John Collomosse

Trisha Mittal, Ritwik Sinha, Viswanathan Swaminathan et al.

As tools for content editing mature, and artificial intelligence (AI) based algorithms for synthesizing media grow, the presence of manipulated content across online media is increasing. This phenomenon causes the spread of misinformation, creating a greater need to distinguish between ``real'' and ``manipulated'' content. To this end, we present VideoSham, a dataset consisting of 826 videos (413 real and 413 manipulated). Many of the existing deepfake datasets focus exclusively on two types of facial manipulations -- swapping with a different subject's face or altering the existing face. VideoSham, on the other hand, contains more diverse, context-rich, and human-centric, high-resolution videos manipulated using a combination of 6 different spatial and temporal attacks. Our analysis shows that state-of-the-art manipulation detection algorithms only work for a few specific attacks and do not scale well on VideoSham. We performed a user study on Amazon Mechanical Turk with 1200 participants to understand if they can differentiate between the real and manipulated videos in VideoSham. Finally, we dig deeper into the strengths and weaknesses of performances by humans and SOTA-algorithms to identify gaps that need to be filled with better AI algorithms. We present the dataset at https://github.com/adobe-research/VideoSham-dataset.

Tu Bui, Shruti Agarwal, Ning Yu et al.

Data hiding such as steganography and invisible watermarking has important applications in copyright protection, privacy-preserved communication and content provenance. Existing works often fall short in either preserving image quality, or robustness against perturbations or are too complex to train. We propose RoSteALS, a practical steganography technique leveraging frozen pretrained autoencoders to free the payload embedding from learning the distribution of cover images. RoSteALS has a light-weight secret encoder of just 300k parameters, is easy to train, has perfect secret recovery performance and comparable image quality on three benchmarks. Additionally, RoSteALS can be adapted for novel cover-less steganography applications in which the cover image can be sampled from noise or conditioned on text prompts via a denoising diffusion process. Our model and code are available at \url{https://github.com/TuBui/RoSteALS}.

Tu Bui, Ning Yu, John Collomosse

Rapid advances in Generative Adversarial Networks (GANs) raise new challenges for image attribution; detecting whether an image is synthetic and, if so, determining which GAN architecture created it. Uniquely, we present a solution to this task capable of 1) matching images invariant to their semantic content; 2) robust to benign transformations (changes in quality, resolution, shape, etc.) commonly encountered as images are re-shared online. In order to formalize our research, a challenging benchmark, Attribution88, is collected for robust and practical image attribution. We then propose RepMix, our GAN fingerprinting technique based on representation mixing and a novel loss. We validate its capability of tracing the provenance of GAN-generated images invariant to the semantic content of the image and also robust to perturbations. We show our approach improves significantly from existing GAN fingerprinting works on both semantic generalization and robustness. Data and code are available at https://github.com/TuBui/image_attribution.

Yu Zeng, Zhe Lin, Jianming Zhang et al.

We propose a new framework for conditional image synthesis from semantic layouts of any precision levels, ranging from pure text to a 2D semantic canvas with precise shapes. More specifically, the input layout consists of one or more semantic regions with free-form text descriptions and adjustable precision levels, which can be set based on the desired controllability. The framework naturally reduces to text-to-image (T2I) at the lowest level with no shape information, and it becomes segmentation-to-image (S2I) at the highest level. By supporting the levels in-between, our framework is flexible in assisting users of different drawing expertise and at different stages of their creative workflow. We introduce several novel techniques to address the challenges coming with this new setup, including a pipeline for collecting training data; a precision-encoded mask pyramid and a text feature map representation to jointly encode precision level, semantics, and composition information; and a multi-scale guided diffusion model to synthesize images. To evaluate the proposed method, we collect a test dataset containing user-drawn layouts with diverse scenes and styles. Experimental results show that the proposed method can generate high-quality images following the layout at given precision, and compares favorably against existing methods. Project page \url{https://zengxianyu.github.io/scenec/}

Tu Bui, Shruti Agarwal, John Collomosse

Imperceptible digital watermarking is important in copyright protection, misinformation prevention, and responsible generative AI. We propose TrustMark - a GAN-based watermarking method with novel design in architecture and spatio-spectra losses to balance the trade-off between watermarked image quality with the watermark recovery accuracy. Our model is trained with robustness in mind, withstanding various in- and out-place perturbations on the encoded image. Additionally, we introduce TrustMark-RM - a watermark remover method useful for re-watermarking. Our methods achieve state-of-art performance on 3 benchmarks comprising arbitrary resolution images.

Dan Ruta, Gemma Canet Tarrés, Andrew Gilbert et al.

Neural Style Transfer (NST) is the field of study applying neural techniques to modify the artistic appearance of a content image to match the style of a reference style image. Traditionally, NST methods have focused on texture-based image edits, affecting mostly low level information and keeping most image structures the same. However, style-based deformation of the content is desirable for some styles, especially in cases where the style is abstract or the primary concept of the style is in its deformed rendition of some content. With the recent introduction of diffusion models, such as Stable Diffusion, we can access far more powerful image generation techniques, enabling new possibilities. In our work, we propose using this new class of models to perform style transfer while enabling deformable style transfer, an elusive capability in previous models. We show how leveraging the priors of these models can expose new artistic controls at inference time, and we document our findings in exploring this new direction for the field of style transfer.

Dan Ruta, Andrew Gilbert, Pranav Aggarwal et al.

We present StyleBabel, a unique open access dataset of natural language captions and free-form tags describing the artistic style of over 135K digital artworks, collected via a novel participatory method from experts studying at specialist art and design schools. StyleBabel was collected via an iterative method, inspired by `Grounded Theory': a qualitative approach that enables annotation while co-evolving a shared language for fine-grained artistic style attribute description. We demonstrate several downstream tasks for StyleBabel, adapting the recent ALADIN architecture for fine-grained style similarity, to train cross-modal embeddings for: 1) free-form tag generation; 2) natural language description of artistic style; 3) fine-grained text search of style. To do so, we extend ALADIN with recent advances in Visual Transformer (ViT) and cross-modal representation learning, achieving a state of the art accuracy in fine-grained style retrieval.

Simon Jenni, Alexander Black, John Collomosse

We propose a self-supervised learning approach for videos that learns representations of both the RGB frames and the accompanying audio without human supervision. In contrast to images that capture the static scene appearance, videos also contain sound and temporal scene dynamics. To leverage the temporal and aural dimension inherent to videos, our method extends temporal self-supervision to the audio-visual setting and integrates it with multi-modal contrastive objectives. As temporal self-supervision, we pose playback speed and direction recognition in both modalities and propose intra- and inter-modal temporal ordering tasks. Furthermore, we design a novel contrastive objective in which the usual pairs are supplemented with additional sample-dependent positives and negatives sampled from the evolving feature space. In our model, we apply such losses among video clips and between videos and their temporally corresponding audio clips. We verify our model design in extensive ablation experiments and evaluate the video and audio representations in transfer experiments to action recognition and retrieval on UCF101 and HMBD51, audio classification on ESC50, and robust video fingerprinting on VGG-Sound, with state-of-the-art results.

Cusuh Ham, Gemma Canet Tarres, Tu Bui et al.

We present CoGS, a novel method for the style-conditioned, sketch-driven synthesis of images. CoGS enables exploration of diverse appearance possibilities for a given sketched object, enabling decoupled control over the structure and the appearance of the output. Coarse-grained control over object structure and appearance are enabled via an input sketch and an exemplar "style" conditioning image to a transformer-based sketch and style encoder to generate a discrete codebook representation. We map the codebook representation into a metric space, enabling fine-grained control over selection and interpolation between multiple synthesis options before generating the image via a vector quantized GAN (VQGAN) decoder. Our framework thereby unifies search and synthesis tasks, in that a sketch and style pair may be used to run an initial synthesis which may be refined via combination with similar results in a search corpus to produce an image more closely matching the user's intent. We show that our model, trained on the 125 object classes of our newly created Pseudosketches dataset, is capable of producing a diverse gamut of semantic content and appearance styles.

Dan Ruta, Andrew Gilbert, John Collomosse et al.

Style transfer is the task of reproducing the semantic contents of a source image in the artistic style of a second target image. In this paper, we present NeAT, a new state-of-the art feed-forward style transfer method. We re-formulate feed-forward style transfer as image editing, rather than image generation, resulting in a model which improves over the state-of-the-art in both preserving the source content and matching the target style. An important component of our model's success is identifying and fixing "style halos", a commonly occurring artefact across many style transfer techniques. In addition to training and testing on standard datasets, we introduce the BBST-4M dataset, a new, large scale, high resolution dataset of 4M images. As a component of curating this data, we present a novel model able to classify if an image is stylistic. We use BBST-4M to improve and measure the generalization of NeAT across a huge variety of styles. Not only does NeAT offer state-of-the-art quality and generalization, it is designed and trained for fast inference at high resolution.

Kar Balan, Shruti Agarwal, Simon Jenni et al.

We present EKILA; a decentralized framework that enables creatives to receive recognition and reward for their contributions to generative AI (GenAI). EKILA proposes a robust visual attribution technique and combines this with an emerging content provenance standard (C2PA) to address the problem of synthetic image provenance -- determining the generative model and training data responsible for an AI-generated image. Furthermore, EKILA extends the non-fungible token (NFT) ecosystem to introduce a tokenized representation for rights, enabling a triangular relationship between the asset's Ownership, Rights, and Attribution (ORA). Leveraging the ORA relationship enables creators to express agency over training consent and, through our attribution model, to receive apportioned credit, including royalty payments for the use of their assets in GenAI.

Gemma Canet Tarrés, Zhe Lin, Zhifei Zhang et al.

Compositing an object into an image involves multiple non-trivial sub-tasks such as object placement and scaling, color/lighting harmonization, viewpoint/geometry adjustment, and shadow/reflection generation. Recent generative image compositing methods leverage diffusion models to handle multiple sub-tasks at once. However, existing models face limitations due to their reliance on masking the original object during training, which constrains their generation to the input mask. Furthermore, obtaining an accurate input mask specifying the location and scale of the object in a new image can be highly challenging. To overcome such limitations, we define a novel problem of unconstrained generative object compositing, i.e., the generation is not bounded by the mask, and train a diffusion-based model on a synthesized paired dataset. Our first-of-its-kind model is able to generate object effects such as shadows and reflections that go beyond the mask, enhancing image realism. Additionally, if an empty mask is provided, our model automatically places the object in diverse natural locations and scales, accelerating the compositing workflow. Our model outperforms existing object placement and compositing models in various quality metrics and user studies.

Sina Alemohammad, Ahmed Imtiaz Humayun, Shruti Agarwal et al.

The artificial intelligence (AI) world is running out of real data for training increasingly large generative models, resulting in accelerating pressure to train on synthetic data. Unfortunately, training new generative models with synthetic data from current or past generation models creates an autophagous (self-consuming) loop that degrades the quality and/or diversity of the synthetic data in what has been termed model autophagy disorder (MAD) and model collapse. Current thinking around model autophagy recommends that synthetic data is to be avoided for model training lest the system deteriorate into MADness. In this paper, we take a different tack that treats synthetic data differently from real data. Self-IMproving diffusion models with Synthetic data (SIMS) is a new training concept for diffusion models that uses self-synthesized data to provide negative guidance during the generation process to steer a model's generative process away from the non-ideal synthetic data manifold and towards the real data distribution. We demonstrate that SIMS is capable of self-improvement; it establishes new records based on the Fréchet inception distance (FID) metric for CIFAR-10 and ImageNet-64 generation and achieves competitive results on FFHQ-64 and ImageNet-512. Moreover, SIMS is, to the best of our knowledge, the first prophylactic generative AI algorithm that can be iteratively trained on self-generated synthetic data without going MAD. As a bonus, SIMS can adjust a diffusion model's synthetic data distribution to match any desired in-domain target distribution to help mitigate biases and ensure fairness.

Gemma Canet Tarrés, Dan Ruta, Tu Bui et al.

We propose PARASOL, a multi-modal synthesis model that enables disentangled, parametric control of the visual style of the image by jointly conditioning synthesis on both content and a fine-grained visual style embedding. We train a latent diffusion model (LDM) using specific losses for each modality and adapt the classifier-free guidance for encouraging disentangled control over independent content and style modalities at inference time. We leverage auxiliary semantic and style-based search to create training triplets for supervision of the LDM, ensuring complementarity of content and style cues. PARASOL shows promise for enabling nuanced control over visual style in diffusion models for image creation and stylization, as well as generative search where text-based search results may be adapted to more closely match user intent by interpolating both content and style descriptors.

Kar Balan, Alex Black, Simon Jenni et al.

We present DECORAIT; a decentralized registry through which content creators may assert their right to opt in or out of AI training as well as receive reward for their contributions. Generative AI (GenAI) enables images to be synthesized using AI models trained on vast amounts of data scraped from public sources. Model and content creators who may wish to share their work openly without sanctioning its use for training are thus presented with a data governance challenge. Further, establishing the provenance of GenAI training data is important to creatives to ensure fair recognition and reward for their such use. We report a prototype of DECORAIT, which explores hierarchical clustering and a combination of on/off-chain storage to create a scalable decentralized registry to trace the provenance of GenAI training data in order to determine training consent and reward creatives who contribute that data. DECORAIT combines distributed ledger technology (DLT) with visual fingerprinting, leveraging the emerging C2PA (Coalition for Content Provenance and Authenticity) standard to create a secure, open registry through which creatives may express consent and data ownership for GenAI.

Dan Ruta, Andrew Gilbert, Saeid Motiian et al.

We present HyperNST; a neural style transfer (NST) technique for the artistic stylization of images, based on Hyper-networks and the StyleGAN2 architecture. Our contribution is a novel method for inducing style transfer parameterized by a metric space, pre-trained for style-based visual search (SBVS). We show for the first time that such space may be used to drive NST, enabling the application and interpolation of styles from an SBVS system. The technical contribution is a hyper-network that predicts weight updates to a StyleGAN2 pre-trained over a diverse gamut of artistic content (portraits), tailoring the style parameterization on a per-region basis using a semantic map of the facial regions. We show HyperNST to exceed state of the art in content preservation for our stylized content while retaining good style transfer performance.

Xin Yuan, Zhe Lin, Jason Kuen et al.

We develop an approach for text-to-image generation that embraces additional retrieval images, driven by a combination of implicit visual guidance loss and generative objectives. Unlike most existing text-to-image generation methods which merely take the text as input, our method dynamically feeds cross-modal search results into a unified training stage, hence improving the quality, controllability and diversity of generation results. We propose a novel hypernetwork modulated visual-text encoding scheme to predict the weight update of the encoding layer, enabling effective transfer from visual information (e.g. layout, content) into the corresponding latent domain. Experimental results show that our model guided with additional retrieval visual data outperforms existing GAN-based models. On COCO dataset, we achieve better FID of $9.13$ with up to $3.5 \times$ fewer generator parameters, compared with the state-of-the-art method.

Alexander Black, Simon Jenni, Tu Bui et al.

We propose VADER, a spatio-temporal matching, alignment, and change summarization method to help fight misinformation spread via manipulated videos. VADER matches and coarsely aligns partial video fragments to candidate videos using a robust visual descriptor and scalable search over adaptively chunked video content. A transformer-based alignment module then refines the temporal localization of the query fragment within the matched video. A space-time comparator module identifies regions of manipulation between aligned content, invariant to any changes due to any residual temporal misalignments or artifacts arising from non-editorial changes of the content. Robustly matching video to a trusted source enables conclusions to be drawn on video provenance, enabling informed trust decisions on content encountered.

Dan Ruta, Gemma Canet Tarres, Alexander Black et al.

Representation learning aims to discover individual salient features of a domain in a compact and descriptive form that strongly identifies the unique characteristics of a given sample respective to its domain. Existing works in visual style representation literature have tried to disentangle style from content during training explicitly. A complete separation between these has yet to be fully achieved. Our paper aims to learn a representation of visual artistic style more strongly disentangled from the semantic content depicted in an image. We use Neural Style Transfer (NST) to measure and drive the learning signal and achieve state-of-the-art representation learning on explicitly disentangled metrics. We show that strongly addressing the disentanglement of style and content leads to large gains in style-specific metrics, encoding far less semantic information and achieving state-of-the-art accuracy in downstream multimodal applications.

Alexander Black, Tu Bui, Simon Jenni et al.

We present SImProv - a scalable image provenance framework to match a query image back to a trusted database of originals and identify possible manipulations on the query. SImProv consists of three stages: a scalable search stage for retrieving top-k most similar images; a re-ranking and near-duplicated detection stage for identifying the original among the candidates; and finally a manipulation detection and visualization stage for localizing regions within the query that may have been manipulated to differ from the original. SImProv is robust to benign image transformations that commonly occur during online redistribution, such as artifacts due to noise and recompression degradation, as well as out-of-place transformations due to image padding, warping, and changes in size and shape. Robustness towards out-of-place transformations is achieved via the end-to-end training of a differentiable warping module within the comparator architecture. We demonstrate effective retrieval and manipulation detection over a dataset of 100 million images.

Alexander Black, Jing Shi, Yifei Fan et al.

We present VIXEN - a technique that succinctly summarizes in text the visual differences between a pair of images in order to highlight any content manipulation present. Our proposed network linearly maps image features in a pairwise manner, constructing a soft prompt for a pretrained large language model. We address the challenge of low volume of training data and lack of manipulation variety in existing image difference captioning (IDC) datasets by training on synthetically manipulated images from the recent InstructPix2Pix dataset generated via prompt-to-prompt editing framework. We augment this dataset with change summaries produced via GPT-3. We show that VIXEN produces state-of-the-art, comprehensible difference captions for diverse image contents and edit types, offering a potential mitigation against misinformation disseminated via manipulated image content. Code and data are available at http://github.com/alexblck/vixen

Arka Ujjal Dey, Muhammad Junaid Awan, Georgia Channing et al.

We propose CRAVE (Cluster-based Retrieval Augmented Verification with Explanation); a novel framework that integrates retrieval-augmented Large Language Models (LLMs) with clustering techniques to address fact-checking challenges on social media. CRAVE automatically retrieves multimodal evidence from diverse, often contradictory, sources. Evidence is clustered into coherent narratives, and evaluated via an LLM-based judge to deliver fact-checking verdicts explained by evidence summaries. By synthesizing evidence from both text and image modalities and incorporating agent-based refinement, CRAVE ensures consistency and diversity in evidence representation. Comprehensive experiments demonstrate CRAVE's efficacy in retrieval precision, clustering quality, and judgment accuracy, showcasing its potential as a robust decision-support tool for fact-checkers.

Li Zhang, Shruti Agarwal, John Collomosse et al.

Generative AI models pose a significant challenge to intellectual property (IP), as they can replicate unique artistic styles and concepts without attribution. While watermarking offers a potential solution, existing methods often fail in complex scenarios where multiple concepts (e.g., an object and an artistic style) are composed within a single image. These methods struggle to disentangle and attribute each concept individually. In this work, we introduce TokenTrace, a novel proactive watermarking framework for robust, multi-concept attribution. Our method embeds secret signatures into the semantic domain by simultaneously perturbing the text prompt embedding and the initial latent noise that guide the diffusion model's generation process. For retrieval, we propose a query-based TokenTrace module that takes the generated image and a textual query specifying which concepts need to be retrieved (e.g., a specific object or style) as inputs. This query-based mechanism allows the module to disentangle and independently verify the presence of multiple concepts from a single generated image. Extensive experiments show that our method achieves state-of-the-art performance on both single-concept (object and style) and multi-concept attribution tasks, significantly outperforming existing baselines while maintaining high visual quality and robustness to common transformations.

Aleksandar Petrov, Shruti Agarwal, Philip H. S. Torr et al.

Watermarking, the practice of embedding imperceptible information into media such as images, videos, audio, and text, is essential for intellectual property protection, content provenance and attribution. The growing complexity of digital ecosystems necessitates watermarks for different uses to be embedded in the same media. However, to detect and decode all watermarks, they need to coexist well with one another. We perform the first study of coexistence of deep image watermarking methods and, contrary to intuition, we find that various open-source watermarks can coexist with only minor impacts on image quality and decoding robustness. The coexistence of watermarks also opens the avenue for ensembling watermarking methods. We show how ensembling can increase the overall message capacity and enable new trade-offs between capacity, accuracy, robustness and image quality, without needing to retrain the base models.

Hang Hua, Jing Shi, Kushal Kafle et al.

Recent progress in large-scale pre-training has led to the development of advanced vision-language models (VLMs) with remarkable proficiency in comprehending and generating multimodal content. Despite the impressive ability to perform complex reasoning for VLMs, current models often struggle to effectively and precisely capture the compositional information on both the image and text sides. To address this, we propose FineMatch, a new aspect-based fine-grained text and image matching benchmark, focusing on text and image mismatch detection and correction. This benchmark introduces a novel task for boosting and evaluating the VLMs' compositionality for aspect-based fine-grained text and image matching. In this task, models are required to identify mismatched aspect phrases within a caption, determine the aspect's class, and propose corrections for an image-text pair that may contain between 0 and 3 mismatches. To evaluate the models' performance on this new task, we propose a new evaluation metric named ITM-IoU for which our experiments show a high correlation to human evaluation. In addition, we also provide a comprehensive experimental analysis of existing mainstream VLMs, including fully supervised learning and in-context learning settings. We have found that models trained on FineMatch demonstrate enhanced proficiency in detecting fine-grained text and image mismatches. Moreover, models (e.g., GPT-4V, Gemini Pro Vision) with strong abilities to perform multimodal in-context learning are not as skilled at fine-grained compositional image and text matching analysis. With FineMatch, we are able to build a system for text-to-image generation hallucination detection and correction.

Gemma Canet Tarrés, Zhe Lin, Zhifei Zhang et al.

We introduce the first generative model capable of simultaneous multi-object compositing, guided by both text and layout. Our model allows for the addition of multiple objects within a scene, capturing a range of interactions from simple positional relations (e.g., next to, in front of) to complex actions requiring reposing (e.g., hugging, playing guitar). When an interaction implies additional props, like `taking a selfie', our model autonomously generates these supporting objects. By jointly training for compositing and subject-driven generation, also known as customization, we achieve a more balanced integration of textual and visual inputs for text-driven object compositing. As a result, we obtain a versatile model with state-of-the-art performance in both tasks. We further present a data generation pipeline leveraging visual and language models to effortlessly synthesize multimodal, aligned training data.

Kumud Lakara, Georgia Channing, Christian Rupprecht et al.

One of the most challenging forms of misinformation involves pairing images with misleading text to create false narratives. Existing AI-driven detection systems often require domain-specific finetuning, limiting generalizability, and offer little insight into their decisions, hindering trust and adoption. We introduce MAD-Sherlock, a multi-agent debate system for out-of-context misinformation detection. MAD-Sherlock frames detection as a multi-agent debate, reflecting the diverse and conflicting discourse found online. Multimodal agents collaborate to assess contextual consistency and retrieve external information to support cross-context reasoning. Our framework is domain- and time-agnostic, requiring no finetuning, yet achieves state-of-the-art accuracy with in-depth explanations. Evaluated on NewsCLIPpings, VERITE, and MMFakeBench, it outperforms prior methods by 2%, 3%, and 5%, respectively. Ablation and user studies show that the debate and resultant explanations significantly improve detection performance and improve trust for both experts and non-experts, positioning MAD-Sherlock as a robust tool for autonomous citizen intelligence.

Savya Khosla, Aditi Tiwari, Kushal Kafle et al.

While originally designed for unidirectional generative modeling, decoder-only large language models (LLMs) are increasingly being adapted for bidirectional modeling. However, unidirectional and bidirectional models are typically trained separately with distinct objectives (generation and representation learning). This separation overlooks the opportunity for developing a more versatile language model and for these objectives to complement each other. In this work, we propose MAGNET, a method for adapting decoder-only LLMs to generate robust representations and infill missing text spans. MAGNET employs three self-supervised training objectives and introduces an attention mechanism that combines bidirectional and causal attention, enabling unified training across all objectives. Our results demonstrate that LLMs adapted with MAGNET (1) surpass strong text encoders on token-level and sentence-level representation learning tasks, (2) generate contextually appropriate text infills by leveraging past and future contexts, (3) perform open-ended text generation without excessive repetition of words or phrases, and (4) preserve the knowledge and reasoning capability gained by the LLM during pretraining.

Yash Kulthe, Andrew Gilbert, John Collomosse

We present MultiNeRF, a 3D watermarking method that embeds multiple uniquely keyed watermarks within images rendered by a single Neural Radiance Field (NeRF) model, whilst maintaining high visual quality. Our approach extends the TensoRF NeRF model by incorporating a dedicated watermark grid alongside the existing geometry and appearance grids. This extension ensures higher watermark capacity without entangling watermark signals with scene content. We propose a FiLM-based conditional modulation mechanism that dynamically activates watermarks based on input identifiers, allowing multiple independent watermarks to be embedded and extracted without requiring model retraining. MultiNeRF is validated on the NeRF-Synthetic and LLFF datasets, with statistically significant improvements in robust capacity without compromising rendering quality. By generalizing single-watermark NeRF methods into a flexible multi-watermarking framework, MultiNeRF provides a scalable solution for 3D content. attribution.

Kar Balan, Andrew Gilbert, John Collomosse

The rise of Generative AI (GenAI) has sparked significant debate over balancing the interests of creative rightsholders and AI developers. As GenAI models are trained on vast datasets that often include copyrighted material, questions around fair compensation and proper attribution have become increasingly urgent. To address these challenges, this paper proposes a framework called Content ARCs (Authenticity, Rights, Compensation). By combining open standards for provenance and dynamic licensing with data attribution, and decentralized technologies, Content ARCs create a mechanism for managing rights and compensating creators for using their work in AI training. We characterize several nascent works in the AI data licensing space within Content ARCs and identify where challenges remain to fully implement the end-to-end framework.

Vishal Asnani, John Collomosse, Tu Bui et al.

Generative AI (GenAI) is transforming creative workflows through the capability to synthesize and manipulate images via high-level prompts. Yet creatives are not well supported to receive recognition or reward for the use of their content in GenAI training. To this end, we propose ProMark, a causal attribution technique to attribute a synthetically generated image to its training data concepts like objects, motifs, templates, artists, or styles. The concept information is proactively embedded into the input training images using imperceptible watermarks, and the diffusion models (unconditional or conditional) are trained to retain the corresponding watermarks in generated images. We show that we can embed as many as $2^{16}$ unique watermarks into the training data, and each training image can contain more than one watermark. ProMark can maintain image quality whilst outperforming correlation-based attribution. Finally, several qualitative examples are presented, providing the confidence that the presence of the watermark conveys a causative relationship between training data and synthetic images.

Maksym Andriushchenko, Xiaoyang Rebecca Li, Geoffrey Oxholm et al.

Image attribution -- matching an image back to a trusted source -- is an emerging tool in the fight against online misinformation. Deep visual fingerprinting models have recently been explored for this purpose. However, they are not robust to tiny input perturbations known as adversarial examples. First we illustrate how to generate valid adversarial images that can easily cause incorrect image attribution. Then we describe an approach to prevent imperceptible adversarial attacks on deep visual fingerprinting models, via robust contrastive learning. The proposed training procedure leverages training on $\ell_\infty$-bounded adversarial examples, it is conceptually simple and incurs only a small computational overhead. The resulting models are substantially more robust, are accurate even on unperturbed images, and perform well even over a database with millions of images. In particular, we achieve 91.6% standard and 85.1% adversarial recall under $\ell_\infty$-bounded perturbations on manipulated images compared to 80.1% and 0.0% from prior work. We also show that robustness generalizes to other types of imperceptible perturbations unseen during training. Finally, we show how to train an adversarially robust image comparator model for detecting editorial changes in matched images.

Alexander Black, Tu Bui, Simon Jenni et al.

We present VPN - a content attribution method for recovering provenance information from videos shared online. Platforms, and users, often transform video into different quality, codecs, sizes, shapes, etc. or slightly edit its content such as adding text or emoji, as they are redistributed online. We learn a robust search embedding for matching such video, invariant to these transformations, using full-length or truncated video queries. Once matched against a trusted database of video clips, associated information on the provenance of the clip is presented to the user. We use an inverted index to match temporal chunks of video using late-fusion to combine both visual and audio features. In both cases, features are extracted via a deep neural network trained using contrastive learning on a dataset of original and augmented video clips. We demonstrate high accuracy recall over a corpus of 100,000 videos.

Leo Sampaio Ferraz Ribeiro, Tu Bui, John Collomosse et al.

Scene Designer is a novel method for searching and generating images using free-hand sketches of scene compositions; i.e. drawings that describe both the appearance and relative positions of objects. Our core contribution is a single unified model to learn both a cross-modal search embedding for matching sketched compositions to images, and an object embedding for layout synthesis. We show that a graph neural network (GNN) followed by Transformer under our novel contrastive learning setting is required to allow learning correlations between object type, appearance and arrangement, driving a mask generation module that synthesises coherent scene layouts, whilst also delivering state of the art sketch based visual search of scenes.

Eric Nguyen, Tu Bui, Vishy Swaminathan et al.

Images tell powerful stories but cannot always be trusted. Matching images back to trusted sources (attribution) enables users to make a more informed judgment of the images they encounter online. We propose a robust image hashing algorithm to perform such matching. Our hash is sensitive to manipulation of subtle, salient visual details that can substantially change the story told by an image. Yet the hash is invariant to benign transformations (changes in quality, codecs, sizes, shapes, etc.) experienced by images during online redistribution. Our key contribution is OSCAR-Net (Object-centric Scene Graph Attention for Image Attribution Network); a robust image hashing model inspired by recent successes of Transformers in the visual domain. OSCAR-Net constructs a scene graph representation that attends to fine-grained changes of every object's visual appearance and their spatial relationships. The network is trained via contrastive learning on a dataset of original and manipulated images yielding a state of the art image hash for content fingerprinting that scales to millions of images.

Alexander Black, Tu Bui, Long Mai et al.

We present an algorithm for searching image collections using free-hand sketches that describe the appearance and relative positions of multiple objects. Sketch based image retrieval (SBIR) methods predominantly match queries containing a single, dominant object invariant to its position within an image. Our work exploits drawings as a concise and intuitive representation for specifying entire scene compositions. We train a convolutional neural network (CNN) to encode masked visual features from sketched objects, pooling these into a spatial descriptor encoding the spatial relationships and appearances of objects in the composition. Training the CNN backbone as a Siamese network under triplet loss yields a metric search embedding for measuring compositional similarity which may be efficiently leveraged for visual search by applying product quantization.

Dipu Manandhar, Hailin Jin, John Collomosse

We present Magic Layouts; a method for parsing screenshots or hand-drawn sketches of user interface (UI) layouts. Our core contribution is to extend existing detectors to exploit a learned structural prior for UI designs, enabling robust detection of UI components; buttons, text boxes and similar. Specifically we learn a prior over mobile UI layouts, encoding common spatial co-occurrence relationships between different UI components. Conditioning region proposals using this prior leads to performance gains on UI layout parsing for both hand-drawn UIs and app screenshots, which we demonstrate within the context an interactive application for rapidly acquiring digital prototypes of user experience (UX) designs.

Dan Ruta, Saeid Motiian, Baldo Faieta et al.

We present ALADIN (All Layer AdaIN); a novel architecture for searching images based on the similarity of their artistic style. Representation learning is critical to visual search, where distance in the learned search embedding reflects image similarity. Learning an embedding that discriminates fine-grained variations in style is hard, due to the difficulty of defining and labelling style. ALADIN takes a weakly supervised approach to learning a representation for fine-grained style similarity of digital artworks, leveraging BAM-FG, a novel large-scale dataset of user generated content groupings gathered from the web. ALADIN sets a new state of the art accuracy for style-based visual search over both coarse labelled style data (BAM) and BAM-FG; a new 2.62 million image dataset of 310,000 fine-grained style groupings also contributed by this work.

Tong He, John Collomosse, Hailin Jin et al.

We propose Geo-PIFu, a method to recover a 3D mesh from a monocular color image of a clothed person. Our method is based on a deep implicit function-based representation to learn latent voxel features using a structure-aware 3D U-Net, to constrain the model in two ways: first, to resolve feature ambiguities in query point encoding, second, to serve as a coarse human shape proxy to regularize the high-resolution mesh and encourage global shape regularity. We show that, by both encoding query points and constraining global shape using latent voxel features, the reconstruction we obtain for clothed human meshes exhibits less shape distortion and improved surface details compared to competing methods. We evaluate Geo-PIFu on a recent human mesh public dataset that is $10 \times$ larger than the private commercial dataset used in PIFu and previous derivative work. On average, we exceed the state of the art by $42.7\%$ reduction in Chamfer and Point-to-Surface Distances, and $19.4\%$ reduction in normal estimation errors.

Leo Sampaio Ferraz Ribeiro, Tu Bui, John Collomosse et al.

Sketchformer is a novel transformer-based representation for encoding free-hand sketches input in a vector form, i.e. as a sequence of strokes. Sketchformer effectively addresses multiple tasks: sketch classification, sketch based image retrieval (SBIR), and the reconstruction and interpolation of sketches. We report several variants exploring continuous and tokenized input representations, and contrast their performance. Our learned embedding, driven by a dictionary learning tokenization scheme, yields state of the art performance in classification and image retrieval tasks, when compared against baseline representations driven by LSTM sequence to sequence architectures: SketchRNN and derivatives. We show that sketch reconstruction and interpolation are improved significantly by the Sketchformer embedding for complex sketches with longer stroke sequences.

Kary Ho, Andrew Gilbert, Hailin Jin et al.

We present a neural architecture search (NAS) technique to enhance the performance of unsupervised image de-noising, in-painting and super-resolution under the recently proposed Deep Image Prior (DIP). We show that evolutionary search can automatically optimize the encoder-decoder (E-D) structure and meta-parameters of the DIP network, which serves as a content-specific prior to regularize these single image restoration tasks. Our binary representation encodes the design space for an asymmetric E-D network that typically converges to yield a content-specific DIP within 10-20 generations using a population size of 500. The optimized architectures consistently improve upon the visual quality of classical DIP for a diverse range of photographic and artistic content.

Haotian Zhang, Long Mai, Ning Xu et al.

We propose a novel video inpainting algorithm that simultaneously hallucinates missing appearance and motion (optical flow) information, building upon the recent 'Deep Image Prior' (DIP) that exploits convolutional network architectures to enforce plausible texture in static images. In extending DIP to video we make two important contributions. First, we show that coherent video inpainting is possible without a priori training. We take a generative approach to inpainting based on internal (within-video) learning without reliance upon an external corpus of visual data to train a one-size-fits-all model for the large space of general videos. Second, we show that such a framework can jointly generate both appearance and flow, whilst exploiting these complementary modalities to ensure mutual consistency. We show that leveraging appearance statistics specific to each video achieves visually plausible results whilst handling the challenging problem of long-term consistency.

Andrew Gilbert, Matthew Trumble, Adrian Hilton et al.

We aim to simultaneously estimate the 3D articulated pose and high fidelity volumetric occupancy of human performance, from multiple viewpoint video (MVV) with as few as two views. We use a multi-channel symmetric 3D convolutional encoder-decoder with a dual loss to enforce the learning of a latent embedding that enables inference of skeletal joint positions and a volumetric reconstruction of the performance. The inference is regularised via a prior learned over a dataset of view-ablated multi-view video footage of a wide range of subjects and actions, and show this to generalise well across unseen subjects and actions. We demonstrate improved reconstruction accuracy and lower pose estimation error relative to prior work on two MVV performance capture datasets: Human 3.6M and TotalCapture.

Thomas Gittings, Steve Schneider, John Collomosse

We present a novel method for generating robust adversarial image examples building upon the recent `deep image prior' (DIP) that exploits convolutional network architectures to enforce plausible texture in image synthesis. Adversarial images are commonly generated by perturbing images to introduce high frequency noise that induces image misclassification, but that is fragile to subsequent digital manipulation of the image. We show that using DIP to reconstruct an image under adversarial constraint induces perturbations that are more robust to affine deformation, whilst remaining visually imperceptible. Furthermore we show that our DIP approach can also be adapted to produce local adversarial patches (`adversarial stickers'). We demonstrate robust adversarial examples over a broad gamut of images and object classes drawn from the ImageNet dataset.

Yifan Yang, Daniel Cooper, John Collomosse et al.

We present a novel blockchain based service for proving the provenance of online digital identity, exposed as an assistive tool to help non-expert users make better decisions about whom to trust online. Our service harnesses the digital personhood (DP); the longitudinal and multi-modal signals created through users' lifelong digital interactions, as a basis for evidencing the provenance of identity. We describe how users may exchange trust evidence derived from their DP, in a granular and privacy-preserving manner, with other users in order to demonstrate coherence and longevity in their behaviour online. This is enabled through a novel secure infrastructure combining hybrid on- and off-chain storage combined with deep learning for DP analytics and visualization. We show how our tools enable users to make more effective decisions on whether to trust unknown third parties online, and also to spot behavioural deviations in their own social media footprints indicative of account hijacking.

Tu Bui, Daniel Cooper, John Collomosse et al.

We present ARCHANGEL; a novel distributed ledger based system for assuring the long-term integrity of digital video archives. First, we describe a novel deep network architecture for computing compact temporal content hashes (TCHs) from audio-visual streams with durations of minutes or hours. Our TCHs are sensitive to accidental or malicious content modification (tampering) but invariant to the codec used to encode the video. This is necessary due to the curatorial requirement for archives to format shift video over time to ensure future accessibility. Second, we describe how the TCHs (and the models used to derive them) are secured via a proof-of-authority blockchain distributed across multiple independent archives. We report on the efficacy of ARCHANGEL within the context of a trial deployment in which the national government archives of the United Kingdom, Estonia and Norway participated.

John Collomosse, Tu Bui, Hailin Jin

LiveSketch is a novel algorithm for searching large image collections using hand-sketched queries. LiveSketch tackles the inherent ambiguity of sketch search by creating visual suggestions that augment the query as it is drawn, making query specification an iterative rather than one-shot process that helps disambiguate users' search intent. Our technical contributions are: a triplet convnet architecture that incorporates an RNN based variational autoencoder to search for images using vector (stroke-based) queries; real-time clustering to identify likely search intents (and so, targets within the search embedding); and the use of backpropagation from those targets to perturb the input stroke sequence, so suggesting alterations to the query in order to guide the search. We show improvements in accuracy and time-to-task over contemporary baselines using a 67M image corpus.

Andrew Gilbert, Marco Volino, John Collomosse et al.

We present a convolutional autoencoder that enables high fidelity volumetric reconstructions of human performance to be captured from multi-view video comprising only a small set of camera views. Our method yields similar end-to-end reconstruction error to that of a probabilistic visual hull computed using significantly more (double or more) viewpoints. We use a deep prior implicitly learned by the autoencoder trained over a dataset of view-ablated multi-view video footage of a wide range of subjects and actions. This opens up the possibility of high-end volumetric performance capture in on-set and prosumer scenarios where time or cost prohibit a high witness camera count.

Matthew Trumble, Andrew Gilbert, Adrian Hilton et al.

We present a method for simultaneously estimating 3D human pose and body shape from a sparse set of wide-baseline camera views. We train a symmetric convolutional autoencoder with a dual loss that enforces learning of a latent representation that encodes skeletal joint positions, and at the same time learns a deep representation of volumetric body shape. We harness the latter to up-scale input volumetric data by a factor of $4 \times$, whilst recovering a 3D estimate of joint positions with equal or greater accuracy than the state of the art. Inference runs in real-time (25 fps) and has the potential for passive human behaviour monitoring where there is a requirement for high fidelity estimation of human body shape and pose.

Michael J. Wilber, Chen Fang, Hailin Jin et al.

Computer vision systems are designed to work well within the context of everyday photography. However, artists often render the world around them in ways that do not resemble photographs. Artwork produced by people is not constrained to mimic the physical world, making it more challenging for machines to recognize. This work is a step toward teaching machines how to categorize images in ways that are valuable to humans. First, we collect a large-scale dataset of contemporary artwork from Behance, a website containing millions of portfolios from professional and commercial artists. We annotate Behance imagery with rich attribute labels for content, emotions, and artistic media. Furthermore, we carry out baseline experiments to show the value of this dataset for artistic style prediction, for improving the generality of existing object classifiers, and for the study of visual domain adaptation. We believe our Behance Artistic Media dataset will be a good starting point for researchers wishing to study artistic imagery and relevant problems.