Mehran Ebrahimi

M. A. Ebrahimi, Michael Holst, Evelyn Lunasin

In 2001, Bertalmio et. al. drew an analogy between the image intensity function for the image inpainting problem and the stream function in a two-dimensional (2D) incompressible fluid. An approximate solution to the inpainting problem is obtained by numerically approximating the steady state solution of the 2D NSE vorticity transport equation, and simultaneously solving the Poisson problem between the vorticity and stream function, in the region to be inpainted. This elegant approach allows one to produce an approximate solution to the image inpainting problem by using techniques from computational fluid dynamics. Recently, the three-dimensional (3D) Navier-Stokes-Voight (NSV) model of viscoelastic fluid, was suggested by Cao et. al. as an inviscid regularization to the 3D Navier-Stokes equations (NSE). The NSV model is shown to be globally well-posed and has a finite-dimensional global attractor, making it an attractive sub-grid scale turbulence model for purposes of numerical simulation. In this paper we investigate the use of the 2D NSV model for use in algorithms for the inpainting problem. We also present some new theoretical results based on energy methods comparing the sufficient conditions for stability of the discretization scheme for the two model equations.

Shawkh Ibne Rashid, Elham Shakibapour, Mehran Ebrahimi

Spatial resolution of medical images can be improved using super-resolution methods. Real Enhanced Super Resolution Generative Adversarial Network (Real-ESRGAN) is one of the recent effective approaches utilized to produce higher resolution images, given input images of lower resolution. In this paper, we apply this method to enhance the spatial resolution of 2D MR images. In our proposed approach, we slightly modify the structure of the Real-ESRGAN to train 2D Magnetic Resonance images (MRI) taken from the Brain Tumor Segmentation Challenge (BraTS) 2018 dataset. The obtained results are validated qualitatively and quantitatively by computing SSIM (Structural Similarity Index Measure), NRMSE (Normalized Root Mean Square Error), MAE (Mean Absolute Error), and VIF (Visual Information Fidelity) values.

Abhijeet Narang, Abhigyan Raj, Mihaela Pop et al.

Magnetic resonance (MR) image re-parameterization refers to the process of generating via simulations of an MR image with a new set of MRI scanning parameters. Different parameter values generate distinct contrast between different tissues, helping identify pathologic tissue. Typically, more than one scan is required for diagnosis; however, acquiring repeated scans can be costly, time-consuming, and difficult for patients. Thus, using MR image re-parameterization to predict and estimate the contrast in these imaging scans can be an effective alternative. In this work, we propose a novel deep learning (DL) based convolutional model for MRI re-parameterization. Based on our preliminary results, DL-based techniques hold the potential to learn the non-linearities that govern the re-parameterization.

Aref Abedjooy, Mehran Ebrahimi

Over the past few years deep learning-based techniques such as Generative Adversarial Networks (GANs) have significantly improved solutions to image super-resolution and image-to-image translation problems. In this paper, we propose a solution to the joint problem of image super-resolution and multi-modality image-to-image translation. The problem can be stated as the recovery of a high-resolution image in a modality, given a low-resolution observation of the same image in an alternative modality. Our paper offers two models to address this problem and will be evaluated on the recovery of high-resolution day images given low-resolution night images of the same scene. Promising qualitative and quantitative results will be presented for each model.

Aref Abedjooy, Mehran Ebrahimi

Deep learning techniques, especially Generative Adversarial Networks (GANs) have significantly improved image inpainting and image-to-image translation tasks over the past few years. To the best of our knowledge, the problem of combining the image inpainting task with the multi-modality image-to-image translation remains intact. In this paper, we propose a model to address this problem. The model will be evaluated on combined night-to-day image translation and inpainting, along with promising qualitative and quantitative results.

Kamyar Nazeri, Harrish Thasarathan, Mehran Ebrahimi

The recent increase in the extensive use of digital imaging technologies has brought with it a simultaneous demand for higher-resolution images. We develop a novel edge-informed approach to single image super-resolution (SISR). The SISR problem is reformulated as an image inpainting task. We use a two-stage inpainting model as a baseline for super-resolution and show its effectiveness for different scale factors (x2, x4, x8) compared to basic interpolation schemes. This model is trained using a joint optimization of image contents (texture and color) and structures (edges). Quantitative and qualitative comparisons are included and the proposed model is compared with current state-of-the-art techniques. We show that our method of decoupling structure and texture reconstruction improves the quality of the final reconstructed high-resolution image. Code and models available at: https://github.com/knazeri/edge-informed-sisr

Harrish Thasarathan, Kamyar Nazeri, Mehran Ebrahimi

Greyscale image colorization for applications in image restoration has seen significant improvements in recent years. Many of these techniques that use learning-based methods struggle to effectively colorize sparse inputs. With the consistent growth of the anime industry, the ability to colorize sparse input such as line art can reduce significant cost and redundant work for production studios by eliminating the in-between frame colorization process. Simply using existing methods yields inconsistent colors between related frames resulting in a flicker effect in the final video. In order to successfully automate key areas of large-scale anime production, the colorization of line arts must be temporally consistent between frames. This paper proposes a method to colorize line art frames in an adversarial setting, to create temporally coherent video of large anime by improving existing image to image translation methods. We show that by adding an extra condition to the generator and discriminator, we can effectively create temporally consistent video sequences from anime line arts. Code and models available at: https://github.com/Harry-Thasarathan/TCVC

Kamyar Nazeri, Eric Ng, Tony Joseph et al.

Over the last few years, deep learning techniques have yielded significant improvements in image inpainting. However, many of these techniques fail to reconstruct reasonable structures as they are commonly over-smoothed and/or blurry. This paper develops a new approach for image inpainting that does a better job of reproducing filled regions exhibiting fine details. We propose a two-stage adversarial model EdgeConnect that comprises of an edge generator followed by an image completion network. The edge generator hallucinates edges of the missing region (both regular and irregular) of the image, and the image completion network fills in the missing regions using hallucinated edges as a priori. We evaluate our model end-to-end over the publicly available datasets CelebA, Places2, and Paris StreetView, and show that it outperforms current state-of-the-art techniques quantitatively and qualitatively. Code and models available at: https://github.com/knazeri/edge-connect

Harrish Thasarathan, Mehran Ebrahimi

There is a delicate balance between automating repetitive work in creative domains while staying true to an artist's vision. The animation industry regularly outsources large animation workloads to foreign countries where labor is inexpensive and long hours are common. Automating part of this process can be incredibly useful for reducing costs and creating manageable workloads for major animation studios and outsourced artists. We present a method for automating line art colorization by keeping artists in the loop to successfully reduce this workload while staying true to an artist's vision. By incorporating color hints and temporal information to an adversarial image-to-image framework, we show that it is possible to meet the balance between automation and authenticity through artist's input to generate colored frames with temporal consistency.