Chunping Liu

Weiran Chen, Guiqian Zhu, Ying Li et al.

Few-shot font generation aims to create new fonts with a limited number of glyph references. It can be used to significantly reduce the labor cost of manual font design. However, due to the variety and complexity of font styles, the results generated by existing methods often suffer from visible defects, such as stroke errors, artifacts and blurriness. To address these issues, we propose DA-Font, a novel framework which integrates a Dual-Attention Hybrid Module (DAHM). Specifically, we introduce two synergistic attention blocks: the component attention block that leverages component information from content images to guide the style transfer process, and the relation attention block that further refines spatial relationships through interacting the content feature with both original and stylized component-wise representations. These two blocks collaborate to preserve accurate character shapes and stylistic textures. Moreover, we also design a corner consistency loss and an elastic mesh feature loss to better improve geometric alignment. Extensive experiments show that our DA-Font outperforms the state-of-the-art methods across diverse font styles and characters, demonstrating its effectiveness in enhancing structural integrity and local fidelity. The source code can be found at \href{https://github.com/wrchen2001/DA-Font}{\textit{https://github.com/wrchen2001/DA-Font}}.

Weiran Chen, Guiqian Zhu, Ying Li et al.

Chinese font generation aims to create a new Chinese font library based on some reference samples. It is a topic of great concern to many font designers and typographers. Over the past years, with the rapid development of deep learning algorithms, various new techniques have achieved flourishing and thriving progress. Nevertheless, how to improve the overall quality of generated Chinese character images remains a tough issue. In this paper, we conduct a holistic survey of the recent Chinese font generation approaches based on deep learning. To be specific, we first illustrate the research background of the task. Then, we outline our literature selection and analysis methodology, and review a series of related fundamentals, including classical deep learning architectures, font representation formats, public datasets, and frequently-used evaluation metrics. After that, relying on the number of reference samples required to generate a new font, we categorize the existing methods into two major groups: many-shot font generation and few-shot font generation methods. Within each category, representative approaches are summarized, and their strengths and limitations are also discussed in detail. Finally, we conclude our paper with the challenges and future directions, with the expectation to provide some valuable illuminations for the researchers in this field.