Giorgio Strano

Giorgio Strano, Luca Cerovaz, Michele Mancusi et al.

Modern VAEs are rarely trained with the pointwise likelihood implied by the standard $β$-VAE objective. In practice, pointwise reconstruction is often combined with perceptual and adversarial losses, despite a lack of understanding of how this changes the latent dynamics of the model. We show that the choice of reconstruction loss reshapes the rate-distortion problem itself, altering both the information content and the geometry of the learned latent space in ways that may be invisible from reconstructions alone. First, we prove and verify empirically that augmenting pointwise reconstruction with neural terms, such as perceptual and adversarial objectives, reduces the amount of information stored in the latent representations. Second, we show that neural reconstruction losses systematically change the geometry of the latent space: they make representations more isotropic and distribute uncertainty more evenly across latent dimensions, producing different posterior variance profiles. These findings highlight how the rate-distortion tradeoff is not a comprehensive lens to understand the behavior of VAEs, and we propose a more mechanistic approach to investigate how the choice of a distortion metric reshapes the optimization problem.

Jakub Proboszcz, Paweł Kochanski, Karol Korszun et al.

Generative audio models, based on diffusion and autoregressive architectures, have advanced rapidly in both quality and expressiveness. This progress, however, raises pressing copyright concerns, as such models are often trained on vast corpora of artistic and commercial works. A central question is whether one can reliably verify if an artist's material was included in training, thereby providing a means for copyright holders to protect their content. In this work, we investigate the feasibility of such verification through membership inference attacks (MIA) on open-source generative audio models, which attempt to determine whether a specific audio sample was part of the training set. Our empirical results show that membership inference alone is of limited effectiveness at scale, as the per-sample membership signal is weak for models trained on large and diverse datasets. However, artists and media owners typically hold collections of works rather than isolated samples. Building on prior work in text and vision domains, in this work we focus on dataset inference (DI), which aggregates diverse membership evidence across multiple samples. We find that DI is successful in the audio domain, offering a more practical mechanism for assessing whether an artist's works contributed to model training. Our results suggest DI as a promising direction for copyright protection and dataset accountability in the era of large audio generative models.

Davide Marincione, Michele Mancusi, Giorgio Strano et al.

Stem retrieval, the task of matching missing stems to a given audio submix, is a key challenge currently limited by models that discard temporal information. We introduce PHALAR, a contrastive framework achieving a relative accuracy increase of up to $\approx 70\%$ over the state-of-the-art while requiring $<50\%$ of the parameters and a 7$\times$ training speedup. By utilizing a Learned Spectral Pooling layer and a complex-valued head, PHALAR enforces pitch-equivariant and phase-equivariant biases. PHALAR establishes new retrieval state-of-the-art across MoisesDB, Slakh, and ChocoChorales, correlating significantly higher with human coherence judgment than semantic baselines. Finally, zero-shot beat tracking and linear chord probing confirm that PHALAR captures robust musical structures beyond the retrieval task.

Davide Marincione, Giorgio Strano, Donato Crisostomi et al.

Loops--short audio segments designed for seamless repetition--are central to many music genres, particularly those rooted in dance and electronic styles. However, current generative music models struggle to produce truly loopable audio, as generating a short waveform alone does not guarantee a smooth transition from its endpoint back to its start, often resulting in audible discontinuities. We address this gap by modifying a non-autoregressive model (MAGNeT) to generate tokens in a circular pattern, letting the model attend to the beginning of the audio when creating its ending. This inference-only approach results in generations that are aware of future context and loop naturally, without the need for any additional training or data. We evaluate the consistency of loop transitions by computing token perplexity around the seam of the loop, observing a 55% improvement. Blind listening tests further confirm significant perceptual gains over baseline methods, improving mean ratings by 70%. Taken together, these results highlight the effectiveness of inference-only approaches in improving generative models and underscore the advantages of non-autoregressive methods for context-aware music generation.