Boyu Chen

Boyu Chen, Peixia Li, Lei Bai et al.

Exploiting a general-purpose neural architecture to replace hand-wired designs or inductive biases has recently drawn extensive interest. However, existing tracking approaches rely on customized sub-modules and need prior knowledge for architecture selection, hindering the tracking development in a more general system. This paper presents a Simplified Tracking architecture (SimTrack) by leveraging a transformer backbone for joint feature extraction and interaction. Unlike existing Siamese trackers, we serialize the input images and concatenate them directly before the one-branch backbone. Feature interaction in the backbone helps to remove well-designed interaction modules and produce a more efficient and effective framework. To reduce the information loss from down-sampling in vision transformers, we further propose a foveal window strategy, providing more diverse input patches with acceptable computational costs. Our SimTrack improves the baseline with 2.5%/2.6% AUC gains on LaSOT/TNL2K and gets results competitive with other specialized tracking algorithms without bells and whistles.

Peike Li, Boyu Chen, Yao Yao et al.

Music generation has attracted growing interest with the advancement of deep generative models. However, generating music conditioned on textual descriptions, known as text-to-music, remains challenging due to the complexity of musical structures and high sampling rate requirements. Despite the task's significance, prevailing generative models exhibit limitations in music quality, computational efficiency, and generalization. This paper introduces JEN-1, a universal high-fidelity model for text-to-music generation. JEN-1 is a diffusion model incorporating both autoregressive and non-autoregressive training. Through in-context learning, JEN-1 performs various generation tasks including text-guided music generation, music inpainting, and continuation. Evaluations demonstrate JEN-1's superior performance over state-of-the-art methods in text-music alignment and music quality while maintaining computational efficiency. Our demos are available at https://jenmusic.ai/audio-demos

Jiajun Zhang, Boyu Chen, Zhilong Ji et al.

This paper describes the approach we have taken in the challenge. We still adopted the two-stage scheme same as the last champion, that is, detection first and segmentation followed. We trained more powerful detector and segmentor separately. Besides, we also perform pseudo-label training on the test set, based on student-teacher framework and end-to-end transformer based object detection. The method ranks first on the 2nd Unidentified Video Objects (UVO) challenge, achieving AR@100 of 46.8, 64.7 and 32.2 in the limited data frame track, unlimited data frame track and video track respectively.

Yao Yao, Peike Li, Boyu Chen et al.

With rapid advances in generative artificial intelligence, the text-to-music synthesis task has emerged as a promising direction for music generation. Nevertheless, achieving precise control over multi-track generation remains an open challenge. While existing models excel in directly generating multi-track mix, their limitations become evident when it comes to composing individual tracks and integrating them in a controllable manner. This departure from the typical workflows of professional composers hinders the ability to refine details in specific tracks. To address this gap, we propose JEN-1 Composer, a unified framework designed to efficiently model marginal, conditional, and joint distributions over multi-track music using a single model. Building upon an audio latent diffusion model, JEN-1 Composer extends the versatility of multi-track music generation. We introduce a progressive curriculum training strategy, which gradually escalates the difficulty of training tasks while ensuring the model's generalization ability and facilitating smooth transitions between different scenarios. During inference, users can iteratively generate and select music tracks, thus incrementally composing entire musical pieces in accordance with the Human-AI co-composition workflow. Our approach demonstrates state-of-the-art performance in controllable and high-fidelity multi-track music synthesis, marking a significant advancement in interactive AI-assisted music creation. Our demo pages are available at www.jenmusic.ai/research.

Boyu Chen, Peike Li, Yao Yao et al.

Large models for text-to-music generation have achieved significant progress, facilitating the creation of high-quality and varied musical compositions from provided text prompts. However, input text prompts may not precisely capture user requirements, particularly when the objective is to generate music that embodies a specific concept derived from a designated reference collection. In this paper, we propose a novel method for customized text-to-music generation, which can capture the concept from a two-minute reference music and generate a new piece of music conforming to the concept. We achieve this by fine-tuning a pretrained text-to-music model using the reference music. However, directly fine-tuning all parameters leads to overfitting issues. To address this problem, we propose a Pivotal Parameters Tuning method that enables the model to assimilate the new concept while preserving its original generative capabilities. Additionally, we identify a potential concept conflict when introducing multiple concepts into the pretrained model. We present a concept enhancement strategy to distinguish multiple concepts, enabling the fine-tuned model to generate music incorporating either individual or multiple concepts simultaneously. Since we are the first to work on the customized music generation task, we also introduce a new dataset and evaluation protocol for the new task. Our proposed Jen1-DreamStyler outperforms several baselines in both qualitative and quantitative evaluations. Demos will be available at https://www.jenmusic.ai/research#DreamStyler.

Wei-Han Hsu, Bo-Yu Chen, Yi-Hsuan Yang

Along with the evolution of music technology, a large number of styles, or "subgenres," of Electronic Dance Music(EDM) have emerged in recent years. While the classification task of distinguishing between EDM and non-EDM has been often studied in the context of music genre classification, little work has been done on the more challenging EDM subgenre classification. The state-of-art model is based on extremely randomized trees and could be improved by deep learning methods. In this paper, we extend the state-of-art music auto-tagging model "short-chunkCNN+Resnet" to EDM subgenre classification, with the addition of two mid-level tempo-related feature representations, called the Fourier tempogram and autocorrelation tempogram. And, we explore two fusion strategies, early fusion and late fusion, to aggregate the two types of tempograms. We evaluate the proposed models using a large dataset consisting of 75,000 songs for 30 different EDM subgenres, and show that the adoption of deep learning models and tempo features indeed leads to higher classification accuracy.

Bo-Yu Chen, Wei-Han Hsu, Wei-Hsiang Liao et al.

A central task of a Disc Jockey (DJ) is to create a mixset of mu-sic with seamless transitions between adjacent tracks. In this paper, we explore a data-driven approach that uses a generative adversarial network to create the song transition by learning from real-world DJ mixes. In particular, the generator of the model uses two differentiable digital signal processing components, an equalizer (EQ) and a fader, to mix two tracks selected by a data generation pipeline. The generator has to set the parameters of the EQs and fader in such away that the resulting mix resembles real mixes created by humanDJ, as judged by the discriminator counterpart. Result of a listening test shows that the model can achieve competitive results compared with a number of baselines.

Boyu Chen, Peixia Li, Baopu Li et al.

We present BN-NAS, neural architecture search with Batch Normalization (BN-NAS), to accelerate neural architecture search (NAS). BN-NAS can significantly reduce the time required by model training and evaluation in NAS. Specifically, for fast evaluation, we propose a BN-based indicator for predicting subnet performance at a very early training stage. The BN-based indicator further facilitates us to improve the training efficiency by only training the BN parameters during the supernet training. This is based on our observation that training the whole supernet is not necessary while training only BN parameters accelerates network convergence for network architecture search. Extensive experiments show that our method can significantly shorten the time of training supernet by more than 10 times and shorten the time of evaluating subnets by more than 600,000 times without losing accuracy.

Boyu Chen, Peixia Li, Baopu Li et al.

In this paper, we observe two levels of redundancies when applying vision transformers (ViT) for image recognition. First, fixing the number of tokens through the whole network produces redundant features at the spatial level. Second, the attention maps among different transformer layers are redundant. Based on the observations above, we propose a PSViT: a ViT with token Pooling and attention Sharing to reduce the redundancy, effectively enhancing the feature representation ability, and achieving a better speed-accuracy trade-off. Specifically, in our PSViT, token pooling can be defined as the operation that decreases the number of tokens at the spatial level. Besides, attention sharing will be built between the neighboring transformer layers for reusing the attention maps having a strong correlation among adjacent layers. Then, a compact set of the possible combinations for different token pooling and attention sharing mechanisms are constructed. Based on the proposed compact set, the number of tokens in each layer and the choices of layers sharing attention can be treated as hyper-parameters that are learned from data automatically. Experimental results show that the proposed scheme can achieve up to 6.6% accuracy improvement in ImageNet classification compared with the DeiT.

Tun-Min Hung, Bo-Yu Chen, Yen-Tung Yeh et al.

This paper proposes a new benchmark task for generat-ing musical passages in the audio domain by using thedrum loops from the FreeSound Loop Dataset, which arepublicly re-distributable. Moreover, we use a larger col-lection of drum loops from Looperman to establish fourmodel-based objective metrics for evaluation, releasingthese metrics as a library for quantifying and facilitatingthe progress of musical audio generation. Under this eval-uation framework, we benchmark the performance of threerecent deep generative adversarial network (GAN) mod-els we customize to generate loops, including StyleGAN,StyleGAN2, and UNAGAN. We also report a subjectiveevaluation of these models. Our evaluation shows that theone based on StyleGAN2 performs the best in both objec-tive and subjective metrics.

Boyu Chen, Peixia Li, Chuming Li et al.

We introduce the first Neural Architecture Search (NAS) method to find a better transformer architecture for image recognition. Recently, transformers without CNN-based backbones are found to achieve impressive performance for image recognition. However, the transformer is designed for NLP tasks and thus could be sub-optimal when directly used for image recognition. In order to improve the visual representation ability for transformers, we propose a new search space and searching algorithm. Specifically, we introduce a locality module that models the local correlations in images explicitly with fewer computational cost. With the locality module, our search space is defined to let the search algorithm freely trade off between global and local information as well as optimizing the low-level design choice in each module. To tackle the problem caused by huge search space, a hierarchical neural architecture search method is proposed to search the optimal vision transformer from two levels separately with the evolutionary algorithm. Extensive experiments on the ImageNet dataset demonstrate that our method can find more discriminative and efficient transformer variants than the ResNet family (e.g., ResNet101) and the baseline ViT for image classification.

Xin Cai, Boyu Chen, Jiabei Zeng et al.

This paper presents a method for gaze estimation according to face images. We train several gaze estimators adopting four different network architectures, including an architecture designed for gaze estimation (i.e.,iTracker-MHSA) and three originally designed for general computer vision tasks(i.e., BoTNet, HRNet, ResNeSt). Then, we select the best six estimators and ensemble their predictions through a linear combination. The method ranks the first on the leader-board of ETH-XGaze Competition, achieving an average angular error of $3.11^{\circ}$ on the ETH-XGaze test set.

Yuanzheng Ci, Chen Lin, Ming Sun et al.

The automation of neural architecture design has been a coveted alternative to human experts. Recent works have small search space, which is easier to optimize but has a limited upper bound of the optimal solution. Extra human design is needed for those methods to propose a more suitable space with respect to the specific task and algorithm capacity. To further enhance the degree of automation for neural architecture search, we present a Neural Search-space Evolution (NSE) scheme that iteratively amplifies the results from the previous effort by maintaining an optimized search space subset. This design minimizes the necessity of a well-designed search space. We further extend the flexibility of obtainable architectures by introducing a learnable multi-branch setting. By employing the proposed method, a consistent performance gain is achieved during a progressive search over upcoming search spaces. We achieve 77.3% top-1 retrain accuracy on ImageNet with 333M FLOPs, which yielded a state-of-the-art performance among previous auto-generated architectures that do not involve knowledge distillation or weight pruning. When the latency constraint is adopted, our result also performs better than the previous best-performing mobile models with a 77.9% Top-1 retrain accuracy.

Antonio Ramires, Frederic Font, Dmitry Bogdanov et al.

Music loops are essential ingredients in electronic music production, and there is a high demand for pre-recorded loops in a variety of styles. Several commercial and community databases have been created to meet this demand, but most are not suitable for research due to their strict licensing. We present the Freesound Loop Dataset (FSLD), a new large-scale dataset of music loops annotated by experts. The loops originate from Freesound, a community database of audio recordings released under Creative Commons licenses, so the audio in our dataset may be redistributed. The annotations include instrument, tempo, meter, key and genre tags. We describe the methodology used to assemble and annotate the data, and report on the distribution of tags in the data and inter-annotator agreement. We also present to the community an online loop annotator tool that we developed. To illustrate the usefulness of FSLD, we present short case studies on using it to estimate tempo and key, generate music tracks, and evaluate a loop separation algorithm. We anticipate that the community will find yet more uses for the data, in applications from automatic loop characterisation to algorithmic composition.

Bo-Yu Chen, Jordan B. L. Smith, Yi-Hsuan Yang

Music producers who use loops may have access to thousands in loop libraries, but finding ones that are compatible is a time-consuming process; we hope to reduce this burden with automation. State-of-the-art systems for estimating compatibility, such as AutoMashUpper, are mostly rule-based and could be improved on with machine learn-ing. To train a model, we need a large set of loops with ground truth compatibility values. No such dataset exists, so we extract loops from existing music to obtain positive examples of compatible loops, and propose and compare various strategies for choosing negative examples. For re-producibility, we curate data from the Free Music Archive.Using this data, we investigate two types of model architectures for estimating the compatibility of loops: one based on a Siamese network, and the other a pure convolutional neural network (CNN). We conducted a user study in which participants rated the quality of the combinations suggested by each model, and found the CNN to outperform the Siamese network. Both model-based approaches outperformed the rule-based one. We have opened source the code for building the models and the dataset.

Peixia Li, Boyu Chen, Wanli Ouyang et al.

The fully-convolutional siamese network based on template matching has shown great potentials in visual tracking. During testing, the template is fixed with the initial target feature and the performance totally relies on the general matching ability of the siamese network. However, this manner cannot capture the temporal variations of targets or background clutter. In this work, we propose a novel gradient-guided network to exploit the discriminative information in gradients and update the template in the siamese network through feed-forward and backward operations. Our algorithm performs feed-forward and backward operations to exploit the discriminative informaiton in gradients and capture the core attention of the target. To be specific, the algorithm can utilize the information from the gradient to update the template in the current frame. In addition, a template generalization training method is proposed to better use gradient information and avoid overfitting. To our knowledge, this work is the first attempt to exploit the information in the gradient for template update in siamese-based trackers. Extensive experiments on recent benchmarks demonstrate that our method achieves better performance than other state-of-the-art trackers.