Wei Zhou

Yuqing Luo, Yixiao Li, Jiang Liu et al.

Image complexity assessment (ICA) is a challenging task in perceptual evaluation due to the subjective nature of human perception and the inherent semantic diversity in real-world images. Existing ICA methods predominantly rely on hand-crafted or shallow convolutional neural network-based features of a single visual modality, which are insufficient to fully capture the perceived representations closely related to image complexity. Recently, cross-modal scene semantic information has been shown to play a crucial role in various computer vision tasks, particularly those involving perceptual understanding. However, the exploration of cross-modal scene semantic information in the context of ICA remains unaddressed. Therefore, in this paper, we propose a novel ICA method called Cross-Modal Scene Semantic Alignment (CM-SSA), which leverages scene semantic alignment from a cross-modal perspective to enhance ICA performance, enabling complexity predictions to be more consistent with subjective human perception. Specifically, the proposed CM-SSA consists of a complexity regression branch and a scene semantic alignment branch. The complexity regression branch estimates image complexity levels under the guidance of the scene semantic alignment branch, while the scene semantic alignment branch is used to align images with corresponding text prompts that convey rich scene semantic information by pair-wise learning. Extensive experiments on several ICA datasets demonstrate that the proposed CM-SSA significantly outperforms state-of-the-art approaches. Codes are available at https://github.com/XQ2K/First-Cross-Model-ICA.

Armin Shafiee Sarvestani, Wei Zhou, Zhou Wang

Recent years have witnessed many advancements in the applications of 3D textured meshes. As the demand continues to rise, evaluating the perceptual quality of this new type of media content becomes crucial for quality assurance and optimization purposes. Different from traditional image quality assessment, crack is an annoying artifact specific to rendered 3D meshes that severely affects their perceptual quality. In this work, we make one of the first attempts to propose a novel Perceptual Crack Detection (PCD) method for detecting and localizing crack artifacts in rendered meshes. Specifically, motivated by the characteristics of the human visual system (HVS), we adopt contrast and Laplacian measurement modules to characterize crack artifacts and differentiate them from other undesired artifacts. Extensive experiments on large-scale public datasets of 3D textured meshes demonstrate effectiveness and efficiency of the proposed PCD method in correct localization and detection of crack artifacts. %Specifically, We propose a full-reference crack artifact localization method that operates on a pair of input snapshots of distorted and reference 3D objects to generate a final crack map. Moreover, to quantify the performance of the proposed detection method and validate its effectiveness, we propose a simple yet effective weighting mechanism to incorporate the resulting crack map into classical quality assessment (QA) models, which creates significant performance improvement in predicting the perceptual image quality when tested on public datasets of static 3D textured meshes. A software release of the proposed method is publicly available at: https://github.com/arshafiee/crack-detection-VVM

Wei Zhou, Hadi Amirpour, Christian Timmerer et al.

As multimedia services such as video streaming, video conferencing, virtual reality (VR), and online gaming continue to expand, ensuring high perceptual visual quality becomes a priority to maintain user satisfaction and competitiveness. However, multimedia content undergoes various distortions during acquisition, compression, transmission, and storage, resulting in the degradation of experienced quality. Thus, perceptual visual quality assessment (PVQA), which focuses on evaluating the quality of multimedia content based on human perception, is essential for optimizing user experiences in advanced communication systems. Several challenges are involved in the PVQA process, including diverse characteristics of multimedia content such as image, video, VR, point cloud, mesh, multimodality, etc., and complex distortion scenarios as well as viewing conditions. In this paper, we first present an overview of PVQA principles and methods. This includes both subjective methods, where users directly rate their experiences, and objective methods, where algorithms predict human perception based on measurable factors such as bitrate, frame rate, and compression levels. Based on the basics of PVQA, quality predictors for different multimedia data are then introduced. In addition to traditional images and videos, immersive multimedia and generative artificial intelligence (GenAI) content are also discussed. Finally, the paper concludes with a discussion on the future directions of PVQA research.