Nicolas d’Alessandro

h-index11
2papers
537citations

2 Papers

1.2ASMay 24, 2020
Glottal source estimation robustness: A comparison of sensitivity of voice source estimation techniques

Thomas Drugman, Thomas Dubuisson, Alexis Moinet et al.

This paper addresses the problem of estimating the voice source directly from speech waveforms. A novel principle based on Anticausality Dominated Regions (ACDR) is used to estimate the glottal open phase. This technique is compared to two other state-of-the-art well-known methods, namely the Zeros of the Z-Transform (ZZT) and the Iterative Adaptive Inverse Filtering (IAIF) algorithms. Decomposition quality is assessed on synthetic signals through two objective measures: the spectral distortion and a glottal formant determination rate. Technique robustness is tested by analyzing the influence of noise and Glottal Closure Instant (GCI) location errors. Besides impacts of the fundamental frequency and the first formant on the performance are evaluated. Our proposed approach shows significant improvement in robustness, which could be of a great interest when decomposing real speech.

6.5SDDec 29, 2019
A Comparative Study of Pitch Extraction Algorithms on a Large Variety of Singing Sounds

Onur Babacan, Thomas Drugman, Nicolas d'Alessandro et al.

The problem of pitch tracking has been extensively studied in the speech research community. The goal of this paper is to investigate how these techniques should be adapted to singing voice analysis, and to provide a comparative evaluation of the most representative state-of-the-art approaches. This study is carried out on a large database of annotated singing sounds with aligned EGG recordings, comprising a variety of singer categories and singing exercises. The algorithmic performance is assessed according to the ability to detect voicing boundaries and to accurately estimate pitch contour. First, we evaluate the usefulness of adapting existing methods to singing voice analysis. Then we compare the accuracy of several pitch-extraction algorithms, depending on singer category and laryngeal mechanism. Finally, we analyze their robustness to reverberation.