Dipak Ghosh

Uddalok Sarkar, Sayan Nag, Medha Basu et al.

Music is often considered as the language of emotions. It has long been known to elicit emotions in human being and thus categorizing music based on the type of emotions they induce in human being is a very intriguing topic of research. When the task comes to classify emotions elicited by Indian Classical Music (ICM), it becomes much more challenging because of the inherent ambiguity associated with ICM. The fact that a single musical performance can evoke a variety of emotional response in the audience is implicit to the nature of ICM renditions. With the rapid advancements in the field of Deep Learning, this Music Emotion Recognition (MER) task is becoming more and more relevant and robust, hence can be applied to one of the most challenging test case i.e. classifying emotions elicited from ICM. In this paper we present a new dataset called JUMusEmoDB which presently has 400 audio clips (30 seconds each) where 200 clips correspond to happy emotions and the remaining 200 clips correspond to sad emotion. For supervised classification purposes, we have used 4 existing deep Convolutional Neural Network (CNN) based architectures (resnet18, mobilenet v2.0, squeezenet v1.0 and vgg16) on corresponding music spectrograms of the 2000 sub-clips (where every clip was segmented into 5 sub-clips of about 5 seconds each) which contain both time as well as frequency domain information. The initial results are quite inspiring, and we look forward to setting the baseline values for the dataset using this architecture. This type of CNN based classification algorithm using a rich corpus of Indian Classical Music is unique even in the global perspective and can be replicated in other modalities of music also. This dataset is still under development and we plan to include more data containing other emotional features as well. We plan to make the dataset publicly available soon.

Swalpa Kumar Roy, Nilavra Bhattacharya, Bhabatosh Chanda et al.

In this paper we propose a novel texture descriptor called Fractal Weighted Local Binary Pattern (FWLBP). The fractal dimension (FD) measure is relatively invariant to scale-changes, and presents a good correlation with human viewpoint of surface roughness. We have utilized this property to construct a scale-invariant descriptor. Here, the input image is sampled using an augmented form of the local binary pattern (LBP) over three different radii, and then used an indexing operation to assign FD weights to the collected samples. The final histogram of the descriptor has its features calculated using LBP, and its weights computed from the FD image. The proposed descriptor is scale invariant, and is also robust in rotation or reflection, and partially tolerant to noise and illumination changes. In addition, the local fractal dimension is relatively insensitive to the bi-Lipschitz transformations, whereas its extension is adequate to precisely discriminate the fundamental of texture primitives. Experiment results carried out on standard texture databases show that the proposed descriptor achieved better classification rates compared to the state-of-the-art descriptors.

Swalpa Kumar Roy, Bhabatosh Chanda, Bidyut B. Chaudhuri et al.

Methods based on local image features have recently shown promise for texture classification tasks, especially in the presence of large intra-class variation due to illumination, scale, and viewpoint changes. Inspired by the theories of image structure analysis, this paper presents a simple, efficient, yet robust descriptor namely local jet pattern (LJP) for texture classification. In this approach, a jet space representation of a texture image is derived from a set of derivatives of Gaussian (DtGs) filter responses up to second order, so called local jet vectors (LJV), which also satisfy the Scale Space properties. The LJP is obtained by utilizing the relationship of center pixel with the local neighborhood information in jet space. Finally, the feature vector of a texture region is formed by concatenating the histogram of LJP for all elements of LJV. All DtGs responses up to second order together preserves the intrinsic local image structure, and achieves invariance to scale, rotation, and reflection. This allows us to develop a texture classification framework which is discriminative and robust. Extensive experiments on five standard texture image databases, employing nearest subspace classifier (NSC), the proposed descriptor achieves 100%, 99.92%, 99.75%, 99.16%, and 99.65% accuracy for Outex_TC-00010 (Outex_TC10), and Outex_TC-00012 (Outex_TC12), KTH-TIPS, Brodatz, CUReT, respectively, which are outperforms the state-of-the-art methods.

Anirban Patranabis, Kaushik Banerjee, Vishal Midya et al.

Tabla, a percussion instrument, mainly used to accompany vocalists, instrumentalists and dancers in every style of music from classical to light in India, mainly used for keeping rhythm. This percussion instrument consists of two drums played by two hands, structurally different and produces different harmonic sounds. Earlier work has done labeling tabla strokes from real time performances by testing neural networks and tree based classification methods. The current work extends previous work by C. V. Raman and S. Kumar in 1920 on spectrum modeling of tabla strokes. In this paper we have studied spectral characteristics (by wavelet analysis by sub band coding method and using torrence wavelet tool) of nine strokes from each of five tablas using Wavelet transform. Wavelet analysis is now a common tool for analyzing localized variations of power within a time series and to find the frequency distribution in time frequency space. Statistically, we will look into the patterns depicted by harmonics of different sub bands and the tablas. Distribution of dominant frequencies at different sub-band of stroke signals, distribution of power and behavior of harmonics are the important features, leads to categorization of tabla.

Anirban Patranabis, Kaushik Banerjee, Vishal Midya et al.

Indian twin drums mainly bayan and dayan (tabla) are the most important percussion instruments in India popularly used for keeping rhythm. It is a twin percussion/drum instrument of which the right hand drum is called dayan and the left hand drum is called bayan. Tabla strokes are commonly called as `bol', constitutes a series of syllables. In this study we have studied the timbre characteristics of nine strokes from each of five different tablas. Timbre parameters were calculated from LTAS of each stroke signals. Study of timbre characteristics is one of the most important deterministic approach for analyzing tabla and its stroke characteristics. Statistical correlations among timbre parameters were measured and also through factor analysis we get to know about the parameters of timbre analysis which are closely related. Tabla strokes have unique harmonic and timbral characteristics at mid frequency range and have no uniqueness at low frequency ranges.