Huanling Hu

Hongyu Lu, Feng Zhang, Wenwei Jin et al.

Large vision-language models (LVLMs) achieve strong performance on image and video understanding tasks, but their inference efficiency is constrained by the large number of visual tokens produced by vision encoders. Most existing visual token compression methods estimate token importance from attention scores or representation properties at specific layers, overlooking how visual tokens evolve across the vision encoder. Such layer-specific criteria may provide incomplete importance estimates and limit performance preservation after compression. To address this issue, we analyze layer-wise visual token evolution directions and observe that tokens form multiple group evolution directions across vision-encoder layers. Our analysis further shows that informative tokens tend to exhibit persistent deviations from common group evolution directions. Based on this observation, we propose EvoCut, a training-free and attention-free visual token compression method that estimates token importance from multi-layer evolution deviation. Experimental results show that EvoCut can retain only 11.1\% of the visual tokens on LLaVA-1.5-7B while preserving 94.4\% of the average performance, demonstrating its effectiveness in balancing efficiency and accuracy.

Hongyu Lu, Feng Zhang, Wenwei Jin et al.

Large vision-language models (LVLMs) achieve strong multimodal understanding, but their inference cost grows rapidly with the number of visual tokens, especially for high-resolution images and long videos. Existing attention-based methods estimate token importance from attention scores, which may introduce positional bias, while representation-based methods reduce visual redundancy based on feature relations or reconstruction errors, overlooking the global structure of the visual token set. In this paper, we revisit visual token compression from the perspective of low-rank compressibility. Across models and datasets, we observe that visual token representations exhibit a pronounced low-rank structure, with a dominant subspace that remains stable even after a large fraction of tokens is randomly removed. Motivated by this finding, we propose LRCP, a training-free compression framework that first estimates the dominant low-rank subspace of visual tokens via PCA, and then scores each token by its projection residual onto this subspace, retaining tokens that are poorly explained by the low-rank background. Extensive experiments show that LRCP achieves superior results, preserving 94.7% of the original image-understanding performance with an 88.9% token reduction and 97.8% of the average video-understanding accuracy with an 87.5% token reduction.

Zhaoxing Gan, Mengtian Li, Ruhua Chen et al.

In this work, we introduce StageDesigner, the first comprehensive framework for artistic stage generation using large language models combined with layout-controlled diffusion models. Given the professional requirements of stage scenography, StageDesigner simulates the workflows of seasoned artists to generate immersive 3D stage scenes. Specifically, our approach is divided into three primary modules: Script Analysis, which extracts thematic and spatial cues from input scripts; Foreground Generation, which constructs and arranges essential 3D objects; and Background Generation, which produces a harmonious background aligned with the narrative atmosphere and maintains spatial coherence by managing occlusions between foreground and background elements. Furthermore, we introduce the StagePro-V1 dataset, a dedicated dataset with 276 unique stage scenes spanning different historical styles and annotated with scripts, images, and detailed 3D layouts, specifically tailored for this task. Finally, evaluations using both standard and newly proposed metrics, along with extensive user studies, demonstrate the effectiveness of StageDesigner. Project can be found at: https://deadsmither5.github.io/2025/01/03/StageDesigner/