Jianhao Ye

Sijing Chen, Yuan Feng, Laipeng He et al.

With the advent of the big data and large language model era, zero-shot personalized rapid customization has emerged as a significant trend. In this report, we introduce Takin AudioLLM, a series of techniques and models, mainly including Takin TTS, Takin VC, and Takin Morphing, specifically designed for audiobook production. These models are capable of zero-shot speech production, generating high-quality speech that is nearly indistinguishable from real human speech and facilitating individuals to customize the speech content according to their own needs. Specifically, we first introduce Takin TTS, a neural codec language model that builds upon an enhanced neural speech codec and a multi-task training framework, capable of generating high-fidelity natural speech in a zero-shot way. For Takin VC, we advocate an effective content and timbre joint modeling approach to improve the speaker similarity, while advocating for a conditional flow matching based decoder to further enhance its naturalness and expressiveness. Last, we propose the Takin Morphing system with highly decoupled and advanced timbre and prosody modeling approaches, which enables individuals to customize speech production with their preferred timbre and prosody in a precise and controllable manner. Extensive experiments validate the effectiveness and robustness of our Takin AudioLLM series models. For detailed demos, please refer to https://everest-ai.github.io/takinaudiollm/.

Yu Pan, Yanni Hu, Yuguang Yang et al.

Despite great advances, achieving high-fidelity emotional voice conversion (EVC) with flexible and interpretable control remains challenging. This paper introduces ClapFM-EVC, a novel EVC framework capable of generating high-quality converted speech driven by natural language prompts or reference speech with adjustable emotion intensity. We first propose EVC-CLAP, an emotional contrastive language-audio pre-training model, guided by natural language prompts and categorical labels, to extract and align fine-grained emotional elements across speech and text modalities. Then, a FuEncoder with an adaptive intensity gate is presented to seamless fuse emotional features with Phonetic PosteriorGrams from a pre-trained ASR model. To further improve emotion expressiveness and speech naturalness, we propose a flow matching model conditioned on these captured features to reconstruct Mel-spectrogram of source speech. Subjective and objective evaluations validate the effectiveness of ClapFM-EVC.

Bin Lin, Yanzhen Yu, Jianhao Ye et al.

Existing audio-driven facial animation methods face critical challenges, including expression leakage, ineffective subtle expression transfer, and imprecise audio-driven synchronization. We discovered that these issues stem from limitations in motion representation and the lack of fine-grained control over facial expressions. To address these problems, we present Takin-ADA, a novel two-stage approach for real-time audio-driven portrait animation. In the first stage, we introduce a specialized loss function that enhances subtle expression transfer while reducing unwanted expression leakage. The second stage utilizes an advanced audio processing technique to improve lip-sync accuracy. Our method not only generates precise lip movements but also allows flexible control over facial expressions and head motions. Takin-ADA achieves high-resolution (512x512) facial animations at up to 42 FPS on an RTX 4090 GPU, outperforming existing commercial solutions. Extensive experiments demonstrate that our model significantly surpasses previous methods in video quality, facial dynamics realism, and natural head movements, setting a new benchmark in the field of audio-driven facial animation.

Jianhao Ye, Hongbin Zhou, Zhiba Su et al.

Recent advances in cross-lingual text-to-speech (TTS) made it possible to synthesize speech in a language foreign to a monolingual speaker. However, there is still a large gap between the pronunciation of generated cross-lingual speech and that of native speakers in terms of naturalness and intelligibility. In this paper, a triplet training scheme is proposed to enhance the cross-lingual pronunciation by allowing previously unseen content and speaker combinations to be seen during training. Proposed method introduces an extra fine-tune stage with triplet loss during training, which efficiently draws the pronunciation of the synthesized foreign speech closer to those from the native anchor speaker, while preserving the non-native speaker's timbre. Experiments are conducted based on a state-of-the-art baseline cross-lingual TTS system and its enhanced variants. All the objective and subjective evaluations show the proposed method brings significant improvement in both intelligibility and naturalness of the synthesized cross-lingual speech.