Olivier Adam

Dorian Cazau, Yuancheng Wang, Olivier Adam et al.

Many methods for automatic music transcription involves a multi-pitch estimation method that estimates an activity score for each pitch. A second processing step, called note segmentation, has to be performed for each pitch in order to identify the time intervals when the notes are played. In this study, a pitch-wise two-state on/off firstorder Hidden Markov Model (HMM) is developed for note segmentation. A complete parametrization of the HMM sigmoid function is proposed, based on its original regression formulation, including a parameter alpha of slope smoothing and beta? of thresholding contrast. A comparative evaluation of different note segmentation strategies was performed, differentiated according to whether they use a fixed threshold, called "Hard Thresholding" (HT), or a HMM-based thresholding method, called "Soft Thresholding" (ST). This evaluation was done following MIREX standards and using the MAPS dataset. Also, different transcription scenarios and recording natures were tested using three units of the Degradation toolbox. Results show that note segmentation through a HMM soft thresholding with a data-based optimization of the {alpha,beta} parameter couple significantly enhances transcription performance.

Cazau Dorian, Riwal Lefort, Julien Bonnel et al.

Automatically detecting sound units of humpback whales in complex time-varying background noises is a current challenge for scientists. In this paper, we explore the applicability of Convolution Neural Network (CNN) method for this task. In the evaluation stage, we present 6 bi-class classification experimentations of whale sound detection against different background noise types (e.g., rain, wind). In comparison to classical FFT-based representation like spectrograms, we showed that the use of image-based pretrained CNN features brought higher performance to classify whale sounds and background noise.

D. Cazau, G. Revillon, O. Adam

Automatic Music Transcription (AMT) is one of the oldest and most well-studied problems in the field of music information retrieval. Within this challenging research field, onset detection and instrument recognition take important places in transcription systems, as they respectively help to determine exact onset times of notes and to recognize the corresponding instrument sources. The aim of this study is to explore the usefulness of multiscale scattering operators for these two tasks on plucked string instrument and piano music. After resuming the theoretical background and illustrating the key features of this sound representation method, we evaluate its performances comparatively to other classical sound representations. Using both MIDI-driven datasets with real instrument samples and real musical pieces, scattering is proved to outperform other sound representations for these AMT subtasks, putting forward its richer sound representation and invariance properties.

D. Cazau, G. Revillon, W. Yuancheng et al.

Automatic Music Transcription (AMT) consists in automatically estimating the notes in an audio recording, through three attributes: onset time, duration and pitch. Probabilistic Latent Component Analysis (PLCA) has become very popular for this task. PLCA is a spectrogram factorization method, able to model a magnitude spectrogram as a linear combination of spectral vectors from a dictionary. Such methods use the Expectation-Maximization (EM) algorithm to estimate the parameters of the acoustic model. This algorithm presents well-known inherent defaults (local convergence, initialization dependency), making EM-based systems limited in their applications to AMT, particularly in regards to the mathematical form and number of priors. To overcome such limits, we propose in this paper to employ a different estimation framework based on Particle Filtering (PF), which consists in sampling the posterior distribution over larger parameter ranges. This framework proves to be more robust in parameter estimation, more flexible and unifying in the integration of prior knowledge in the system. Note-level transcription accuracies of 61.8 $\%$ and 59.5 $\%$ were achieved on evaluation sound datasets of two different instrument repertoires, including the classical piano (from MAPS dataset) and the marovany zither, and direct comparisons to previous PLCA-based approaches are provided. Steps for further development are also outlined.