João Ascenso

Michela Testolina, Mohsen Jenadeleh, Shima Mohammadi et al.

Advances in image compression, storage, and display technologies have made high-quality images and videos widely accessible. At this level of quality, distinguishing between compressed and original content becomes difficult, highlighting the need for assessment methodologies that are sensitive to even the smallest visual quality differences. Conventional subjective visual quality assessments often use absolute category rating scales, ranging from ``excellent'' to ``bad''. While suitable for evaluating more pronounced distortions, these scales are inadequate for detecting subtle visual differences. The JPEG standardization project AIC is currently developing a subjective image quality assessment methodology for high-fidelity images. This paper presents the proposed assessment methods, a dataset of high-quality compressed images, and their corresponding crowdsourced visual quality ratings. It also outlines a data analysis approach that reconstructs quality scale values in just noticeable difference (JND) units. The assessment method uses boosting techniques on visual stimuli to help observers detect compression artifacts more clearly. This is followed by a rescaling process that adjusts the boosted quality values back to the original perceptual scale. This reconstruction yields a fine-grained, high-precision quality scale in JND units, providing more informative results for practical applications. The dataset and code to reproduce the results will be available at https://github.com/jpeg-aic/dataset-BTC-PTC-24.

Mohsen Jenadeleh, Jon Sneyers, Panqi Jia et al.

Learning-based image compression methods have recently emerged as promising alternatives to traditional codecs, offering improved rate-distortion performance and perceptual quality. JPEG AI represents the latest standardized framework in this domain, leveraging deep neural networks for high-fidelity image reconstruction. In this study, we present a comprehensive subjective visual quality assessment of JPEG AI-compressed images using the JPEG AIC-3 methodology, which quantifies perceptual differences in terms of Just Noticeable Difference (JND) units. We generated a dataset of 50 compressed images with fine-grained distortion levels from five diverse sources. A large-scale crowdsourced experiment collected 96,200 triplet responses from 459 participants. We reconstructed JND-based quality scales using a unified model based on boosted and plain triplet comparisons. Additionally, we evaluated the alignment of multiple objective image quality metrics with human perception in the high-fidelity range. The CVVDP metric achieved the overall highest performance; however, most metrics including CVVDP were overly optimistic in predicting the quality of JPEG AI-compressed images. These findings emphasize the necessity for rigorous subjective evaluations in the development and benchmarking of modern image codecs, particularly in the high-fidelity range. Another technical contribution is the introduction of the well-known Meng-Rosenthal-Rubin statistical test to the field of Quality of Experience research. This test can reliably assess the significance of difference in performance of quality metrics in terms of correlation between metrics and ground truth. The complete dataset, including all subjective scores, is publicly available at https://github.com/jpeg-aic/dataset-JPEG-AI-SDR25.

Mohsen Jenadeleh, Jon Sneyers, Davi Lazzarotto et al.

High dynamic range (HDR) and wide color gamut (WCG) technologies significantly improve color reproduction compared to standard dynamic range (SDR) and standard color gamuts, resulting in more accurate, richer, and more immersive images. However, HDR increases data demands, posing challenges for bandwidth efficiency and compression techniques. Advances in compression and display technologies require more precise image quality assessment, particularly in the high-fidelity range where perceptual differences are subtle. To address this gap, we introduce AIC-HDR2025, the first such HDR dataset, comprising 100 test images generated from five HDR sources, each compressed using four codecs at five compression levels. It covers the high-fidelity range, from visible distortions to compression levels below the visually lossless threshold. A subjective study was conducted using the JPEG AIC-3 test methodology, combining plain and boosted triplet comparisons. In total, 34,560 ratings were collected from 151 participants across four fully controlled labs. The results confirm that AIC-3 enables precise HDR quality estimation, with 95\% confidence intervals averaging a width of 0.27 at 1 JND. In addition, several recently proposed objective metrics were evaluated based on their correlation with subjective ratings. The dataset is publicly available.

Pedro Martin, António Rodrigues, João Ascenso et al.

Gaussian Splatting (GS) offers a promising alternative to Neural Radiance Fields (NeRF) for real-time 3D scene rendering. Using a set of 3D Gaussians to represent complex geometry and appearance, GS achieves faster rendering times and reduced memory consumption compared to the neural network approach used in NeRF. However, quality assessment of GS-generated static content is not yet explored in-depth. This paper describes a subjective quality assessment study that aims to evaluate synthesized videos obtained with several static GS state-of-the-art methods. The methods were applied to diverse visual scenes, covering both 360-degree and forward-facing (FF) camera trajectories. Moreover, the performance of 18 objective quality metrics was analyzed using the scores resulting from the subjective study, providing insights into their strengths, limitations, and alignment with human perception. All videos and scores are made available providing a comprehensive database that can be used as benchmark on GS view synthesis and objective quality metrics.

Semih Esenlik, Yaojun Wu, Zhaobin Zhang et al.

JPEG AI is an emerging learning-based image coding standard developed by Joint Photographic Experts Group (JPEG). The scope of the JPEG AI is the creation of a practical learning-based image coding standard offering a single-stream, compact compressed domain representation, targeting both human visualization and machine consumption. Scheduled for completion in early 2025, the first version of JPEG AI focuses on human vision tasks, demonstrating significant BD-rate reductions compared to existing standards, in terms of MS-SSIM, FSIM, VIF, VMAF, PSNR-HVS, IW-SSIM and NLPD quality metrics. Designed to ensure broad interoperability, JPEG AI incorporates various design features to support deployment across diverse devices and applications. This paper provides an overview of the technical features and characteristics of the JPEG AI standard.

Pedro Martin, António Rodrigues, João Ascenso et al.

Neural Radiance Fields (NeRF) have revolutionized the field of 3D visual representation by enabling highly realistic and detailed scene reconstructions from a sparse set of images. NeRF uses a volumetric functional representation that maps 3D points to their corresponding colors and opacities, allowing for photorealistic view synthesis from arbitrary viewpoints. Despite its advancements, the efficient streaming of NeRF content remains a significant challenge due to the large amount of data involved. This paper investigates the rate-distortion performance of two NeRF streaming strategies: pixel-based and neural network (NN) parameter-based streaming. While in the former, images are coded and then transmitted throughout the network, in the latter, the respective NeRF model parameters are coded and transmitted instead. This work also highlights the trade-offs in complexity and performance, demonstrating that the NN parameter-based strategy generally offers superior efficiency, making it suitable for one-to-many streaming scenarios.

Alireza Javaheri, Catarina Brites, Fernando Pereira et al.

Point cloud coding solutions have been recently standardized to address the needs of multiple application scenarios. The design and assessment of point cloud coding methods require reliable objective quality metrics to evaluate the level of degradation introduced by compression or any other type of processing. Several point cloud objective quality metrics has been recently proposed to reliable estimate human perceived quality, including the so-called projection-based metrics. In this context, this paper proposes a joint geometry and color projection-based point cloud objective quality metric which solves the critical weakness of this type of quality metrics, i.e., the misalignment between the reference and degraded projected images. Moreover, the proposed point cloud quality metric exploits the best performing 2D quality metrics in the literature to assess the quality of the projected images. The experimental results show that the proposed projection-based quality metric offers the best subjective-objective correlation performance in comparison with other metrics in the literature. The Pearson correlation gains regarding D1-PSNR and D2-PSNR metrics are 17% and 14.2 when data with all coding degradations is considered.

Alireza Javaheri, Catarina Brites, Fernando Pereira et al.

Point clouds (PCs) are a powerful 3D visual representation paradigm for many emerging application domains, especially virtual and augmented reality, and autonomous vehicles. However, the large amount of PC data required for highly immersive and realistic experiences requires the availability of efficient, lossy PC coding solutions are critical. Recently, two MPEG PC coding standards have been developed to address the relevant application requirements and further developments are expected in the future. In this context, the assessment of PC quality, notably for decoded PCs, is critical and asks for the design of efficient objective PC quality metrics. In this paper, a novel point-to-distribution metric is proposed for PC quality assessment considering both the geometry and texture. This new quality metric exploits the scale-invariance property of the Mahalanobis distance to assess first the geometry and color point-to-distribution distortions, which are after fused to obtain a joint geometry and color quality metric. The proposed quality metric significantly outperforms the best PC quality assessment metrics in the literature.

Alireza Javaheri, Catarina Brites, Fernando Pereira et al.

Reliable quality assessment of decoded point cloud geometry is essential to evaluate the compression performance of emerging point cloud coding solutions and guarantee some target quality of experience. This paper proposes a novel point cloud geometry quality assessment metric based on a generalization of the Hausdorff distance. To achieve this goal, the so-called generalized Hausdorff distance for multiple rankings is exploited to identify the best performing quality metric in terms of correlation with the MOS scores obtained from a subjective test campaign. The experimental results show that the quality metric derived from the classical Hausdorff distance leads to low objective-subjective correlation and, thus, fails to accurately evaluate the quality of decoded point clouds for emerging codecs. However, the quality metric derived from the generalized Hausdorff distance with an appropriately selected ranking, outperforms the MPEG adopted geometry quality metrics when decoded point clouds with different types of coding distortions are considered.

Alireza Javaheri, Catarina Brites, Fernando Pereira et al.

Recently, point clouds have shown to be a promising way to represent 3D visual data for a wide range of immersive applications, from augmented reality to autonomous cars. Emerging imaging sensors have made easier to perform richer and denser point cloud acquisition, notably with millions of points, thus raising the need for efficient point cloud coding solutions. In such a scenario, it is important to evaluate the impact and performance of several processing steps in a point cloud communication system, notably the quality degradations associated to point cloud coding solutions. Moreover, since point clouds are not directly visualized but rather processed with a rendering algorithm before shown on any display, the perceived quality of point cloud data highly depends on the rendering solution. In this context, the main objective of this paper is to study the impact of several coding and rendering solutions on the perceived user quality and in the performance of available objective quality assessment metrics. Another contribution regards the assessment of recent MPEG point cloud coding solutions for several popular rendering methods which were never presented before. The conclusions regard the visibility of three types of coding artifacts for the three considered rendering approaches as well as the strengths and weakness of objective quality metrics when point clouds are rendered after coding.