image is then processed onboard the camera and finally quantized to only 8 bits (i.e., 256 tonal values) to conform to prevailing encoding standards. There are a number of important applications, such as high-bit-depth displays and photo editing, where it is beneficial to recover the lost bit depth. Deep neural networks are effective at this bit-depth reconstruction task. Given the quantized low-bit-depth image as input, existing deep learning methods employ a single-shot approach that attempts to either (1) directly estimate the high-bit-depth image, or (2) directly estimate the residual between the high- and low-bit-depth images. In contrast, we propose a training and inference strategy that recovers the residual image bitplane-by-bitplane. Our bitplane-wise learning framework has the advantage of allowing for multiple levels of supervision during training and is able to obtain state-of-the-art results using a simple network architecture. We test our proposed method extensively on several image datasets and demonstrate an improvement from 0.5dB to 2.3dB PSNR over prior methods depending on the quantization level.

Mahmoud Afifi, Michael S. Brown

We introduce a deep learning approach to realistically edit an sRGB image's white balance. Cameras capture sensor images that are rendered by their integrated signal processor (ISP) to a standard RGB (sRGB) color space encoding. The ISP rendering begins with a white-balance procedure that is used to remove the color cast of the scene's illumination. The ISP then applies a series of nonlinear color manipulations to enhance the visual quality of the final sRGB image. Recent work by [3] showed that sRGB images that were rendered with the incorrect white balance cannot be easily corrected due to the ISP's nonlinear rendering. The work in [3] proposed a k-nearest neighbor (KNN) solution based on tens of thousands of image pairs. We propose to solve this problem with a deep neural network (DNN) architecture trained in an end-to-end manner to learn the correct white balance. Our DNN maps an input image to two additional white-balance settings corresponding to indoor and outdoor illuminations. Our solution not only is more accurate than the KNN approach in terms of correcting a wrong white-balance setting but also provides the user the freedom to edit the white balance in the sRGB image to other illumination settings.

Mahmoud Afifi, Konstantinos G. Derpanis, Björn Ommer et al.

Capturing photographs with wrong exposures remains a major source of errors in camera-based imaging. Exposure problems are categorized as either: (i) overexposed, where the camera exposure was too long, resulting in bright and washed-out image regions, or (ii) underexposed, where the exposure was too short, resulting in dark regions. Both under- and overexposure greatly reduce the contrast and visual appeal of an image. Prior work mainly focuses on underexposed images or general image enhancement. In contrast, our proposed method targets both over- and underexposure errors in photographs. We formulate the exposure correction problem as two main sub-problems: (i) color enhancement and (ii) detail enhancement. Accordingly, we propose a coarse-to-fine deep neural network (DNN) model, trainable in an end-to-end manner, that addresses each sub-problem separately. A key aspect of our solution is a new dataset of over 24,000 images exhibiting the broadest range of exposure values to date with a corresponding properly exposed image. Our method achieves results on par with existing state-of-the-art methods on underexposed images and yields significant improvements for images suffering from overexposure errors.

Mahmoud Afifi, Michael S. Brown

While modern deep neural networks (DNNs) achieve state-of-the-art results for illuminant estimation, it is currently necessary to train a separate DNN for each type of camera sensor. This means when a camera manufacturer uses a new sensor, it is necessary to retrain an existing DNN model with training images captured by the new sensor. This paper addresses this problem by introducing a novel sensor-independent illuminant estimation framework. Our method learns a sensor-independent working space that can be used to canonicalize the RGB values of any arbitrary camera sensor. Our learned space retains the linear property of the original sensor raw-RGB space and allows unseen camera sensors to be used on a single DNN model trained on this working space. We demonstrate the effectiveness of this approach on several different camera sensors and show it provides performance on par with state-of-the-art methods that were trained per sensor.

Abdelrahman Abdelhamed, Marcus A. Brubaker, Michael S. Brown

Modeling and synthesizing image noise is an important aspect in many computer vision applications. The long-standing additive white Gaussian and heteroscedastic (signal-dependent) noise models widely used in the literature provide only a coarse approximation of real sensor noise. This paper introduces Noise Flow, a powerful and accurate noise model based on recent normalizing flow architectures. Noise Flow combines well-established basic parametric noise models (e.g., signal-dependent noise) with the flexibility and expressiveness of normalizing flow networks. The result is a single, comprehensive, compact noise model containing fewer than 2500 parameters yet able to represent multiple cameras and gain factors. Noise Flow dramatically outperforms existing noise models, with 0.42 nats/pixel improvement over the camera-calibrated noise level functions, which translates to 52% improvement in the likelihood of sampled noise. Noise Flow represents the first serious attempt to go beyond simple parametric models to one that leverages the power of deep learning and data-driven noise distributions.

Vivek Sharma, Ali Diba, Davy Neven et al.

Convolutional neural networks rely on image texture and structure to serve as discriminative features to classify the image content. Image enhancement techniques can be used as preprocessing steps to help improve the overall image quality and in turn improve the overall effectiveness of a CNN. Existing image enhancement methods, however, are designed to improve the perceptual quality of an image for a human observer. In this paper, we are interested in learning CNNs that can emulate image enhancement and restoration, but with the overall goal to improve image classification and not necessarily human perception. To this end, we present a unified CNN architecture that uses a range of enhancement filters that can enhance image-specific details via end-to-end dynamic filter learning. We demonstrate the effectiveness of this strategy on four challenging benchmark datasets for fine-grained, object, scene, and texture classification: CUB-200-2011, PASCAL-VOC2007, MIT-Indoor, and DTD. Experiments using our proposed enhancement show promising results on all the datasets. In addition, our approach is capable of improving the performance of all generic CNN architectures.

Yu Li, Shaodi You, Michael S. Brown et al.

This paper provides a comprehensive survey of methods dealing with visibility enhancement of images taken in hazy or foggy scenes. The survey begins with discussing the optical models of atmospheric scattering media and image formation. This is followed by a survey of existing methods, which are grouped to multiple image methods, polarizing filters based methods, methods with known depth, and single-image methods. We also provide a benchmark of a number of well known single-image methods, based on a recent dataset provided by Fattal and our newly generated scattering media dataset that contains ground truth images for quantitative evaluation. To our knowledge, this is the first benchmark using numerical metrics to evaluate dehazing techniques. This benchmark allows us to objectively compare the results of existing methods and to better identify the strengths and limitations of each method.