David M. Berry

Rupert Lane, Anthony Hay, Arthur Schwarz et al.

ELIZA, created by Joseph Weizenbaum at MIT in the early 1960s, is usually considered the world's first chatbot. It was developed in MAD-SLIP on MIT's CTSS, the world's first time-sharing system, on an IBM 7094. We discovered an original ELIZA printout in Prof. Weizenbaum's archives at MIT, including an early version of the famous DOCTOR script, a nearly complete version of the MAD-SLIP code, and various support functions in MAD and FAP. Here we describe the reanimation of this original ELIZA on a restored CTSS, itself running on an emulated IBM 7094. The entire stack is open source, so that any user of a unix-like OS can run the world's first chatbot on the world's first time-sharing system.

David M. Berry

LLMbench is a browser-based workbench for the comparative close reading of large language model (LLM) outputs. Where existing tools for LLM comparison, such as Google PAIR's LLM Comparator are engineered for quantitative evaluation and user-rating metrics, LLMbench is oriented towards the hermeneutic practices of the digital humanities. Two model responses to the same prompt are side by side in annotatable panels with four analytical overlays (Probabilities for token-level log-probability inspection, Differences for word-level diff across the two panels, Tone for Hyland-style metadiscourse analysis, and Structure for sentence-level parsing with discourse connective highlighting), alongside five analytical modes, Stochastic Variation, Temperature Gradient, Prompt Sensitivity, Token Probabilities, and Cross-Model Divergence, that make the probabilistic structure of generated text legible at the token level. The tool treats the generated text as a research object in its own right from a probability distribution, a text that could have been otherwise, and provides visualisations including continuous heatmaps, entropy sparklines, pixel maps, and three-dimensional probability terrains, that show the counterfactual history from which each word emerged. This paper describes the tool's architecture, its six modes, and its design rationale, and argues that log-probability data, currently underused in humanistic and social-scientific readings of AI, is an important resource for a critical studies of generative AI models.

David M. Berry

This paper develops a critical theory of artificial intelligence, within a historical constellation where computational systems increasingly generate cultural content that destabilises traditional distinctions between human and machine production. Through this analysis, I introduce the concept of the algorithmic condition, a cultural moment when machine-generated work not only becomes indistinguishable from human creation but actively reshapes our understanding of ideas of authenticity. This transformation, I argue, moves beyond false consciousness towards what I call post-consciousness, where the boundaries between individual and synthetic consciousness become porous. Drawing on critical theory and extending recent work on computational ideology, I develop three key theoretical contributions, first, the concept of the Inversion to describe a new computational turn in algorithmic society; second, automimetric production as a framework for understanding emerging practices of automated value creation; and third, constellational analysis as a methodological approach for mapping the complex interplay of technical systems, cultural forms and political economic structures. Through these contributions, I argue that we need new critical methods capable of addressing both the technical specificity of AI systems and their role in restructuring forms of life under computational capitalism. The paper concludes by suggesting that critical reflexivity is needed to engage with the algorithmic condition without being subsumed by it and that it represents a growing challenge for contemporary critical theory.