Rodrigo Mira

Alexandros Haliassos, Pingchuan Ma, Rodrigo Mira et al.

We present RAVEn, a self-supervised multi-modal approach to jointly learn visual and auditory speech representations. Our pre-training objective involves encoding masked inputs, and then predicting contextualised targets generated by slowly-evolving momentum encoders. Driven by the inherent differences between video and audio, our design is asymmetric w.r.t. the two modalities' pretext tasks: Whereas the auditory stream predicts both the visual and auditory targets, the visual one predicts only the auditory targets. We observe strong results in low- and high-resource labelled data settings when fine-tuning the visual and auditory encoders resulting from a single pre-training stage, in which the encoders are jointly trained. Notably, RAVEn surpasses all self-supervised methods on visual speech recognition (VSR) on LRS3, and combining RAVEn with self-training using only 30 hours of labelled data even outperforms a recent semi-supervised method trained on 90,000 hours of non-public data. At the same time, we achieve state-of-the-art results in the LRS3 low-resource setting for auditory speech recognition (as well as for VSR). Our findings point to the viability of learning powerful speech representations entirely from raw video and audio, i.e., without relying on handcrafted features. Code and models are available at https://github.com/ahaliassos/raven.

Rodrigo Mira, Alexandros Haliassos, Stavros Petridis et al.

Video-to-speech synthesis (also known as lip-to-speech) refers to the translation of silent lip movements into the corresponding audio. This task has received an increasing amount of attention due to its self-supervised nature (i.e., can be trained without manual labelling) combined with the ever-growing collection of audio-visual data available online. Despite these strong motivations, contemporary video-to-speech works focus mainly on small- to medium-sized corpora with substantial constraints in both vocabulary and setting. In this work, we introduce a scalable video-to-speech framework consisting of two components: a video-to-spectrogram predictor and a pre-trained neural vocoder, which converts the mel-frequency spectrograms into waveform audio. We achieve state-of-the art results for GRID and considerably outperform previous approaches on LRW. More importantly, by focusing on spectrogram prediction using a simple feedforward model, we can efficiently and effectively scale our method to very large and unconstrained datasets: To the best of our knowledge, we are the first to show intelligible results on the challenging LRS3 dataset.

Rodrigo Mira, Buye Xu, Jacob Donley et al.

Audio-visual speech enhancement aims to extract clean speech from a noisy environment by leveraging not only the audio itself but also the target speaker's lip movements. This approach has been shown to yield improvements over audio-only speech enhancement, particularly for the removal of interfering speech. Despite recent advances in speech synthesis, most audio-visual approaches continue to use spectral mapping/masking to reproduce the clean audio, often resulting in visual backbones added to existing speech enhancement architectures. In this work, we propose LA-VocE, a new two-stage approach that predicts mel-spectrograms from noisy audio-visual speech via a transformer-based architecture, and then converts them into waveform audio using a neural vocoder (HiFi-GAN). We train and evaluate our framework on thousands of speakers and 11+ different languages, and study our model's ability to adapt to different levels of background noise and speech interference. Our experiments show that LA-VocE outperforms existing methods according to multiple metrics, particularly under very noisy scenarios.

Honglie Chen, Rodrigo Mira, Stavros Petridis et al.

In this paper, we aim to generate clean speech frame by frame from a live video stream and a noisy audio stream without relying on future inputs. To this end, we propose RT-LA-VocE, which completely re-designs every component of LA-VocE, a state-of-the-art non-causal audio-visual speech enhancement model, to perform causal real-time inference with a 40ms input frame. We do so by devising new visual and audio encoders that rely solely on past frames, replacing the Transformer encoder with the Emformer, and designing a new causal neural vocoder C-HiFi-GAN. On the popular AVSpeech dataset, we show that our algorithm achieves state-of-the-art results in all real-time scenarios. More importantly, each component is carefully tuned to minimize the algorithm latency to the theoretical minimum (40ms) while maintaining a low end-to-end processing latency of 28.15ms per frame, enabling real-time frame-by-frame enhancement with minimal delay.

Alexandros Haliassos, Rodrigo Mira, Stavros Petridis

Unified Speech Recognition (USR) has emerged as a semi-supervised framework for training a single model for audio, visual, and audiovisual speech recognition, achieving state-of-the-art results on in-distribution benchmarks. However, its reliance on autoregressive pseudo-labelling makes training expensive, while its decoupled supervision of CTC and attention branches increases susceptibility to self-reinforcing errors, particularly under distribution shifts involving longer sequences, noise, or unseen domains. We propose CTC-driven teacher forcing, where greedily decoded CTC pseudo-labels are fed into the decoder to generate attention targets in a single forward pass. Although these can be globally incoherent, in the pseudo-labelling setting they enable efficient and effective knowledge transfer. Because CTC and CTC-driven attention pseudo-labels have the same length, the decoder can predict both simultaneously, benefiting from the robustness of CTC and the expressiveness of attention without costly beam search. We further propose mixed sampling to mitigate the exposure bias of the decoder relying solely on CTC inputs. The resulting method, USR 2.0, halves training time, improves robustness to out-of-distribution inputs, and achieves state-of-the-art results on LRS3, LRS2, and WildVSR, surpassing USR and modality-specific self-supervised baselines.

Alexandros Haliassos, Rodrigo Mira, Honglie Chen et al.

Research in auditory, visual, and audiovisual speech recognition (ASR, VSR, and AVSR, respectively) has traditionally been conducted independently. Even recent self-supervised studies addressing two or all three tasks simultaneously tend to yield separate models, leading to disjoint inference pipelines with increased memory requirements and redundancies. This paper proposes unified training strategies for these systems. We demonstrate that training a single model for all three tasks enhances VSR and AVSR performance, overcoming typical optimisation challenges when training from scratch. Moreover, we introduce a greedy pseudo-labelling approach to more effectively leverage unlabelled samples, addressing shortcomings in related self-supervised methods. Finally, we develop a self-supervised pre-training method within our framework, proving its effectiveness alongside our semi-supervised approach. Despite using a single model for all tasks, our unified approach achieves state-of-the-art performance compared to recent methods on LRS3 and LRS2 for ASR, VSR, and AVSR, as well as on the newly released WildVSR dataset. Code and models are available at https://github.com/ahaliassos/usr.

Minsu Kim, Rodrigo Mira, Honglie Chen et al.

In this paper, we investigate a novel approach for Target Speech Extraction (TSE), which relies solely on textual context to extract the target speech. We refer to this task as Contextual Speech Extraction (CSE). Unlike traditional TSE methods that rely on pre-recorded enrollment utterances, video of the target speaker's face, spatial information, or other explicit cues to identify the target stream, our proposed method requires only a few turns of previous dialogue (or monologue) history. This approach is naturally feasible in mobile messaging environments where voice recordings are typically preceded by textual dialogue that can be leveraged implicitly. We present three CSE models and analyze their performances on three datasets. Through our experiments, we demonstrate that even when the model relies purely on dialogue history, it can achieve over 90 % accuracy in identifying the correct target stream with only two previous dialogue turns. Furthermore, we show that by leveraging both textual context and enrollment utterances as cues during training, we further enhance our model's flexibility and effectiveness, allowing us to use either cue during inference, or combine both for improved performance. Samples and code available on https://miraodasilva.github.io/cse-project-page .

Alexandros Haliassos, Andreas Zinonos, Rodrigo Mira et al.

Self-supervision has recently shown great promise for learning visual and auditory speech representations from unlabelled data. In this work, we propose BRAVEn, an extension to the recent RAVEn method, which learns speech representations entirely from raw audio-visual data. Our modifications to RAVEn enable BRAVEn to achieve state-of-the-art results among self-supervised methods in various settings. Moreover, we observe favourable scaling behaviour by increasing the amount of unlabelled data well beyond other self-supervised works. In particular, we achieve 20.0% / 1.7% word error rate for VSR / ASR on the LRS3 test set, with only 30 hours of labelled data and no external ASR models. Our results suggest that readily available unlabelled audio-visual data can largely replace costly transcribed data.

Antoni Bigata, Michał Stypułkowski, Rodrigo Mira et al.

Current audio-driven facial animation methods achieve impressive results for short videos but suffer from error accumulation and identity drift when extended to longer durations. Existing methods attempt to mitigate this through external spatial control, increasing long-term consistency but compromising the naturalness of motion. We propose KeyFace, a novel two-stage diffusion-based framework, to address these issues. In the first stage, keyframes are generated at a low frame rate, conditioned on audio input and an identity frame, to capture essential facial expressions and movements over extended periods of time. In the second stage, an interpolation model fills in the gaps between keyframes, ensuring smooth transitions and temporal coherence. To further enhance realism, we incorporate continuous emotion representations and handle a wide range of non-speech vocalizations (NSVs), such as laughter and sighs. We also introduce two new evaluation metrics for assessing lip synchronization and NSV generation. Experimental results show that KeyFace outperforms state-of-the-art methods in generating natural, coherent facial animations over extended durations, successfully encompassing NSVs and continuous emotions.

Antoni Bigata, Rodrigo Mira, Stella Bounareli et al.

Lip synchronization, known as the task of aligning lip movements in an existing video with new input audio, is typically framed as a simpler variant of audio-driven facial animation. However, as well as suffering from the usual issues in talking head generation (e.g., temporal consistency), lip synchronization presents significant new challenges such as expression leakage from the input video and facial occlusions, which can severely impact real-world applications like automated dubbing, but are often neglected in existing works. To address these shortcomings, we present KeySync, a two-stage framework that succeeds in solving the issue of temporal consistency, while also incorporating solutions for leakage and occlusions using a carefully designed masking strategy. We show that KeySync achieves state-of-the-art results in lip reconstruction and cross-synchronization, improving visual quality and reducing expression leakage according to LipLeak, our novel leakage metric. Furthermore, we demonstrate the effectiveness of our new masking approach in handling occlusions and validate our architectural choices through several ablation studies. Code and model weights can be found at https://antonibigata.github.io/KeySync.

Junyoung Seo, Rodrigo Mira, Alexandros Haliassos et al.

Audio-driven human animation models often suffer from identity drift during temporal autoregressive generation, where characters gradually lose their identity over time. One solution is to generate keyframes as intermediate temporal anchors that prevent degradation, but this requires an additional keyframe generation stage and can restrict natural motion dynamics. To address this, we propose Lookahead Anchoring, which leverages keyframes from future timesteps ahead of the current generation window, rather than within it. This transforms keyframes from fixed boundaries into directional beacons: the model continuously pursues these future anchors while responding to immediate audio cues, maintaining consistent identity through persistent guidance. This also enables self-keyframing, where the reference image serves as the lookahead target, eliminating the need for keyframe generation entirely. We find that the temporal lookahead distance naturally controls the balance between expressivity and consistency: larger distances allow for greater motion freedom, while smaller ones strengthen identity adherence. When applied to three recent human animation models, Lookahead Anchoring achieves superior lip synchronization, identity preservation, and visual quality, demonstrating improved temporal conditioning across several different architectures. Video results are available at the following link: https://lookahead-anchoring.github.io.

Antoni Bigata Casademunt, Rodrigo Mira, Nikita Drobyshev et al.

Speech-driven animation has gained significant traction in recent years, with current methods achieving near-photorealistic results. However, the field remains underexplored regarding non-verbal communication despite evidence demonstrating its importance in human interaction. In particular, generating laughter sequences presents a unique challenge due to the intricacy and nuances of this behaviour. This paper aims to bridge this gap by proposing a novel model capable of generating realistic laughter sequences, given a still portrait and an audio clip containing laughter. We highlight the failure cases of traditional facial animation methods and leverage recent advances in diffusion models to produce convincing laughter videos. We train our model on a diverse set of laughter datasets and introduce an evaluation metric specifically designed for laughter. When compared with previous speech-driven approaches, our model achieves state-of-the-art performance across all metrics, even when these are re-trained for laughter generation. Our code and project are publicly available

Alexandros Haliassos, Rodrigo Mira, Stavros Petridis et al.

One of the most pressing challenges for the detection of face-manipulated videos is generalising to forgery methods not seen during training while remaining effective under common corruptions such as compression. In this paper, we examine whether we can tackle this issue by harnessing videos of real talking faces, which contain rich information on natural facial appearance and behaviour and are readily available in large quantities online. Our method, termed RealForensics, consists of two stages. First, we exploit the natural correspondence between the visual and auditory modalities in real videos to learn, in a self-supervised cross-modal manner, temporally dense video representations that capture factors such as facial movements, expression, and identity. Second, we use these learned representations as targets to be predicted by our forgery detector along with the usual binary forgery classification task; this encourages it to base its real/fake decision on said factors. We show that our method achieves state-of-the-art performance on cross-manipulation generalisation and robustness experiments, and examine the factors that contribute to its performance. Our results suggest that leveraging natural and unlabelled videos is a promising direction for the development of more robust face forgery detectors.

Pingchuan Ma, Rodrigo Mira, Stavros Petridis et al.

The large amount of audiovisual content being shared online today has drawn substantial attention to the prospect of audiovisual self-supervised learning. Recent works have focused on each of these modalities separately, while others have attempted to model both simultaneously in a cross-modal fashion. However, comparatively little attention has been given to leveraging one modality as a training objective to learn from the other. In this work, we propose Learning visual speech Representations from Audio via self-supervision (LiRA). Specifically, we train a ResNet+Conformer model to predict acoustic features from unlabelled visual speech. We find that this pre-trained model can be leveraged towards word-level and sentence-level lip-reading through feature extraction and fine-tuning experiments. We show that our approach significantly outperforms other self-supervised methods on the Lip Reading in the Wild (LRW) dataset and achieves state-of-the-art performance on Lip Reading Sentences 2 (LRS2) using only a fraction of the total labelled data.

Rodrigo Mira, Konstantinos Vougioukas, Pingchuan Ma et al.

Video-to-speech is the process of reconstructing the audio speech from a video of a spoken utterance. Previous approaches to this task have relied on a two-step process where an intermediate representation is inferred from the video, and is then decoded into waveform audio using a vocoder or a waveform reconstruction algorithm. In this work, we propose a new end-to-end video-to-speech model based on Generative Adversarial Networks (GANs) which translates spoken video to waveform end-to-end without using any intermediate representation or separate waveform synthesis algorithm. Our model consists of an encoder-decoder architecture that receives raw video as input and generates speech, which is then fed to a waveform critic and a power critic. The use of an adversarial loss based on these two critics enables the direct synthesis of raw audio waveform and ensures its realism. In addition, the use of our three comparative losses helps establish direct correspondence between the generated audio and the input video. We show that this model is able to reconstruct speech with remarkable realism for constrained datasets such as GRID, and that it is the first end-to-end model to produce intelligible speech for LRW (Lip Reading in the Wild), featuring hundreds of speakers recorded entirely `in the wild'. We evaluate the generated samples in two different scenarios -- seen and unseen speakers -- using four objective metrics which measure the quality and intelligibility of artificial speech. We demonstrate that the proposed approach outperforms all previous works in most metrics on GRID and LRW.