Chih-Pin Tan

Chih-Pin Tan, Alvin W. Y. Su, Yi-Hsuan Yang

This paper proposes a novel Transformer-based model for music score infilling, to generate a music passage that fills in the gap between given past and future contexts. While existing infilling approaches can generate a passage that connects smoothly locally with the given contexts, they do not take into account the musical form or structure of the music and may therefore generate overly smooth results. To address this issue, we propose a structure-aware conditioning approach that employs a novel attention-selecting module to supply user-provided structure-related information to the Transformer for infilling. With both objective and subjective evaluations, we show that the proposed model can harness the structural information effectively and generate melodies in the style of pop of higher quality than the two existing structure-agnostic infilling models.

Yun-Chen Cheng, Tzu-Hung Huang, Chih-Pin Tan

State-of-the-art text-to-music generation systems rely on massive proprietary datasets and industrial-scale compute, making it impossible to disentangle architectural contributions from resource advantages. We propose \textit{score-aware training}, which treats audio-caption alignment score as a direct supervision signal throughout the pipeline. Rather than discarding low-scoring segments, we repurpose them via a CLAP-conditioned Beta noise timestep schedule that routes them to high-noise training regimes, acting as an effective implicit regularizer. Complementarily, segment-level filtering removes the most misaligned examples, and a two-stage caption procedure bridges the distribution gap between verbose training captions and concise inference prompts. A REPA auxiliary loss further transfers structured semantic knowledge from pretrained CLAP and MuQ encoders without additional data. Our 450M-parameter FluxAudio-based system, submitted to the ICME 2026 ATTM Grand Challenge Efficiency Track, ranked 2nd across both tracks in the objective evaluation and 3rd in the Efficiency Track in the final MOS evaluation.

Ping-Yi Chen, Chih-Pin Tan, Yi-Hsuan Yang

We propose the Segmented Full-Song Model (SFS) for symbolic full-song generation. The model accepts a user-provided song structure and an optional short seed segment that anchors the main idea around which the song is developed. By factorizing a song into segments and generating each one through selective attention to related segments, the model achieves higher quality and efficiency compared to prior work. To demonstrate its suitability for human-AI interaction, we further wrap SFS into a web application that enables users to iteratively co-create music on a piano roll with customizable structures and flexible ordering.

Chih-Pin Tan, Chin-Jui Chang, Alvin W. Y. Su et al.

In this paper, we investigate using the variable-length infilling (VLI) model, which is originally proposed to infill missing segments, to "prolong" existing musical segments at musical boundaries. Specifically, as a case study, we expand 20 musical segments from 12 bars to 16 bars, and examine the degree to which the VLI model preserves musical boundaries in the expanded results using a few objective metrics, including the Register Histogram Similarity we newly propose. The results show that the VLI model has the potential to address the expansion task.