Łukasz Staniszewski

Łukasz Staniszewski, Łukasz Kuciński, Kamil Deja

Diffusion Models achieve state-of-the-art performance in generating new samples but lack a low-dimensional latent space that encodes the data into editable features. Inversion-based methods address this by reversing the denoising trajectory, transferring images to their approximated starting noise. In this work, we thoroughly analyze this procedure and focus on the relation between the initial noise, the generated samples, and their corresponding latent encodings obtained through the DDIM inversion. First, we show that latents exhibit structural patterns in the form of less diverse noise predicted for smooth image areas (e.g., plain sky). Through a series of analyses, we trace this issue to the first inversion steps, which fail to provide accurate and diverse noise. Consequently, the DDIM inversion space is notably less manipulative than the original noise. We show that prior inversion methods do not fully resolve this issue, but our simple fix, where we replace the first DDIM Inversion steps with a forward diffusion process, successfully decorrelates latent encodings and enables higher quality editions and interpolations. The code is available at https://github.com/luk-st/taba.

Łukasz Staniszewski, Katarzyna Zaleska, Mateusz Modrzejewski et al.

Audio diffusion models can synthesize high-fidelity music from text, yet their internal mechanisms for representing high-level concepts remain poorly understood. In this work, we use activation patching to demonstrate that distinct semantic musical concepts, such as the presence of specific instruments, vocals, or genre characteristics, are controlled by a small, shared subset of attention layers in state-of-the-art audio diffusion architectures. Next, we demonstrate that applying Contrastive Activation Addition and Sparse Autoencoders in these layers enables more precise control over the generated audio, indicating a direct benefit of the specialization phenomenon. By steering activations of the identified layers, we can alter specific musical elements with high precision, such as modulating tempo or changing a track's mood.

Łukasz Staniszewski, Bartosz Cywiński, Franziska Boenisch et al.

Novel diffusion models can synthesize photo-realistic images with integrated high-quality text. Surprisingly, we demonstrate through attention activation patching that only less than 1% of diffusion models' parameters, all contained in attention layers, influence the generation of textual content within the images. Building on this observation, we improve textual generation efficiency and performance by targeting cross and joint attention layers of diffusion models. We introduce several applications that benefit from localizing the layers responsible for textual content generation. We first show that a LoRA-based fine-tuning solely of the localized layers enhances, even more, the general text-generation capabilities of large diffusion models while preserving the quality and diversity of the diffusion models' generations. Then, we demonstrate how we can use the localized layers to edit textual content in generated images. Finally, we extend this idea to the practical use case of preventing the generation of toxic text in a cost-free manner. In contrast to prior work, our localization approach is broadly applicable across various diffusion model architectures, including U-Net (e.g., LDM and SDXL) and transformer-based (e.g., DeepFloyd IF and Stable Diffusion 3), utilizing diverse text encoders (e.g., from CLIP to the large language models like T5). Project page available at https://t2i-text-loc.github.io/.