Cristina Luna-Jiménez

Lennart Eing, Cristina Luna-Jiménez, Silvan Mertes et al.

This paper introduces a novel application of Video Joint-Embedding Predictive Architectures (V-JEPAs) for Facial Expression Recognition (FER). Departing from conventional pre-training methods for video understanding that rely on pixel-level reconstructions, V-JEPAs learn by predicting embeddings of masked regions from the embeddings of unmasked regions. This enables the trained encoder to not capture irrelevant information about a given video like the color of a region of pixels in the background. Using a pre-trained V-JEPA video encoder, we train shallow classifiers using the RAVDESS and CREMA-D datasets, achieving state-of-the-art performance on RAVDESS and outperforming all other vision-based methods on CREMA-D (+1.48 WAR). Furthermore, cross-dataset evaluations reveal strong generalization capabilities, demonstrating the potential of purely embedding-based pre-training approaches to advance FER. We release our code at https://github.com/lennarteingunia/vjepa-for-fer.

Ricardo Kleinlein, Cristina Luna-Jiménez, Fernando Fernández-Martínez

The impressive capacity shown by recent text-to-image diffusion models to generate high-quality pictures from textual input prompts has leveraged the debate about the very definition of art. Nonetheless, these models have been trained using text data collected from content-based labelling protocols that focus on describing the items and actions in an image but neglect any subjective appraisal. Consequently, these automatic systems need rigorous descriptions of the elements and the pictorial style of the image to be generated, otherwise failing to deliver. As potential indicators of the actual artistic capabilities of current generative models, we characterise the sentimentality, objectiveness and degree of abstraction of publicly available text data used to train current text-to-image diffusion models. Considering the sharp difference observed between their language style and that typically employed in artistic contexts, we suggest generative models should incorporate additional sources of subjective information in their training in order to overcome (or at least to alleviate) some of their current limitations, thus effectively unleashing a truly artistic and creative generation.

Fabrizio Nunnari, Cristina Luna Jiménez, Rosalee Wolfe et al.

The Sign Language Translation and Avatar Technology (SLTAT) workshops continue a series of gatherings to share recent advances in improving deaf / human communication through non-invasive means. This 2025 edition, the 9th since its first appearance in 2011, is hosted by the International Conference on Intelligent Virtual Agents (IVA), giving the opportunity for contamination between two research communities, using digital humans as either virtual interpreters or as interactive conversational agents. As presented in this summary paper, SLTAT sees contributions beyond avatar technologies, with a consistent number of submissions on sign language recognition, and other work on data collection, data analysis, tools, ethics, usability, and affective computing.