Michael S. Brown

Shayan Kousha, Ali Maleky, Michael S. Brown et al.

Noise modeling and reduction are fundamental tasks in low-level computer vision. They are particularly important for smartphone cameras relying on small sensors that exhibit visually noticeable noise. There has recently been renewed interest in using data-driven approaches to improve camera noise models via neural networks. These data-driven approaches target noise present in the raw-sensor image before it has been processed by the camera's image signal processor (ISP). Modeling noise in the RAW-rgb domain is useful for improving and testing the in-camera denoising algorithm; however, there are situations where the camera's ISP does not apply denoising or additional denoising is desired when the RAW-rgb domain image is no longer available. In such cases, the sensor noise propagates through the ISP to the final rendered image encoded in standard RGB (sRGB). The nonlinear steps on the ISP culminate in a significantly more complex noise distribution in the sRGB domain and existing raw-domain noise models are unable to capture the sRGB noise distribution. We propose a new sRGB-domain noise model based on normalizing flows that is capable of learning the complex noise distribution found in sRGB images under various ISO levels. Our normalizing flows-based approach outperforms other models by a large margin in noise modeling and synthesis tasks. We also show that image denoisers trained on noisy images synthesized with our noise model outperforms those trained with noise from baselines models.

Seonghyeon Nam, Abhijith Punnappurath, Marcus A. Brubaker et al.

Most camera images are rendered and saved in the standard RGB (sRGB) format by the camera's hardware. Due to the in-camera photo-finishing routines, nonlinear sRGB images are undesirable for computer vision tasks that assume a direct relationship between pixel values and scene radiance. For such applications, linear raw-RGB sensor images are preferred. Saving images in their raw-RGB format is still uncommon due to the large storage requirement and lack of support by many imaging applications. Several "raw reconstruction" methods have been proposed that utilize specialized metadata sampled from the raw-RGB image at capture time and embedded in the sRGB image. This metadata is used to parameterize a mapping function to de-render the sRGB image back to its original raw-RGB format when needed. Existing raw reconstruction methods rely on simple sampling strategies and global mapping to perform the de-rendering. This paper shows how to improve the de-rendering results by jointly learning sampling and reconstruction. Our experiments show that our learned sampling can adapt to the image content to produce better raw reconstructions than existing methods. We also describe an online fine-tuning strategy for the reconstruction network to improve results further.

Abhijith Punnappurath, Luxi Zhao, Hoang Le et al.

RAW images are unprocessed camera sensor output with sensor-specific RGB values based on the sensor's color filter spectral sensitivities. RAW images also incur strong color casts due to the sensor's response to the spectral properties of scene illumination. The sensor- and illumination-specific nature of RAW images makes it challenging to capture RAW datasets for deep learning methods, as scenes need to be captured for each sensor and under a wide range of illumination. Methods for illumination augmentation for a given sensor and the ability to map RAW images between sensors are important for reducing the burden of data capture. To explore this problem, we introduce the first-of-its-kind dataset comprising carefully captured scenes under a wide range of illumination. Specifically, we use a customized lightbox with tunable illumination spectra to capture several scenes with different cameras. Our illumination and sensor mapping dataset has 390 illuminations, four cameras, and 18 scenes. Using this dataset, we introduce a lightweight neural network approach for illumination and sensor mapping that outperforms competing methods. We demonstrate the utility of our approach on the downstream task of training a neural ISP. Link to project page: https://github.com/SamsungLabs/illum-sensor-mapping.

Vahid Zehtab, David B. Lindell, Marcus A. Brubaker et al.

3D color lookup tables (LUTs) enable precise color manipulation by mapping input RGB values to specific output RGB values. 3D LUTs are instrumental in various applications, including video editing, in-camera processing, photographic filters, computer graphics, and color processing for displays. While an individual LUT does not incur a high memory overhead, software and devices may need to store dozens to hundreds of LUTs that can take over 100 MB. This work aims to develop a neural network architecture that can encode hundreds of LUTs in a single compact representation. To this end, we propose a model with a memory footprint of less than 0.25 MB that can reconstruct 512 LUTs with only minor color distortion ($\barΔE_M$ $\leq$ 2.0) over the entire color gamut. We also show that our network can weight colors to provide further quality gains on natural image colors ($\barΔ{E}_M$ $\leq$ 1.0). Finally, we show that minor modifications to the network architecture enable a bijective encoding that produces LUTs that are invertible, allowing for reverse color processing. Our code is available at https://github.com/vahidzee/ennelut.

Mahmoud Afifi, Abdullah Abuolaim, Mostafa Hussien et al.

Image style transfer aims to manipulate the appearance of a source image, or "content" image, to share similar texture and colors of a target "style" image. Ideally, the style transfer manipulation should also preserve the semantic content of the source image. A commonly used approach to assist in transferring styles is based on Gram matrix optimization. One problem of Gram matrix-based optimization is that it does not consider the correlation between colors and their styles. Specifically, certain textures or structures should be associated with specific colors. This is particularly challenging when the target style image exhibits multiple style types. In this work, we propose a color-aware multi-style transfer method that generates aesthetically pleasing results while preserving the style-color correlation between style and generated images. We achieve this desired outcome by introducing a simple but efficient modification to classic Gram matrix-based style transfer optimization. A nice feature of our method is that it enables the users to manually select the color associations between the target style and content image for more transfer flexibility. We validated our method with several qualitative comparisons, including a user study conducted with 30 participants. In comparison with prior work, our method is simple, easy to implement, and achieves visually appealing results when targeting images that have multiple styles. Source code is available at https://github.com/mahmoudnafifi/color-aware-style-transfer.

Mahmoud Afifi, Abdelrahman Abdelhamed, Abdullah Abuolaim et al.

Cameras currently allow access to two image states: (i) a minimally processed linear raw-RGB image state (i.e., raw sensor data) or (ii) a highly-processed nonlinear image state (e.g., sRGB). There are many computer vision tasks that work best with a linear image state, such as image deblurring and image dehazing. Unfortunately, the vast majority of images are saved in the nonlinear image state. Because of this, a number of methods have been proposed to "unprocess" nonlinear images back to a raw-RGB state. However, existing unprocessing methods have a drawback because raw-RGB images are sensor-specific. As a result, it is necessary to know which camera produced the sRGB output and use a method or network tailored for that sensor to properly unprocess it. This paper addresses this limitation by exploiting another camera image state that is not available as an output, but it is available inside the camera pipeline. In particular, cameras apply a colorimetric conversion step to convert the raw-RGB image to a device-independent space based on the CIE XYZ color space before they apply the nonlinear photo-finishing. Leveraging this canonical image state, we propose a deep learning framework, CIE XYZ Net, that can unprocess a nonlinear image back to the canonical CIE XYZ image. This image can then be processed by any low-level computer vision operator and re-rendered back to the nonlinear image. We demonstrate the usefulness of the CIE XYZ Net on several low-level vision tasks and show significant gains that can be obtained by this processing framework. Code and dataset are publicly available at https://github.com/mahmoudnafifi/CIE_XYZ_NET.

SaiKiran Tedla, Beixuan Yang, Michael S. Brown

Autoexposure (AE) is a critical step applied by camera systems to ensure properly exposed images. While current AE algorithms are effective in well-lit environments with constant illumination, these algorithms still struggle in environments with bright light sources or scenes with abrupt changes in lighting. A significant hurdle in developing new AE algorithms for challenging environments, especially those with time-varying lighting, is the lack of suitable image datasets. To address this issue, we have captured a new 4D exposure dataset that provides a large solution space (i.e., shutter speed range from (1/500 to 15 seconds) over a temporal sequence with moving objects, bright lights, and varying lighting. In addition, we have designed a software platform to allow AE algorithms to be used in a plug-and-play manner with the dataset. Our dataset and associate platform enable repeatable evaluation of different AE algorithms and provide a much-needed starting point to develop better AE methods. We examine several existing AE strategies using our dataset and show that most users prefer a simple saliency method for challenging lighting conditions.

Dongyoung Kim, Mahmoud Afifi, Dongyun Kim et al.

Computational color constancy, or white balancing, is a key module in a camera's image signal processor (ISP) that corrects color casts from scene lighting. Because this operation occurs in the camera-specific raw color space, white balance algorithms must adapt to different cameras. This paper introduces a learning-based method for cross-camera color constancy that generalizes to new cameras without retraining. Our method leverages pre-calibrated color correction matrices (CCMs) available on ISPs that map the camera's raw color space to a standard space (e.g., CIE XYZ). Our method uses these CCMs to transform predefined illumination colors (i.e., along the Planckian locus) into the test camera's raw space. The mapped illuminants are encoded into a compact camera fingerprint embedding (CFE) that enables the network to adapt to unseen cameras. To prevent overfitting due to limited cameras and CCMs during training, we introduce a data augmentation technique that interpolates between cameras and their CCMs. Experimental results across multiple datasets and backbones show that our method achieves state-of-the-art cross-camera color constancy while remaining lightweight and relying only on data readily available in camera ISPs.

Abhijith Punnappurath, Luxi Zhao, Ke Zhao et al.

Users frequently edit camera images post-capture to achieve their preferred photofinishing style. While editing in the RAW domain provides greater accuracy and flexibility, most edits are performed on the camera's display-referred output (e.g., 8-bit sRGB JPEG) since RAW images are rarely stored. Existing RAW reconstruction methods can recover RAW data from sRGB images, but these approaches are typically optimized for pixel-wise RAW reconstruction fidelity and tend to degrade under diverse rendering styles and editing operations. We introduce a plug-and-play, edit-aware loss function that can be integrated into any existing RAW reconstruction framework to make the recovered RAWs more robust to different rendering styles and edits. Our loss formulation incorporates a modular, differentiable image signal processor (ISP) that simulates realistic photofinishing pipelines with tunable parameters. During training, parameters for each ISP module are randomly sampled from carefully designed distributions that model practical variations in real camera processing. The loss is then computed in sRGB space between ground-truth and reconstructed RAWs rendered through this differentiable ISP. Incorporating our loss improves sRGB reconstruction quality by up to 1.5-2 dB PSNR across various editing conditions. Moreover, when applied to metadata-assisted RAW reconstruction methods, our approach enables fine-tuning for target edits, yielding further gains. Since photographic editing is the primary motivation for RAW reconstruction in consumer imaging, our simple yet effective loss function provides a general mechanism for enhancing edit fidelity and rendering flexibility across existing methods.

SaiKiran Tedla, Joshua E. Little, Hakki Can Karaimer et al.

Traditional in-camera colorimetric mapping relies on correlated color temperature (CCT)-based interpolation between pre-calibrated transforms optimized for Planckian illuminants such as CIE A and D65. However, modern lighting technologies such as LEDs can deviate substantially from the Planckian locus, exposing the limitations of relying on conventional one-dimensional CCT for illumination characterization. This paper demonstrates that transitioning from 1D CCT (on the Planckian locus) to a 2D chromaticity space (off the Planckian locus) improves colorimetric accuracy across various mapping approaches. In addition, we replace conventional CCT interpolation with a lightweight multi-layer perceptron (MLP) that leverages 2D chromaticity features for robust colorimetric mapping under non-Planckian illuminants. A lightbox-based calibration procedure incorporating representative LED sources is used to train our MLP. Validated across diverse LED lighting, our method reduces angular reproduction error by 22% on average in LED-lit scenes, maintains backward compatibility with traditional illuminants, accommodates multi-illuminant scenes, and supports real-time in-camera deployment with negligible additional computational cost.

Hodaka Kawachi, Tomoya Nakamura, Hiroaki Santo et al.

This paper introduces a method for using LED-based environmental lighting to produce visually imperceptible watermarks for consumer cameras. Our approach optimizes an LED light source's spectral profile to be minimally visible to the human eye while remaining highly detectable by typical consumer cameras. The method jointly considers the human visual system's sensitivity to visible spectra, modern consumer camera sensors' spectral sensitivity, and narrowband LEDs' ability to generate broadband spectra perceived as "white light" (specifically, D65 illumination). To ensure imperceptibility, we employ spectral modulation rather than intensity modulation. Unlike conventional visible light communication, our approach enables watermark extraction at standard low frame rates (30-60 fps). While the information transfer rate is modest-embedding 128 bits within a 10-second video clip-this capacity is sufficient for essential metadata supporting privacy protection and content verification.

SaiKiran Tedla, Junyong Lee, Beixuan Yang et al.

Multispectral (MS) images capture detailed scene information across a wide range of spectral bands, making them invaluable for applications requiring rich spectral data. Integrating MS imaging into multi camera devices, such as smartphones, has the potential to enhance both spectral applications and RGB image quality. A critical step in processing MS data is demosaicing, which reconstructs color information from the mosaic MS images captured by the camera. This paper proposes a method for MS image demosaicing specifically designed for dual-camera setups where both RGB and MS cameras capture the same scene. Our approach leverages co-captured RGB images, which typically have higher spatial fidelity, to guide the demosaicing of lower-fidelity MS images. We introduce the Dual-camera RGB-MS Dataset - a large collection of paired RGB and MS mosaiced images with ground-truth demosaiced outputs - that enables training and evaluation of our method. Experimental results demonstrate that our method achieves state-of-the-art accuracy compared to existing techniques.

Mauricio Delbracio, Damien Kelly, Michael S. Brown et al.

The first mobile camera phone was sold only 20 years ago, when taking pictures with one's phone was an oddity, and sharing pictures online was unheard of. Today, the smartphone is more camera than phone. How did this happen? This transformation was enabled by advances in computational photography -the science and engineering of making great images from small form factor, mobile cameras. Modern algorithmic and computing advances, including machine learning, have changed the rules of photography, bringing to it new modes of capture, post-processing, storage, and sharing. In this paper, we give a brief history of mobile computational photography and describe some of the key technological components, including burst photography, noise reduction, and super-resolution. At each step, we may draw naive parallels to the human visual system.

Mahmoud Afifi, Marcus A. Brubaker, Michael S. Brown

While generative adversarial networks (GANs) can successfully produce high-quality images, they can be challenging to control. Simplifying GAN-based image generation is critical for their adoption in graphic design and artistic work. This goal has led to significant interest in methods that can intuitively control the appearance of images generated by GANs. In this paper, we present HistoGAN, a color histogram-based method for controlling GAN-generated images' colors. We focus on color histograms as they provide an intuitive way to describe image color while remaining decoupled from domain-specific semantics. Specifically, we introduce an effective modification of the recent StyleGAN architecture to control the colors of GAN-generated images specified by a target color histogram feature. We then describe how to expand HistoGAN to recolor real images. For image recoloring, we jointly train an encoder network along with HistoGAN. The recoloring model, ReHistoGAN, is an unsupervised approach trained to encourage the network to keep the original image's content while changing the colors based on the given target histogram. We show that this histogram-based approach offers a better way to control GAN-generated and real images' colors while producing more compelling results compared to existing alternative strategies.

Majed El Helou, Ruofan Zhou, Sabine Süsstrunk et al.

We review the AIM 2020 challenge on virtual image relighting and illumination estimation. This paper presents the novel VIDIT dataset used in the challenge and the different proposed solutions and final evaluation results over the 3 challenge tracks. The first track considered one-to-one relighting; the objective was to relight an input photo of a scene with a different color temperature and illuminant orientation (i.e., light source position). The goal of the second track was to estimate illumination settings, namely the color temperature and orientation, from a given image. Lastly, the third track dealt with any-to-any relighting, thus a generalization of the first track. The target color temperature and orientation, rather than being pre-determined, are instead given by a guide image. Participants were allowed to make use of their track 1 and 2 solutions for track 3. The tracks had 94, 52, and 56 registered participants, respectively, leading to 20 confirmed submissions in the final competition stage.

Mahmoud Afifi, Konstantinos G. Derpanis, Björn Ommer et al.

Capturing photographs with wrong exposures remains a major source of errors in camera-based imaging. Exposure problems are categorized as either: (i) overexposed, where the camera exposure was too long, resulting in bright and washed-out image regions, or (ii) underexposed, where the exposure was too short, resulting in dark regions. Both under- and overexposure greatly reduce the contrast and visual appeal of an image. Prior work mainly focuses on underexposed images or general image enhancement. In contrast, our proposed method targets both over- and underexposure errors in photographs. We formulate the exposure correction problem as two main sub-problems: (i) color enhancement and (ii) detail enhancement. Accordingly, we propose a coarse-to-fine deep neural network (DNN) model, trainable in an end-to-end manner, that addresses each sub-problem separately. A key aspect of our solution is a new dataset of over 24,000 images exhibiting the broadest range of exposure values to date with a corresponding properly exposed image. Our method achieves results on par with existing state-of-the-art methods on underexposed images and yields significant improvements for images suffering from overexposure errors.

Mahmoud Afifi, Michael S Brown

There is active research targeting local image manipulations that can fool deep neural networks (DNNs) into producing incorrect results. This paper examines a type of global image manipulation that can produce similar adverse effects. Specifically, we explore how strong color casts caused by incorrectly applied computational color constancy - referred to as white balance (WB) in photography - negatively impact the performance of DNNs targeting image segmentation and classification. In addition, we discuss how existing image augmentation methods used to improve the robustness of DNNs are not well suited for modeling WB errors. To address this problem, a novel augmentation method is proposed that can emulate accurate color constancy degradation. We also explore pre-processing training and testing images with a recent WB correction algorithm to reduce the effects of incorrectly white-balanced images. We examine both augmentation and pre-processing strategies on different datasets and demonstrate notable improvements on the CIFAR-10, CIFAR-100, and ADE20K datasets.

Vivek Sharma, Ali Diba, Davy Neven et al.

Convolutional neural networks rely on image texture and structure to serve as discriminative features to classify the image content. Image enhancement techniques can be used as preprocessing steps to help improve the overall image quality and in turn improve the overall effectiveness of a CNN. Existing image enhancement methods, however, are designed to improve the perceptual quality of an image for a human observer. In this paper, we are interested in learning CNNs that can emulate image enhancement and restoration, but with the overall goal to improve image classification and not necessarily human perception. To this end, we present a unified CNN architecture that uses a range of enhancement filters that can enhance image-specific details via end-to-end dynamic filter learning. We demonstrate the effectiveness of this strategy on four challenging benchmark datasets for fine-grained, object, scene, and texture classification: CUB-200-2011, PASCAL-VOC2007, MIT-Indoor, and DTD. Experiments using our proposed enhancement show promising results on all the datasets. In addition, our approach is capable of improving the performance of all generic CNN architectures.

Yu Li, Shaodi You, Michael S. Brown et al.

This paper provides a comprehensive survey of methods dealing with visibility enhancement of images taken in hazy or foggy scenes. The survey begins with discussing the optical models of atmospheric scattering media and image formation. This is followed by a survey of existing methods, which are grouped to multiple image methods, polarizing filters based methods, methods with known depth, and single-image methods. We also provide a benchmark of a number of well known single-image methods, based on a recent dataset provided by Fattal and our newly generated scattering media dataset that contains ground truth images for quantitative evaluation. To our knowledge, this is the first benchmark using numerical metrics to evaluate dehazing techniques. This benchmark allows us to objectively compare the results of existing methods and to better identify the strengths and limitations of each method.