Haobo Hu

Haobo Hu, Xiangwu Guo, Zhiheng Chen et al.

While GUI agents have made significant progress in web navigation and basic operating system tasks, their capabilities in professional creative workflows remain largely underexplored. To bridge this gap, we introduce Cutverse, a benchmark designed to systematically evaluate autonomous GUI agents in realistic media post-production environments. We curate expert demonstrations across 7 professional applications (e.g., Premiere Pro, Photoshop), covering 186 complex, long-horizon tasks grounded in authentic editing workflows, involving dense multimodal interfaces and tightly coupled interaction sequences. To support scalable evaluation, we develop a lightweight parser that transforms raw screen recordings and low-level interaction logs into structured, compositional GUI action trajectories with precise grounding. Extensive evaluations reveal that existing agents achieve only 36.0\% task success on realistic media editing tasks, underscoring the challenges posed by complex, long-horizon media post-production workflows in our benchmark.While current models demonstrate promising spatial grounding, multimodal alignment, and coordinated action execution, they remain limited in long-horizon reliability and domain-specific planning.

Haobo Hu, Qi Mao, Yuanhang Li et al.

We propose Camera Artist, a multi-agent framework that models a real-world filmmaking workflow to generate narrative videos with explicit cinematic language. While recent multi-agent systems have made substantial progress in automating filmmaking workflows from scripts to videos, they often lack explicit mechanisms to structure narrative progression across adjacent shots and deliberate use of cinematic language, resulting in fragmented storytelling and limited filmic quality. To address this, Camera Artist builds upon established agentic pipelines and introduces a dedicated Cinematography Shot Agent, which integrates recursive storyboard generation to strengthen shot-to-shot narrative continuity and cinematic language injection to produce more expressive, film-oriented shot designs. Extensive quantitative and qualitative results demonstrate that our approach consistently outperforms existing baselines in narrative consistency, dynamic expressiveness, and perceived film quality.

Qi Mao, Haobo Hu, Yujie He et al.

Affective Image Manipulation (AIM) aims to alter visual elements within an image to evoke specific emotional responses from viewers. However, existing AIM approaches rely on rigid \emph{one-to-one} mappings between emotions and visual cues, making them ill-suited for the inherently subjective and diverse ways in which humans perceive and express emotion.To address this, we introduce a novel task setting termed \emph{Diverse AIM (D-AIM)}, aiming to generate multiple visually distinct yet emotionally consistent image edits from a single source image and target emotion. We propose \emph{EmoAgent}, the first multi-agent framework tailored specifically for D-AIM. EmoAgent explicitly decomposes the manipulation process into three specialized phases executed by collaborative agents: a Planning Agent that generates diverse emotional editing strategies, an Editing Agent that precisely executes these strategies, and a Critic Agent that iteratively refines the results to ensure emotional accuracy. This collaborative design empowers EmoAgent to model \emph{one-to-many} emotion-to-visual mappings, enabling semantically diverse and emotionally faithful edits.Extensive quantitative and qualitative evaluations demonstrate that EmoAgent substantially outperforms state-of-the-art approaches in both emotional fidelity and semantic diversity, effectively generating multiple distinct visual edits that convey the same target emotion.