Yongqi Wang

Yongqi Wang, Jionghao Bai, Rongjie Huang et al. · meta-ai

Direct speech-to-speech translation (S2ST) with discrete self-supervised representations has achieved remarkable accuracy, but is unable to preserve the speaker timbre of the source speech. Meanwhile, the scarcity of high-quality speaker-parallel data poses a challenge for learning style transfer during translation. We design an S2ST pipeline with style-transfer capability on the basis of discrete self-supervised speech representations and codec units. The acoustic language model we introduce for style transfer leverages self-supervised in-context learning, acquiring style transfer ability without relying on any speaker-parallel data, thereby overcoming data scarcity. By using extensive training data, our model achieves zero-shot cross-lingual style transfer on previously unseen source languages. Experiments show that our model generates translated speeches with high fidelity and speaker similarity. Audio samples are available at http://stylelm.github.io/ .

Ruiqi Li, Zhiqing Hong, Yongqi Wang et al.

Text-to-song (TTSong) is a music generation task that synthesizes accompanied singing voices. Current TTSong methods, inherited from singing voice synthesis (SVS), require melody-related information that can sometimes be impractical, such as music scores or MIDI sequences. We present MelodyLM, the first TTSong model that generates high-quality song pieces with fully text-controlled melodies, achieving minimal user requirements and maximum control flexibility. MelodyLM explicitly models MIDI as the intermediate melody-related feature and sequentially generates vocal tracks in a language model manner, conditioned on textual and vocal prompts. The accompaniment music is subsequently synthesized by a latent diffusion model with hybrid conditioning for temporal alignment. With minimal requirements, users only need to input lyrics and a reference voice to synthesize a song sample. For full control, just input textual prompts or even directly input MIDI. Experimental results indicate that MelodyLM achieves superior performance in terms of both objective and subjective metrics. Audio samples are available at https://melodylm666.github.io.

Yongqi Wang, Zhou Zhao

Unconstrained lip-to-speech synthesis aims to generate corresponding speeches from silent videos of talking faces with no restriction on head poses or vocabulary. Current works mainly use sequence-to-sequence models to solve this problem, either in an autoregressive architecture or a flow-based non-autoregressive architecture. However, these models suffer from several drawbacks: 1) Instead of directly generating audios, they use a two-stage pipeline that first generates mel-spectrograms and then reconstructs audios from the spectrograms. This causes cumbersome deployment and degradation of speech quality due to error propagation; 2) The audio reconstruction algorithm used by these models limits the inference speed and audio quality, while neural vocoders are not available for these models since their output spectrograms are not accurate enough; 3) The autoregressive model suffers from high inference latency, while the flow-based model has high memory occupancy: neither of them is efficient enough in both time and memory usage. To tackle these problems, we propose FastLTS, a non-autoregressive end-to-end model which can directly synthesize high-quality speech audios from unconstrained talking videos with low latency, and has a relatively small model size. Besides, different from the widely used 3D-CNN visual frontend for lip movement encoding, we for the first time propose a transformer-based visual frontend for this task. Experiments show that our model achieves $19.76\times$ speedup for audio waveform generation compared with the current autoregressive model on input sequences of 3 seconds, and obtains superior audio quality.

Yongqi Wang, Xinxiao Wu, Shuo Yang et al.

Open-vocabulary video visual relationship detection aims to expand video visual relationship detection beyond annotated categories by detecting unseen relationships between both seen and unseen objects in videos. Existing methods usually use trajectory detectors trained on closed datasets to detect object trajectories, and then feed these trajectories into large-scale pre-trained vision-language models to achieve open-vocabulary classification. Such heavy dependence on the pre-trained trajectory detectors limits their ability to generalize to novel object categories, leading to performance degradation. To address this challenge, we propose to unify object trajectory detection and relationship classification into an end-to-end open-vocabulary framework. Under this framework, we propose a relationship-aware open-vocabulary trajectory detector. It primarily consists of a query-based Transformer decoder, where the visual encoder of CLIP is distilled for frame-wise open-vocabulary object detection, and a trajectory associator. To exploit relationship context during trajectory detection, a relationship query is embedded into the Transformer decoder, and accordingly, an auxiliary relationship loss is designed to enable the decoder to perceive the relationships between objects explicitly. Moreover, we propose an open-vocabulary relationship classifier that leverages the rich semantic knowledge of CLIP to discover novel relationships. To adapt CLIP well to relationship classification, we design a multi-modal prompting method that employs spatio-temporal visual prompting for visual representation and vision-guided language prompting for language input. Extensive experiments on two public datasets, VidVRD and VidOR, demonstrate the effectiveness of our framework. Our framework is also applied to a more difficult cross-dataset scenario to further demonstrate its generalization ability.

Yongqi Wang, Ruofan Hu, Rongjie Huang et al.

Recent singing-voice-synthesis (SVS) methods have achieved remarkable audio quality and naturalness, yet they lack the capability to control the style attributes of the synthesized singing explicitly. We propose Prompt-Singer, the first SVS method that enables attribute controlling on singer gender, vocal range and volume with natural language. We adopt a model architecture based on a decoder-only transformer with a multi-scale hierarchy, and design a range-melody decoupled pitch representation that enables text-conditioned vocal range control while keeping melodic accuracy. Furthermore, we explore various experiment settings, including different types of text representations, text encoder fine-tuning, and introducing speech data to alleviate data scarcity, aiming to facilitate further research. Experiments show that our model achieves favorable controlling ability and audio quality. Audio samples are available at http://prompt-singer.github.io .

Jun Yu, Zhihong Wei, Zhongpeng Cai et al.

Facial Expression Recognition (FER) plays a crucial role in computer vision and finds extensive applications across various fields. This paper aims to present our approach for the upcoming 6th Affective Behavior Analysis in-the-Wild (ABAW) competition, scheduled to be held at CVPR2024. In the facial expression recognition task, The limited size of the FER dataset poses a challenge to the expression recognition model's generalization ability, resulting in subpar recognition performance. To address this problem, we employ a semi-supervised learning technique to generate expression category pseudo-labels for unlabeled face data. At the same time, we uniformly sampled the labeled facial expression samples and implemented a debiased feedback learning strategy to address the problem of category imbalance in the dataset and the possible data bias in semi-supervised learning. Moreover, to further compensate for the limitation and bias of features obtained only from static images, we introduced a Temporal Encoder to learn and capture temporal relationships between neighbouring expression image features. In the 6th ABAW competition, our method achieved outstanding results on the official validation set, a result that fully confirms the effectiveness and competitiveness of our proposed method.

Zhiqing Hong, Rongjie Huang, Xize Cheng et al.

A song is a combination of singing voice and accompaniment. However, existing works focus on singing voice synthesis and music generation independently. Little attention was paid to explore song synthesis. In this work, we propose a novel task called text-to-song synthesis which incorporating both vocals and accompaniments generation. We develop Melodist, a two-stage text-to-song method that consists of singing voice synthesis (SVS) and vocal-to-accompaniment (V2A) synthesis. Melodist leverages tri-tower contrastive pretraining to learn more effective text representation for controllable V2A synthesis. A Chinese song dataset mined from a music website is built up to alleviate data scarcity for our research. The evaluation results on our dataset demonstrate that Melodist can synthesize songs with comparable quality and style consistency. Audio samples can be found in https://text2songMelodist.github.io/Sample/.

Jun Yu, Zerui Zhang, Zhihong Wei et al.

Leveraging the synergy of both audio data and visual data is essential for understanding human emotions and behaviors, especially in in-the-wild setting. Traditional methods for integrating such multimodal information often stumble, leading to less-than-ideal outcomes in the task of facial action unit detection. To overcome these shortcomings, we propose a novel approach utilizing audio-visual multimodal data. This method enhances audio feature extraction by leveraging Mel Frequency Cepstral Coefficients (MFCC) and Log-Mel spectrogram features alongside a pre-trained VGGish network. Moreover, this paper adaptively captures fusion features across modalities by modeling the temporal relationships, and ultilizes a pre-trained GPT-2 model for sophisticated context-aware fusion of multimodal information. Our method notably improves the accuracy of AU detection by understanding the temporal and contextual nuances of the data, showcasing significant advancements in the comprehension of intricate scenarios. These findings underscore the potential of integrating temporal dynamics and contextual interpretation, paving the way for future research endeavors.

Jun Yu, Yongqi Wang, Lei Wang et al.

This paper presents our method for the estimation of valence-arousal (VA) in the 8th Affective Behavior Analysis in-the-Wild (ABAW) competition. Our approach integrates visual and audio information through a multimodal framework. The visual branch uses a pre-trained ResNet model to extract spatial features from facial images. The audio branches employ pre-trained VGG models to extract VGGish and LogMel features from speech signals. These features undergo temporal modeling using Temporal Convolutional Networks (TCNs). We then apply cross-modal attention mechanisms, where visual features interact with audio features through query-key-value attention structures. Finally, the features are concatenated and passed through a regression layer to predict valence and arousal. Our method achieves competitive performance on the Aff-Wild2 dataset, demonstrating effective multimodal fusion for VA estimation in-the-wild.

Yongqi Wang, Wenxiang Guo, Rongjie Huang et al.

Video-to-audio (V2A) generation aims to synthesize content-matching audio from silent video, and it remains challenging to build V2A models with high generation quality, efficiency, and visual-audio temporal synchrony. We propose Frieren, a V2A model based on rectified flow matching. Frieren regresses the conditional transport vector field from noise to spectrogram latent with straight paths and conducts sampling by solving ODE, outperforming autoregressive and score-based models in terms of audio quality. By employing a non-autoregressive vector field estimator based on a feed-forward transformer and channel-level cross-modal feature fusion with strong temporal alignment, our model generates audio that is highly synchronized with the input video. Furthermore, through reflow and one-step distillation with guided vector field, our model can generate decent audio in a few, or even only one sampling step. Experiments indicate that Frieren achieves state-of-the-art performance in both generation quality and temporal alignment on VGGSound, with alignment accuracy reaching 97.22%, and 6.2% improvement in inception score over the strong diffusion-based baseline. Audio samples are available at http://frieren-v2a.github.io.

Jun Yu, Gongpeng Zhao, Yongqi Wang et al.

This paper presents our approach for the VA (Valence-Arousal) estimation task in the ABAW6 competition. We devised a comprehensive model by preprocessing video frames and audio segments to extract visual and audio features. Through the utilization of Temporal Convolutional Network (TCN) modules, we effectively captured the temporal and spatial correlations between these features. Subsequently, we employed a Transformer encoder structure to learn long-range dependencies, thereby enhancing the model's performance and generalization ability. Our method leverages a multimodal data fusion approach, integrating pre-trained audio and video backbones for feature extraction, followed by TCN-based spatiotemporal encoding and Transformer-based temporal information capture. Experimental results demonstrate the effectiveness of our approach, achieving competitive performance in VA estimation on the AffWild2 dataset.

Rongjie Huang, Chunlei Zhang, Yongqi Wang et al.

Various applications of voice synthesis have been developed independently despite the fact that they generate "voice" as output in common. In addition, the majority of voice synthesis models currently rely on annotated audio data, but it is crucial to scale them to self-supervised datasets in order to effectively capture the wide range of acoustic variations present in human voice, including speaker identity, emotion, and prosody. In this work, we propose Make-A-Voice, a unified framework for synthesizing and manipulating voice signals from discrete representations. Make-A-Voice leverages a "coarse-to-fine" approach to model the human voice, which involves three stages: 1) semantic stage: model high-level transformation between linguistic content and self-supervised semantic tokens, 2) acoustic stage: introduce varying control signals as acoustic conditions for semantic-to-acoustic modeling, and 3) generation stage: synthesize high-fidelity waveforms from acoustic tokens. Make-A-Voice offers notable benefits as a unified voice synthesis framework: 1) Data scalability: the major backbone (i.e., acoustic and generation stage) does not require any annotations, and thus the training data could be scaled up. 2) Controllability and conditioning flexibility: we investigate different conditioning mechanisms and effectively handle three voice synthesis applications, including text-to-speech (TTS), voice conversion (VC), and singing voice synthesis (SVS) by re-synthesizing the discrete voice representations with prompt guidance. Experimental results demonstrate that Make-A-Voice exhibits superior audio quality and style similarity compared with competitive baseline models. Audio samples are available at https://Make-A-Voice.github.io

Zehan Wang, Yang Zhao, Xize Cheng et al.

Multi-modal Contrastive Representation learning aims to encode different modalities into a semantically aligned shared space. This paradigm shows remarkable generalization ability on numerous downstream tasks across various modalities. However, the reliance on massive high-quality data pairs limits its further development on more modalities. This paper proposes a novel training-efficient method for learning MCR without paired data called Connecting Multi-modal Contrastive Representations (C-MCR). Specifically, given two existing MCRs pre-trained on (A, B) and (B, C) modality pairs, we project them to a new space and use the data from the overlapping modality B to aligning the two MCRs in the new space. Meanwhile, since the modality pairs (A, B) and (B, C) are already aligned within each MCR, the connection learned by overlapping modality can also be transferred to non-overlapping modality pair (A, C). To unleash the potential of C-MCR, we further introduce a semantic-enhanced inter- and intra-MCR connection method. We first enhance the semantic consistency and completion of embeddings across different modalities for more robust alignment. Then we utilize the inter-MCR alignment to establish the connection, and employ the intra-MCR alignment to better maintain the connection for inputs from non-overlapping modalities. To demonstrate the effectiveness of C-MCR, we connect CLIP and CLAP via texts to derive audio-visual representations, and integrate CLIP and ULIP via images for 3D-language representations. Remarkably, without using any paired data, C-MCR for audio-visual achieves state-of-the-art performance on audio-image retrieval, audio-visual source localization, and counterfactual audio-image recognition tasks. Furthermore, C-MCR for 3D-language also attains advanced zero-shot 3D point cloud classification accuracy on ModelNet40.