Stefanie De Winter

h-index9
2papers

2 Papers

CVSep 5, 2024
Have Large Vision-Language Models Mastered Art History?

Ombretta Strafforello, Derya Soydaner, Michiel Willems et al.

The emergence of large Vision-Language Models (VLMs) has established new baselines in image classification across multiple domains. We examine whether their multimodal reasoning can also address a challenge mastered by human experts. Specifically, we test whether VLMs can classify the style, author and creation date of paintings, a domain traditionally mastered by art historians. Artworks pose a unique challenge compared to natural images due to their inherently complex and diverse structures, characterized by variable compositions and styles. This requires a contextual and stylistic interpretation rather than straightforward object recognition. Art historians have long studied the unique aspects of artworks, with style prediction being a crucial component of their discipline. This paper investigates whether large VLMs, which integrate visual and textual data, can effectively reason about the historical and stylistic attributes of paintings. We present the first study of its kind, conducting an in-depth analysis of three VLMs, namely CLIP, LLaVA, and GPT-4o, evaluating their zero-shot classification of art style, author and time period. Using two image benchmarks of artworks, we assess the models' ability to interpret style, evaluate their sensitivity to prompts, and examine failure cases. Additionally, we focus on how these models compare to human art historical expertise by analyzing misclassifications, providing insights into their reasoning and classification patterns.

CVApr 10, 2025Code
LAPIS: A novel dataset for personalized image aesthetic assessment

Anne-Sofie Maerten, Li-Wei Chen, Stefanie De Winter et al.

We present the Leuven Art Personalized Image Set (LAPIS), a novel dataset for personalized image aesthetic assessment (PIAA). It is the first dataset with images of artworks that is suitable for PIAA. LAPIS consists of 11,723 images and was meticulously curated in collaboration with art historians. Each image has an aesthetics score and a set of image attributes known to relate to aesthetic appreciation. Besides rich image attributes, LAPIS offers rich personal attributes of each annotator. We implemented two existing state-of-the-art PIAA models and assessed their performance on LAPIS. We assess the contribution of personal attributes and image attributes through ablation studies and find that performance deteriorates when certain personal and image attributes are removed. An analysis of failure cases reveals that both existing models make similar incorrect predictions, highlighting the need for improvements in artistic image aesthetic assessment. The LAPIS project page can be found at: https://github.com/Anne-SofieMaerten/LAPIS