Tao Feng

Xiangyang Luo, Junhao Cheng, Yifan Xie et al.

Open-ended story visualization is a challenging task that involves generating coherent image sequences from a given storyline. One of the main difficulties is maintaining character consistency while creating natural and contextually fitting scenes--an area where many existing methods struggle. In this paper, we propose an enhanced Transformer module that uses separate self attention and cross attention mechanisms, leveraging prior knowledge from pre-trained diffusion models to ensure logical scene creation. The isolated self attention mechanism improves character consistency by refining attention maps to reduce focus on irrelevant areas and highlight key features of the same character. Meanwhile, the isolated cross attention mechanism independently processes each character's features, avoiding feature fusion and further strengthening consistency. Notably, our method is training-free, allowing the continuous generation of new characters and storylines without re-tuning. Both qualitative and quantitative evaluations show that our approach outperforms current methods, demonstrating its effectiveness.

Yifan Xie, Tao Feng, Xin Zhang et al.

Talking head synthesis with arbitrary speech audio is a crucial challenge in the field of digital humans. Recently, methods based on radiance fields have received increasing attention due to their ability to synthesize high-fidelity and identity-consistent talking heads from just a few minutes of training video. However, due to the limited scale of the training data, these methods often exhibit poor performance in audio-lip synchronization and visual quality. In this paper, we propose a novel 3D Gaussian-based method called PointTalk, which constructs a static 3D Gaussian field of the head and deforms it in sync with the audio. It also incorporates an audio-driven dynamic lip point cloud as a critical component of the conditional information, thereby facilitating the effective synthesis of talking heads. Specifically, the initial step involves generating the corresponding lip point cloud from the audio signal and capturing its topological structure. The design of the dynamic difference encoder aims to capture the subtle nuances inherent in dynamic lip movements more effectively. Furthermore, we integrate the audio-point enhancement module, which not only ensures the synchronization of the audio signal with the corresponding lip point cloud within the feature space, but also facilitates a deeper understanding of the interrelations among cross-modal conditional features. Extensive experiments demonstrate that our method achieves superior high-fidelity and audio-lip synchronization in talking head synthesis compared to previous methods.